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Adaptation

The One with Eric Roth

Episode - 475

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November 10, 2020 Adaptation, Directors, Film Industry, QandA, Scriptnotes, Writing Process

John welcomes legendary screenwriter Eric Roth (Forrest Gump, A Star is Born, Dune) to discuss his writing practice and how he gets in the head of his characters.

We answer audience questions on how to trust your voice and approach adaptations.

Finally, in our bonus segment for premium members John and Craig discuss election night and the days after. Like we did after the 2016 election, we’re including the bonus segment on the main feed this week. (Note: This was recorded on Friday before the final states were called.)

 

Links:

  • Eric Roth
  • Thanks to the Writer’s Guild Foundation for organizing this event!
  • MIT Technology Review and How to Escape the Present by Richard Fisher
  • Why Joe Biden is Going to Win by Kendall Kaut
  • Get a Scriptnotes T-shirt!
  • John August on Twitter
  • Craig Mazin on Twitter
  • John on Instagram
  • Outro by Rajesh Naroth (send us yours!)
  • Scriptnotes is produced by Megana Rao and edited by Matthew Chilelli.

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 11-20-20 The transcript for this episode can now be found here.

Splitting the Party

January 15, 2019 Adaptation, Arlo Finch, Big Fish, Film Industry, Follow Up, Genres, News, Producers, QandA, Rights and Copyright, Scriptnotes, Story and Plot, Transcribed, Travel, Treatments

John and Craig talk about the trope of “Never split the party,” and why, as a writer, you often want and need to divide up your characters to better explore relationships, propel the story forward, give actors something to do, and simply fit everyone in the frame.

We also follow up on screenwriting scams, sequences, websites, and liking things that others don’t.

Links:

  • Join us for the WGA’s Princess Bride screening on January 27th.
  • You can catch John on Studio 360.
  • “Let’s Split Up the Gang” and “Never Split the Party” are topical TV tropes.
  • Watch Patton Oswalt when he’s not being utilized in a big scene.
  • Scriptnotes, Ep 381: Double Ampersand with Fran Walsh, Peter Jackson and Philippa Boyens
  • Big Fish sequence outline
  • Sarah Silverman recording Slaughter Race, music by Alan Menken, lyrics by Phil Johnston and Tom MacDougall
  • TripIt
  • This Is Your Brain On Pot
  • You can now preorder the next Arlo Finch
  • T-shirts are available here! We’ve got new designs, including Colored Revisions, Karateka, and Highland2.
  • John August on Twitter
  • Craig Mazin on Twitter
  • John on Instagram
  • Find past episodes
  • Scriptnotes Digital Seasons are also now available!
  • Outro by Matthew Chilelli (send us yours!)

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 1-23-2019: The transcript of this episode can be found here.

Double Ampersand

December 25, 2018 Adaptation, Books, Directors, Film Industry, Genres, Producers, QandA, Scriptnotes, Story and Plot, Transcribed, WGA, Writing Process

John sits down with Fran Walsh, Peter Jackson and Philippa Boyens to discuss their new film Mortal Engines, and their approach to writing as a team, worldbuilding, and rewriting through production, because one does not simply walk into Mordor.

We also answer audience questions about the difference between ideas for television and movies, and working through dialogue out loud.

Links:

  • Thanks to Fran Walsh, Peter Jackson and Philippa Boyens!
  • Mortal Engines is in theaters now.
  • Mortal Engines is based on the book series by Philip Reeve.
  • T-shirts are available here! We’ve got new designs, including Colored Revisions, Karateka, and Highland2.
  • John August on Twitter
  • John on Instagram
  • Find past episodes
  • Scriptnotes Digital Seasons are also now available!
  • Outro by Matt Davis (send us yours!)

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 1-2-19: The transcript of this episode can be found here.

Real-World Villains

November 6, 2018 Adaptation, Citizenship, Follow Up, Scriptnotes, Story and Plot

John and Craig investigate actual villains in this installment of How Would This Be a Movie? From the eerily prescient writer of “How to Murder Your Husband” to the dark comedy of Jacob Wohl, sometimes reality provides the character — now you just need an actual story.

We also look at the craft behind writing for ensemble, plus follow-up on the end of FilmStruck, “No Writing Left Behind,” specifying character race in scripts and the hopeful resurgence of family-friendly Christmas movies.

Links:

  • FilmStruck is Shutting Down
  • Aaron Sauerland’s tweet about writing for ensembles
  • Novelist Who Penned ‘How To Murder Your Husband’ Essay Charged With Husband’s Murder by Laurel Wamsley for NPR
  • Never Go Full Trump: The Lena Epstein Story by Josh Marshal for TPM
  • The Humiliating Crash and Burn of Pro-Trump Media Star Jacob Wohl Is the Best Political Story of the Season by Dustin Rowles for Pajiba
  • ‘Nicole From Last Night’: University Of Calgary Student Mass Emails 247 Nicoles by Maija Kappler for Huffington Post
  • Meet the gallant all-black American female battalion that served in Europe during World War II by Elizabeth Ofosuah Johnson for Face 2 Face Africa.
  • Mary McLeod Bethune
  • 6 Tips for Getting Your Solo Play to Broadway by Mike Birbiglia
  • Decrypto
  • T-shirts are available here! We’ve got new designs, including Colored Revisions, Karateka, and Highland2.
  • John August on Twitter
  • Craig Mazin on Twitter
  • John on Instagram
  • Find past episodes
  • Scriptnotes Digital Seasons are also now available!
  • Outro by Matthew Chilelli (send us yours!)

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 11-14-18: The transcript of this episode can be found here.

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