Archives

Formatting

Writing Memorable Dialogue

John and Craig have a dialogue about dialogue. They discuss how thinking about memorizing lines can help write them, and how to service quieter characters in a scene. We also answer listener questions about adapting plays for the screen, creating a different experience for your reader than your viewer, and whether to trust sketchily worded […]

Why Highland 2 doesn’t automatically add CONT’D

In screenplays, when a character continues speaking after a line or two of action, the convention is to write (CONT’D) after their second character cue. But software shouldn’t do that automatically.

Relationships

John and Craig discuss the importance and basics of developing relationships in storytelling. Characters are nothing without relationships, like Woody without Buzz, Shrek without Donkey, John without Craig… We then test these ideas about relationships against a fresh set of Three Page Challenges. Links: Arlo Finch covers look different around the world. You can catch […]

Putting Words on the Page

John and Craig discuss the digital tools of the trade. From outline to first draft to production rewrites, screenwriters find themselves facing different challenges. We talk about what works for each of us. We also speculate on what impact Highland 2’s gender analysis tool will have. Then we answer listener questions about following the “rules” […]

All About Family

John and Craig partake in another installment of How Would This Be a Movie? Which story is destined for the big screen: The millennial mother with her surprise, Youtube-guided childbirth? The couple that has the same fight for decades? The Japanese families-for-hire? We also follow up on the logic of multi-cam formatting, Georgia’s success in […]

Conflict of Interest

John and Craig examine the myriad conflicts of interest that arise in Hollywood, from self-dealing studios to packaging fees to pilot season. But it’s not just other people with issues. Writers grapple with their own conflicts of interest. We discuss what situations screenwriters might face and how to deal with them ethically. We also answer […]

What’s the Plan, Anyway?

John and Craig speculate what Luke Skywalker’s plan might have been in the opening of Return of the Jedi. They consider heroes’ plans generally, the allowance we grant as an audience for opening sequences and the foul taste of “logic ketchup.” We then engage in a long-awaited Three Page Challenge, focusing on scripts that play […]

We’re Back, Baby

John and Craig reunite to answer our backlog of listener questions. We follow up on what it means to utilize white space on a page, the conventions of musical numbers, the value of a victory lap, and what the hypothetical destruction of Los Angeles would mean for the industry. We also answer listener questions on […]

Wait for It

John and Craig discuss suspense and its function in all genres, from thrillers to romcoms. They examine suspense of the known and of the unknown and the techniques available to construct it. We also answer listeners questions about registering scripts with the WGA, how to overcome creative paralysis and unconventional sluglines. Links: The WGA’s page […]

Austin 2017 Three Page Challenge

John and Craig review four Three-Page Challenge entries with the help of Daniela Garcia-Brcek (Literary Manager at Circle of Confusion) and Cullen Conly (Literary Agent at ICM). We then invite the writers up to discuss the notes. It’s not just craft, though. Our special guests give us a behind-the-scenes look at the realities of representation. […]

Should You Give Up?

John and Craig attempt to answer the question that many aspiring screenwriters dare not ask aloud: when — if ever — is the right time to give up on the dream of becoming a working screenwriter? Relatedly, is it okay to omit “aspiring” when describing oneself as a screenwriter? How do you ask friends for […]

Movies Dodged a Bullet

John and Craig speculate about why the film industry fared better in the transition to digital while the music industry struggled. We also follow up on the WGA elections, hearing John’s priorities as a new board member. Lured back into the intrigue of MoviePass, we discuss new information on this business model. Then it’s another […]

What is good writing?

It’s an all-craft episode as John and Craig discuss what they mean when they say good writing. Quality isn’t an objective measurement but rather a subjective experience. It’s the relationship between the reader and writer. From vulnerability to voice, consistency to surprise, good writing shares many characteristics with good acting. We then look at three […]

Whiplash, on paper and on screen

John and Craig take an in-depth look at two scenes in Damien Chazelle’s WHIPLASH to see how conflicts were structured — and what changed from script to shooting.

Formatting a montage in Highland using Forced Action

Highland’s forced action syntax is a useful way to format unusual patterns in your screenplay.

NDAs and other acronyms

Craig and John open the mailbag to answer questions on acronyms in dialogue, off-the-air specs and international WGA jurisdiction. Plus we look at the growing trend of non-disclosure agreements on studio projects, and whether the nature of film requires less complex characters.

Short cut-aways, and the value of BACK TO:

When dealing with cutaways and flashbacks, screenwriters have a few choices for how to portray it on the page.

The 200th Episode Live Show

Craig, John, and Aline record the 200th episode of Scriptnotes live with a worldwide audience listening in — and chiming in — as they discuss TV showrunning and whether quality really counts at the box office.

You can’t train a cobra to do that

Craig and John discuss backup plans, camera directions, and becoming so good they can’t ignore you. Plus we answer two listener questions about specificity in scene headers and how to indicate that a script is intended for animation.

The Rules (or, the Paradox of the Outlier)

John and Craig discuss this year’s screenplay Oscar winners, including the success of Birdman’s outside-the-box approach and Graham Moore’s speech.

Is automatic (cont’d) a bug or a feature?

In some cases, you’ll absolutely want to use (cont’d) to indicate a character is still speaking. But it’s not always the right choice, which is why we don’t do it automatically in Highland.

Screenplays on the Kindle, 2015 edition

A screenwriter friend just emailed me to ask how she could get one of her scripts to look good on the Kindle. You can’t. It’s the wrong tool for the job.

How to Write a Photoplay

Today’s one awesome thing comes from the Internet Archive: Herbert Case Hoagland’s 1912 book How to Write a Photoplay: To write a photoplay requires no skill as a writer, but it does require a “constructionist.” It requires the ability to grasp an idea and graft (please use in the botanical sense) a series of causes […]

The Deal with the Deal

John and Craig talk with WGA President Chris Keyser about the tentative deal reached between writers and the studios, and why it’s more groundbreaking than it might appear at first glance.

How to convert a PDF to Final Draft

Screenwriters often find themselves with PDF of a screenplay when they actually need a Final Draft (.fdx) file that they can edit. Here are three ways to convert from PDF to fdx, ranging from painful to sublime.