John August

Transcribed

The One with David E. Kelley

Episode - 739

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Scriptnotes, Transcribed

John and Craig welcome writer and showrunner David E. Kelley (Big Little Lies, Ally McBeal) to look at his process for adapting books to TV, particularly with his latest series Margo’s Got Money Troubles. They explore where to find your act breaks, crafting complicated tones, and when to trust the writer of the book.

We also look at how TV has changed over David’s storied career, how he runs a writers room, creating story engines, the difference between writing for broadcast TV and streaming, and the one thing a TV show should never be.

In our bonus segment for premium members, David coaches John and Craig on how to survive a long running series.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

 UPDATE 6-10-26: The transcript of this episode can be found here.

Building Your Audience with Courtney Kemp

Scriptnotes, Transcribed

John welcomes writer and showrunner Courtney Kemp (Power, Nemesis) to ask, how do you find an audience and build momentum on television? They look at how writers can match their voice to an underserved audience, the pitfalls of being boxed in by a niche, and what new writers can do to get people excited about their work.

We also chart how Courtney built her career from magazine writer to creating the television franchise Power, look at the exciting success of Obsession and Backrooms, and answer listener questions on talking to your reps about financial struggles, and how to find your project’s “why now?”

In our bonus segment for premium members, Courtney shot her new show Nemesis entirely in Los Angeles, and you can too!

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 6-5-26: The transcript for this episode can be found here.

Studio-Adjacent

Scriptnotes, Transcribed

John welcomes back Phil Hay (Destroyer, The Invitation) to ask, how do you get a movie made with independent financing? They look at how indie movies get made, where you get the money, deciding when to go indie, and whether streamers complicate the picture.

We also follow up on testing movies with focus groups and answer listener questions on how to navigate the editing room, daily routines, and what to do when your story has too many themes.

In our bonus segment for premium members, we look back on what Phil learned about D&D from his documentary The Dungeon Masters.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 6-5-26: The transcript for this episode can be found here.

The Devil You Know

Scriptnotes, Transcribed

John and Craig welcome back Aline Brosh McKenna (The Devil Wears Prada, Crazy Ex-Girlfriend) to explore the timely questions about art and human labor posed by her long-awaited sequel, The Devil Wears Prada 2. We’ll warn you now: Spoilers ahead!

We also look at what AI knitting podcasts can tell us about the future of industrially-produced slop, and answer a listener question on how to approach the engine of a TV show.

In our bonus segment for premium members, what would a hypothetical Scriptnotes Screenplay Club look like? Aline weighs in to make sure the design is impeccable.

That’s all.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 5-28-26: The transcript for this episode can be found here.