Archives

Transcribed

First Day on the Job

Craig and John debut a new segment: This Kind of Scene, looking at how different movies handle similar situations. The Hudsucker Proxy, The Devil Wears Prada, Hidden Figures and Training Day all need to introduce their heroes to their new workplaces. We examine how those scenes work, both on the page and on screen. We […]

Distracted Boyfriend Is All of Us

John and Craig dive into another round of How Would This Be a Movie, looking at stories (and memes!) from around the world to figure out which ones might lend themselves to big-screen treatment.

Big Screens, Big Money

John and Craig offer a 101 on how movies make money at theaters, and why a 1948 Supreme Court case changed everything.

Unforgiven

Craig and John take a deep dive into 1992’s Unforgiven, looking at how the David Webb Peoples script works on the page and on the screen.

Well, It Worked in the 80s

John and Craig look at four films from the past and discuss how we could make them today.

The Magic Word Is In This Episode

Craig and John tackle a bunch of listener questions, along with follow-up on previous discussions.

Scriptnotes Live Homecoming Show

John and Craig welcome special guests Megan Amram (The Good Place), Tom Schnauz (Better Call Saul) and Matt Selman (The Simpsons) to talk about writing television, from staffing to breaking story to the challenge of short seasons.

What’s in the WGA Deal

Craig and John talk with Chris Keyser, one of the co-chairs of the WGA Negotiating Committee, to learn what gains were achieved in the most recent deal, and what work lies ahead.

Twelve Days of Scriptnotes

In this very special episode from 2014, Craig and John welcome special guests Aline Brosh McKenna, Rachel Bloom, B.J. Novak, Jane Espenson and Derek Haas to talk about writing books, movies and especially television.

Generic Trigger Warning

John and Craig take a look at three new entries in the Three Page Challenge, with scripts tackling kidnapping, dystopia and parkour hackers. We look at both how the writing works on the page, and what the writers seem to be trying to say.

Flaws are features

Craig and John look at unforgettable villains, screenwriter billions, and a parallel world with two Nathan Fillions. (The last part is not true.)

Aaron Sorkin vs. Aristotle

John and Craig consider a new master class in screenwriting taught by Aaron Sorkin, and a very old Greek word (anagnorisis) championed by Aristotle. Both are useful!

New and Old Hollywood

With credits ranging from Captain Phillips to The Hunger Games, plus several stints in WGA contract negotiations, Billy Ray knows as much as any screenwriter about the realities of working writers and the turmoil in the industry. He joins us to talk about his new Amazon pilot, The Last Tycoon, which charts the behind-the-scenes drama at a 1930s Hollywood studio.

The One with the Kates

John and Craig welcome Kate McLennan and Kate McCartney, the Australian creator/stars of The Katering Show (a previous One Cool Thing).

Television Economics for Dummies

Jonathan Groff — the Black-ish writer/producer, not the actor — joins John and Craig to explain the new vocabulary of television and why companies are all about ownership.

An Alliance with House Mazin

It’s a craft episode, with Craig and John discussing allies and allegiances in film and television. Enemies are easy; friends are difficult. We talk through the types relationships characters find themselves in, and strategies for making the most of them.

The One with the Austin Winner

Remember the live show in Austin, when we promised we’d read one lucky listener’s script and talk about it on the air? This is that episode.

How to Introduce Characters

John talks with Rachel Bloom and Aline Brosh McKenna, co-creators of Crazy Ex-Girlfriend, about how they pitched and wrote their critically-acclaimed show.

Pitching an Open Writing Assignment

John and Craig discuss open writing assignments, and how to best pitch to producers and studios looking to hire a writer for a specific property. Most of the work happens before you set foot in the room, so proper planning is essential.

The One with the Idiot Teamster

John and Craig welcome writer-director Lorene Scafaria to talk about her new movie The Meddler and some of the unique challenges faced by female directors.

Outlines and Treatments

John and Craig look at the non-screenplay things screenwriters end up writing, most notably outlines and treatments. We discuss some of the ones we’ve written (with examples), and offer advice on writing your own.

The Invitation, and Requels

Phil Hay and Matt Manfredi join us to talk about their new movie The Invitation, and what’s it’s like to go from writing tentpole action films (like Clash of the Titans) to comedies (like Ride Along) to chamber-drama thrillers.

No More Milk Money

Craig and John welcome back Aline Brosh McKenna to discuss what she learned going from writing features to show-running Crazy Ex-Girlfriend — and what’s waiting for her back in movie-land. The three of us came into the business at the height of the spec market, but everything is different now.

Fan Fiction and Ghost Taxis

Craig and John look at three stories in the news for another installment of “How Would This Be a Movie?” From fake scientists to figure skaters, we pitch our takes before some actor’s production company buys the rights. Speaking of rights, a new lawsuit targets the makers of Creed for stealing the idea. The case […]

David Mamet and the producer pass

In an episode consisting entirely of answers to listener questions, John and Craig discuss David Mamet, internet trolls, post-credit scenes and English actors attempting American accents. Plus, who would win in an all-out brawl to the death? The answer will probably not surprise you. Links: David Mamet’s memo to writers of The Unit Craig’s Twitter […]