In light of the dust-up over Coverfly, John and Craig discuss why most screenwriting contests are essentially useless and should be avoided. We then look at destructive fandom and ponder how today’s entitled enthusiasts might have responded to the classics. Plus we answer listener questions about the “gutters” between scenes, whether an employer owns your […]
John and Craig delve into the business of screenwriting from money to managers to medical plans. We answer listener questions about collecting unemployment, registering as a corporation, firing a rep, quitting your day job and handling the anxiety that comes with such an uncertain career path. Links: Alto’s Odyssey An ambiguously threatening advertisement for British […]
John and Craig tackle that tricky stretch of screenplay between crystalizing what the story is going to be and the protagonist actually embarking upon it: the end of Act 1. We also answer listener questions about writing for new media, why working outside of a WGA contract hurts everyone, what people want when asking for […]
John and Craig discuss suspense and its function in all genres, from thrillers to romcoms. They examine suspense of the known and of the unknown and the techniques available to construct it. We also answer listeners questions about registering scripts with the WGA, how to overcome creative paralysis and unconventional sluglines. Links: The WGA’s page […]
John and Craig offer advice to those who suspect their work has been stolen, providing a checklist to help determine if a claim has merit and suggestions for how to best proceed if it does. We also answer listener questions about taxes on agent commission, being a conservative voice in a writers’ room, and using […]
Craig and John open the overflowing listener mailbag to tackle questions on everything from montages to life rights to passive heroes. Plus, we have a definitive answer on whether to number minor characters. (Don’t.) We also finally address a major controversy: Craig’s missing cover of “Killing the Blues” from Episode 109. It exists, and you […]
It’s a craft episode, with Craig and John discussing allies and allegiances in film and television. Enemies are easy; friends are difficult. We talk through the types relationships characters find themselves in, and strategies for making the most of them.
Remember the live show in Austin, when we promised we’d read one lucky listener’s script and talk about it on the air? This is that episode.
We throw these terms around on the podcast without ever defining them.
Craig and John discuss three new entries in the Three Page Challenge, looking at how simple mistakes and confusing word choices can hurt the read.
Craig, John, and Aline record the 200th episode of Scriptnotes live with a worldwide audience listening in — and chiming in — as they discuss TV showrunning and whether quality really counts at the box office.
Craig and John discuss finding your way back to your story — and your enthusiasm — when writing your second draft. Craig has tips and suggestions. John has sympathy and war stories.
Craig and John tackle a single topic: bad movies and how they happen. Having experienced the process first-hand, they report on how bad ideas make it to the screen, and how good ideas go wrong. There’s no single answer, but a range of patterns that end in terrible movies.
John and Craig do a deep dive on Tess Gerritsen’s lawsuit concerning Gravity, using the case as a way to talk about contracts, chain of title, adaptation and corporate ownership. Spoiler: It’s really complicated, but it’s really interesting too.
Craig and John discuss the 31 superhero movies slated for the next few years. Is it good business or a trainwreck in the making?
Craig and John discuss the accusations of plagiarism surrounding True Detective — and what plagiarism even means in the context of filmed entertainment. Movies don’t have footnotes, so how should screenwriters give attribution?
Nothing is cut-and-dried this week. John and Craig talk Game of Thrones rape, allegations against director Bryan Singer and the new report showing the same low employment numbers for female writers in film and TV.
Craig delights as John gets @-napped in a Twitter thread about copyright infringement. Then they talk disruption in television, and how it affects writers.
A screenwriter sees a trailer that matches the premise of something he wrote ten years earlier. Was it idea theft, or just a good idea.
John and Craig tackle the greatest controversy in screenwriting: how many spaces to put after the period. From there, it’s follow-up on the Final Draft episode, including some behind-the-scene details.
In this special bonus episode, John and Craig answer listener questions from the 100th episode with help from guests Rawson Thurber and Aline Brosh McKenna.
John and Craig sit down with screenwriter-turned-psychotherapist Dennis Palumbo to discuss writer’s block, procrastination, partnerships and more. It’s a can’t-miss episode for aspiring writers and professionals alike.
John and Craig tackle the bursting mailbag, answering listener questions on topics ranging from the variable length of the TV season to underachieving agents to embarrassing IMDb credits.
Craig and John look at two recent court decisions that could have a big impact on how movies get sold and resold — and how writers get paid. First-Sale Doctrine is one of those intractable issues that involves freedom and control, bits and atoms, creators and consumers.
Can you sell a spec screenplay but retain the characters for other uses?