John and Craig introduce a new segment: The Scriptnotes Pitch Session! They listen to five listeners’ 90-second pitches and share their feedback on substance and style. We also discuss the implications of Verve signing the WGA agreement and get special insight on an important creative decision in Chernobyl. Join us for our live show in […]
John and Craig welcome back writer/director Chris McQuarrie (Valkyrie, Jack Reacher, the last two Mission: Impossibles) to celebrate the 400th episode with a new round of ‘This Kind of Movie.’ Given our success saving the romantic comedy, we focus on other movie genres that aren’t getting made anymore and discuss how to bring them back. […]
John and Craig talk to an audience of development executives about the experience of getting notes as a writer. They cover why these conversations kick in our fight or flight responses, how to frame notes through story, and ways to motivate writers towards a creative vision. We take questions from the audience and discuss ‘the […]
John and Craig present a special clip show with craft-focused segments hand-picked by Aline Brosh Mckenna. We’ll start by asking ‘Where to Begin?’ in Episode 174 and explore how to enter a story. Then we’ll discuss establishing setting and perspective in episode 45. Finally we’ll take a look at voice and the four rules to […]
John and Craig welcome back Andrea Berloff (World Trade Center, Straight Outta Compton) to talk all things sound: how it works on the page, on the stage, and in the mixing room. Andrea shares her experience working with sound for her upcoming directing debut, The Kitchen.
John and Craig talk big numbers, from the latest developments in the WGA/agency situation, to the announcement of Disney+ and the final installment of the Star Wars non-ology.
John and Craig explore the challenge of creating a movie with a group of heroes and multiple points of view. They’ll discuss options for structuring competing storylines, when to check back in with characters, and managing personal versus group stakes. We also answer listener questions on a bunch of topics including things Craig tweets! Links: […]
John and Craig welcome back Can You Ever Forgive Me? director Marielle Heller to discuss the challenge of creating a hero the audience can root for while also establishing that the character must change. We also answer questions from listeners about conflicting notes, meet-and-greets, and true-life stories. Links: WGA Video Explaining ATA Negotiations Can You […]
John welcomes WGA negotiation committee members Chris Keyser and Angelina Burnett to answer listener questions on what’s happening and what to expect. They offer insight into the history of the issues and new tools the Guild is rolling out for staffing season. We also follow up on the Disney/Fox 2000 merger, why we won’t be […]
John and Craig examine the final moment in movies, what they do and why they change so often. We also take on vaccines, corruption, and extreme weather in another installment of ‘How Would This be a Movie’ and follow up on important upcoming meetings for the WGA. Links: * [Aladdin](https://www.youtube.com/watch?v=foyufD52aog) in theaters May 24th! * […]
John and Craig welcome back Aline Brosh McKenna to talk about what she learned producing four seasons of Crazy Ex-Girlfriend. Aline shares the importance of trusting your gut, building school spirit, and empowering the voices around you. We’ll also talk about Emma Thompson, agency-affiliated producers, and more. Links: * Emma Thompson’s open [letter](https://www.latimes.com/entertainment/la-et-mn-emma-thompson-john-lasseter-skydance-20190226-story.html) to Skydance. […]
John and Craig proudly welcome back former Scriptnotes producer Megan McDonnell to tell her journey from film student to getting staffed on her first television show. We then review a batch of Three Page Challenge submissions, covering how to keep your audience engaged, build tension, and earn interesting characters. Plus, follow up on the WGA […]
John and Craig invite back Chris Keyser, co-chair of the WGA’s 2019 Agency Agreement negotiating committee, to discuss the issues. Specifically, they look at the difference between “packaging” and “packaging fees,” and the impact of agencies acting as writers’ employers. John then welcomes Michelle Satter to introduce Co//ab, the new online community from Sundance. Michelle […]
John welcomes Matt Selman, executive producer of The Simpsons, for a deep dive look at the three-year process of developing a single episode from initial idea to the finished product. We discuss the role of the writers room, the table read, producer notes, animatics, and the impact computer animation has had on The Simpsons workflow. […]
John and Craig head north to host Scriptnotes Live in Seattle. They welcome Emily Zulauf to discuss the process of pitching projects at Pixar, creating stories with heart out of pure misery, and when to admit you “don’t have it” and start over. We also hold our own Open Writing Assignment and play a game […]
John and Craig offer a special reminder to guild members to attend one of the upcoming WGA Agency Agreement meetings. Links: * [Scriptnotes, 347: Conflict of Interest](https://johnaugust.com/2018/conflict-of-interest) * [RSVP](http://click.email.wgaw.org/cp/viewRsvpForm.php?q=MTkxOTY) for a meeting * WGA Agency Agreement Meeting: Saturday, February 9 at 10:30 am at Writer’s Guild Theatre in Beverly Hills * WGA Agency Agreement Meeting: […]
John and Craig host a live show at the WGA Theatre with a deep dive look at The Princess Bride. They discuss how the “abridged” structure brings us only the best parts of the story and what this means for the characters and world: less exposition and more time for the fire swamp, R.O.U.S., and […]
John and Craig discuss when and how to break screenplay orthodoxy, from experimental formatting to narrative misdirects. They also examine why it’s important that your characters create, communicate, and break plans.
John and Craig dive into plot holes: why they happen, how to fix them, why not to fix them, and how to turn them into opportunities.
We also respond to listener questions on outlining, servicing many storylines, and what screenwriting challenges go under-appreciated.