John welcomes Alison McDonald (American Dad!, Nurse Jackie, the remake of Roots) and Ryan Knighton (In the Dark) to talk through the basics of the TV writers room, covering how they got in, how much to talk, how to make a living, what to wear and what’s for lunch. In follow up, we look at […]
Writing for The Hollywood Reporter, Rebecca Sun and Jonathan Handel look at the controversy over agencies investing in TV and movies. How can agencies defend the conflict of interest inherent in employing their own clients?
John sits down with writer/actor Mindy Kaling (The Office, The Mindy Project, Champions) to talk about her origin story, her big break as Ben Affleck, what it’s like to simultaneously showrun and star in a sitcom, and the nature of half-hour comedies. We also answer a listener question about point of view and its relationship […]
John welcomes Linda Woolverton (Beauty and the Beast, The Lion King, Homeward Bound) to talk about her experience writing animated features, from the parallel processes of writing and production to her paltry paycheck for Beauty and the Beast. They consider the blurring lines between live-action and hyperrealistic CGI, as well as the history of animation […]
John and Craig discuss the hot new trend of firing jerks from successful TV shows. Why is it happening now like never before? Is there an important distinction between being “difficult” and being a jerk? We also follow up on listener suggestions for outlining tools, and answer questions about the landscape of feature comedy, the […]
John and Craig welcome Lisa Joy & Jonah Nolan (Westworld) and Stephen McFeely & Christopher Markus (Avengers: Infinity War) to our annual live show benefitting Hollywood Heart. We discuss worldbuilding, the challenges and delights of serialized storytelling, and the extreme measures taken to keep secrets. We also answer audience questions on villains as protagonists, music […]
John and co-host John Gatins sit down with Aline Brosh McKenna and Rachel Bloom to discuss the experience of writing the third season of Crazy Ex-Girlfriend, from breaking story in hot tubs to adjusting genital-related dances in compliance with Broadcast Standards and Practices. With spoilers aplenty, we discuss the challenges of a TV protagonist’s Act […]
John and Craig discuss the digital tools of the trade. From outline to first draft to production rewrites, screenwriters find themselves facing different challenges. We talk about what works for each of us. We also speculate on what impact Highland 2’s gender analysis tool will have. Then we answer listener questions about following the “rules” […]
John and Craig examine the myriad conflicts of interest that arise in Hollywood, from self-dealing studios to packaging fees to pilot season. But it’s not just other people with issues. Writers grapple with their own conflicts of interest. We discuss what situations screenwriters might face and how to deal with them ethically. We also answer […]
John and Craig welcome Isaac Aptaker and Elizabeth Berger, the writing team that showruns This Is Us and just made history with Love, Simon. We discuss their experience of breaking into the industry, writing with a partner, running a hit show, adapting YA novels for the screen, and the broccoli/marinara/pudding meals that got them here. […]
Craig welcomes Alec Berg, executive producer of two current HBO comedies (Barry and Silicon Valley), to discuss balancing productivity and creative energy, “comedy geometry,” and identifying as a craftsman rather than an artist. We also answer listener questions about committing to a genre, the necessity of act breaks, and how much writers actually get to […]
John is joined by The Americans’ executive producer Stephen Schiff at a live Scriptnotes taping in New York! They discuss grounding an outrageous premise in character, suspension of disbelief, premium act breaks, and writing for a foreign language. We also answer audience questions about New York writers rooms, expert consultants, expecting comparisons, first drafts, and […]
John and Craig offer advice to those who suspect their work has been stolen, providing a checklist to help determine if a claim has merit and suggestions for how to best proceed if it does. We also answer listener questions about taxes on agent commission, being a conservative voice in a writers’ room, and using […]
John and Craig give notes on a pilot script by our Homecoming Live Show Winner, Andrew Thalheimer. The Harrows is an hour-long police drama that centers on the relationship between a straight-laced new recruit and his street-wise father after they are assigned to be each other’s partner. In talking through The Harrows, we discuss the […]
John and Craig discuss showrunning, remaking existing IP, staffing, and fan behavior with Julie Plec (Vampire Diaries, The Originals), Michael Green (Bladerunner 2049, American Gods, Murder on the Orient Express, Logan), and Justin Marks (Jungle Book, Counterpart). In light of the big Fox/Disney merger, we contemplate which other podcasts we should consider teaming with to […]
John and Craig share their insight into pitching for television. How is it different that pitching features? How do express your passion for the project? How do you avoid being a Willy Loman pitching to a Willy Loman? (Sometimes you don’t.) We also follow-up on the conversation about sexual harassment, with a focus on how […]
John and Craig review four Three-Page Challenge entries with the help of Daniela Garcia-Brcek (Literary Manager at Circle of Confusion) and Cullen Conly (Literary Agent at ICM). We then invite the writers up to discuss the notes. It’s not just craft, though. Our special guests give us a behind-the-scenes look at the realities of representation. […]
John and Craig talk with uber-screenwriter Scott Frank (Out of Sight, Get Shorty, Minority Report, Logan) about how his feature script Godless ended up as a miniseries at Netflix. We then invite more guests up to discuss what movies can learn from the success of TV: Guinevere Turner (American Psycho, Go Fish) Scott Alexander (Ed […]
John and Craig welcome Daley Haggar and Dara Resnik to examine the potential impacts of the Harvey Weinstein revelations on Hollywood. What should have been done? And what should happen next to foster a safer, saner and more inclusive industry culture? We also explore gender dynamics in a television writers room, discuss ways to address […]
Daley Haggar shares her experience in the writers room. Originally posted on Lenny Letter. Email us at email@example.com You can download this Scriptnotes Voice here.
John and Craig welcome back Aline Brosh McKenna to talk about writing projects outside the familiar constraints of screenwriting. We discuss the surprises and adjustments involved in the creative processes of different media: Aline’s graphic novel Jane, Craig’s HBO miniseries Chernobyl, and John’s original song, “Rise.” We also dig into why screenwriters sometimes need to […]
John and Craig welcome special guests Megan Amram (The Good Place), Tom Schnauz (Better Call Saul) and Matt Selman (The Simpsons) to talk about writing television, from staffing to breaking story to the challenge of short seasons.
Craig and John talk with Chris Keyser, one of the co-chairs of the WGA Negotiating Committee, to learn what gains were achieved in the most recent deal, and what work lies ahead.
Boris Kachka takes an in-depth look at how the final episode of The Leftovers was written, shot and edited.
In this very special episode from 2014, Craig and John welcome special guests Aline Brosh McKenna, Rachel Bloom, B.J. Novak, Jane Espenson and Derek Haas to talk about writing books, movies and especially television.