Austin 2018 Three Page Challenge

John and Craig review three new Three Page Challenge entries with the help of Lindsay Doran (producer of Stranger Than Fiction, Sense and Sensibility, Nanny McPhee, Dead Again) and Jewerl Ross (manager and founder of Silent R Management). They then invite the writers up to discuss the notes, including the importance of geography, setting up […]

Writing Memorable Dialogue

John and Craig have a dialogue about dialogue. They discuss how thinking about memorizing lines can help write them, and how to service quieter characters in a scene. We also answer listener questions about adapting plays for the screen, creating a different experience for your reader than your viewer, and whether to trust sketchily worded […]

Two Things at the Same Time

John and Craig look into simultaneity and how to visually articulate two things happening at once with the temporally-limited medium of written word. We also explore how simultaneity can ramp up tension, fracture narrative and play with expectations. Then we apply what we’ve discussed to three new entries in the Three Page Challenge. Links: Become […]

Tying Things Up

John and Craig cover endings, both for craft and for business. First they articulate the importance of the denouement and the social contract it fulfills with the audience. Then they discuss what happens to a writer’s work after their death. We also follow up on pitching, and introduce a new segment: Change Craig’s Mind. This […]

Relationships

John and Craig discuss the importance and basics of developing relationships in storytelling. Characters are nothing without relationships, like Woody without Buzz, Shrek without Donkey, John without Craig… We then test these ideas about relationships against a fresh set of Three Page Challenges. Links: Arlo Finch covers look different around the world. You can catch […]

Point of View

John and Craig discuss the power of point of view in scripts and how the choice of which characters have storytelling power changes how we experience a movie. Point of view has a meaningful role in creating mystery, expanding scale, elevating characters, and energizing a story. We also answer listener questions about “Jackman shots,” renaming […]

This Title is an Example of Exposition

John and Craig debate and defend one of the most-maligned elements of screenwriting: Exposition. How do you tell an audience what they need to know without being labeled a hack? We offer tips for getting viewers up to speed without them realizing they’re getting fed exposition. We also follow up on screenplay competitions, the psychology […]

Bad Behavior

John and Craig discuss the hot new trend of firing jerks from successful TV shows. Why is it happening now like never before? Is there an important distinction between being “difficult” and being a jerk? We also follow up on listener suggestions for outlining tools, and answer questions about the landscape of feature comedy, the […]

Putting Words on the Page

John and Craig discuss the digital tools of the trade. From outline to first draft to production rewrites, screenwriters find themselves facing different challenges. We talk about what works for each of us. We also speculate on what impact Highland 2’s gender analysis tool will have. Then we answer listener questions about following the “rules” […]

Conflict of Interest

John and Craig examine the myriad conflicts of interest that arise in Hollywood, from self-dealing studios to packaging fees to pilot season. But it’s not just other people with issues. Writers grapple with their own conflicts of interest. We discuss what situations screenwriters might face and how to deal with them ethically. We also answer […]

Knowing vs. Discovering

John and Craig consider how much a writer should know before going into a scene, looking at the perks and pitfalls of planning and letting oneself discover. We also discuss taking notes from producers and executives. When should you stand your ground? When should you accommodate? What if it’s an excellent drawing of an elephant […]

What’s the Plan, Anyway?

John and Craig speculate what Luke Skywalker’s plan might have been in the opening of Return of the Jedi. They consider heroes’ plans generally, the allowance we grant as an audience for opening sequences and the foul taste of “logic ketchup.” We then engage in a long-awaited Three Page Challenge, focusing on scripts that play […]

The Next 117 Pages

John and Craig talk about everything that comes after the oft-discussed First Three Pages, speculating on the kinds of issues they’d spot if they were looking at full scripts. They also answer listener questions on topics ranging from proper spacing protocol to novelists rewriting their screenplay adaptations. This episode originally aired on November 27, 2012. […]

Wait for It

John and Craig discuss suspense and its function in all genres, from thrillers to romcoms. They examine suspense of the known and of the unknown and the techniques available to construct it. We also answer listeners questions about registering scripts with the WGA, how to overcome creative paralysis and unconventional sluglines. Links: The WGA’s page […]

A Cop’s Cop Show

John and Craig give notes on a pilot script by our Homecoming Live Show Winner, Andrew Thalheimer. The Harrows is an hour-long police drama that centers on the relationship between a straight-laced new recruit and his street-wise father after they are assigned to be each other’s partner. In talking through The Harrows, we discuss the […]

Mergers and Breakups

John and Craig explore the possibilities and consequences of Disney’s potential purchase of Fox film and television studios. What might prevent the sale? What does each side stand to gain? To lose? What could it mean for writers? Then, it’s another installment of “This Kind of Scene,” in which we dissect the mechanics of an […]

Austin 2017 Three Page Challenge

John and Craig review four Three-Page Challenge entries with the help of Daniela Garcia-Brcek (Literary Manager at Circle of Confusion) and Cullen Conly (Literary Agent at ICM). We then invite the writers up to discuss the notes. It’s not just craft, though. Our special guests give us a behind-the-scenes look at the realities of representation. […]

Movies Dodged a Bullet

John and Craig speculate about why the film industry fared better in the transition to digital while the music industry struggled. We also follow up on the WGA elections, hearing John’s priorities as a new board member. Lured back into the intrigue of MoviePass, we discuss new information on this business model. Then it’s another […]

First Day on the Job

Craig and John debut a new segment: This Kind of Scene, looking at how different movies handle similar situations. The Hudsucker Proxy, The Devil Wears Prada, Hidden Figures and Training Day all need to introduce their heroes to their new workplaces. We examine how those scenes work, both on the page and on screen. We […]

Unforgiven

Craig and John take a deep dive into 1992’s Unforgiven, looking at how the David Webb Peoples script works on the page and on the screen.

Logic and Gimmickry

John and Craig step up to the whiteboard to look at the story logic in our scripts, then examine how tricks and gimmicks can help keep scenes interesting.

Lying builds character

When we see characters lying, we know more about what matters to them.

Pour one out for “Hold my beer”

“Hold my beer” is getting clammy, but it’s worth exploring why it works as a Twitter joke.

The Workaholics list of banned phrases

John Quaintance recently tweeted photos of two whiteboards listing phrases banned in the Workaholics writers’ room. His tweet has been widely shared, and is a mitzvah to all writers. These phrases are all clams — jokes that aren’t funny anymore and therefore need to die. When you include them in a script, you’re evoking the […]

Generic Trigger Warning

John and Craig take a look at three new entries in the Three Page Challenge, with scripts tackling kidnapping, dystopia and parkour hackers. We look at both how the writing works on the page, and what the writers seem to be trying to say.