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Episode - 360

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July 24, 2018 Arlo Finch, Broadway, Formatting, News, Scriptnotes, Three Page Challenge, Transcribed, Words on the page, Writing Process

John and Craig discuss the importance and basics of developing relationships in storytelling. Characters are nothing without relationships, like Woody without Buzz, Shrek without Donkey, John without Craig… We then test these ideas about relationships against a fresh set of Three Page Challenges. Links: Arlo Finch covers look different around the world. You can catch […]

Where Movies Come From

July 17, 2018 Adaptation, Comics, Film Industry, Follow Up, Genres, News, Producers, Rights and Copyright, Scriptnotes, Transcribed, WGA, Writing Process

John and Craig welcome Liz Hannah (screenwriter of The Post) to explore where movies come from, be it real life, storytelling social media sites, or all-powerful comic book IP. How do these story sources affect the writer’s relationship with the material and with the audience? We also follow up on the meaning of “Jackman Shot” […]

This Title is an Example of Exposition

July 3, 2018 Comics, Film Industry, Follow Up, How-To, Scriptnotes, Story and Plot, Sundance, Words on the page, Writing Process

John and Craig debate and defend one of the most-maligned elements of screenwriting: Exposition. How do you tell an audience what they need to know without being labeled a hack? We offer tips for getting viewers up to speed without them realizing they’re getting fed exposition. We also follow up on screenplay competitions, the psychology […]

Writing Animated Movies

June 26, 2018 Broadway, Directors, Film Industry, Genres, Producers, Scriptnotes, Story and Plot, Television, Transcribed, WGA, Writing Process

John welcomes Linda Woolverton (Beauty and the Beast, The Lion King, Homeward Bound) to talk about her experience writing animated features, from the parallel processes of writing and production to her paltry paycheck for Beauty and the Beast. They consider the blurring lines between live-action and hyperrealistic CGI, as well as the history of animation […]

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