John August

Transcribed

So you’ve been nominated for an Oscar

Episode - 726

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Scriptnotes, Transcribed

John welcomes writer-directors Natalie Musteata and Alexandre Singh (Two People Exchanging Saliva) to ask, what happens when your short film is nominated for an Oscar? They look at each step from their initial idea to awards season to see how they positioned their short to be considered for an Academy Award.

We also reflect on the lessons learned from short films, and answer listener questions on how to give actors your script and finding representation after your Oscar heat has cooled.

In our bonus segment for premium members, we turn up the contrast on the many reasons for shooting in black and white.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 3-5-26: The transcript for this episode can be found here.

Torn from the pages of Squash Magazine

HWTBAM, Scriptnotes, Transcribed

John and Craig gather our listeners’ favorite news articles and ask, How Would This Be a Movie? Stories include an underground network delivering menstrual supplies in Minneapolis, a millennial travel group, how the US hacked ISIS, and a fake college squash team.

But first we follow up on modern comps, email issues, teaching screenwriting, and what it means to be undeniable. We also answer listener questions on querying reps with a published book and whether writers really need to repeat the plot for a second-screen audience.

In our bonus segment for premium members, what do we do with all our old CDs and DVDs? We weigh the pros and cons of physical media.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 3-5-26: The transcript for this episode can be found here.

Introductions with Joachim Trier

Scriptnotes, Transcribed

John welcomes writer and director Joachim Trier (Sentimental Value, The Worst Person in the World) to ask, how do you introduce your characters and their world to the audience? Using the screenplay for Sentimental Value, Joachim lays out how he sets up his themes, characters, conflicts and narrative authority in the first few pages.

We also look at Joachim’s process of developing stories with his co-writer Eskil Vogt, and answer listener questions on endings, casting, and work-life balance.

In our bonus segment for premium members, Joachim and John flip through how we present screenplays on screen, why Joachim translates his scripts in pre-production, and the one little detail you might not have noticed in Sentimental Value.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 2-17-26: The transcript for this episode can be found here.

Blank Meets Blank

Scriptnotes, Transcribed

John and Craig ask, what makes a useful comp? Writers often use comparisons when pitching or discussing projects, but what separates good comps from bad comps, why do we use them, and when do comps hurt more than they help? Basically, it’s The Studio meets My Dinner with Andre.

We also follow up on orality and “film by” credits, answer listener questions on getting AI feedback and attaching an actor to a microbudget feature, plus bring you another installment of John Recently Learned.

In our bonus segment for premium members, John and Craig are having weird issues with their email servers and need your help!

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 2-17-26: The transcript for this episode can be found here.