John welcomes Matt Selman, executive producer of The Simpsons, for a deep dive look at the three-year process of developing a single episode from initial idea to the finished product. We discuss the role of the writers room, the table read, producer notes, animatics, and the impact computer animation has had on The Simpsons workflow. […]
John and Craig head north to host Scriptnotes Live in Seattle. They welcome Emily Zulauf to discuss the process of pitching projects at Pixar, creating stories with heart out of pure misery, and when to admit you “don’t have it” and start over. We also hold our own Open Writing Assignment and play a game […]
John and Craig offer a special reminder to guild members to attend one of the upcoming WGA Agency Agreement meetings. Links: Scriptnotes, 347: Conflict of Interest RSVP for a meeting WGA Agency Agreement Meeting: Saturday, February 9 at 10:30 am at Writer’s Guild Theatre in Beverly Hills WGA Agency Agreement Meeting: Wednesday, February 13 at […]
John and Craig host a live show at the WGA Theatre with a deep dive look at The Princess Bride. They discuss how the “abridged” structure brings us only the best parts of the story and what this means for the characters and world: less exposition and more time for the fire swamp, R.O.U.S., and […]
John and Craig discuss when and how to break screenplay orthodoxy, from experimental formatting to narrative misdirects. They also examine why it’s important that your characters create, communicate, and break plans.
John and Craig dive into plot holes: why they happen, how to fix them, why not to fix them, and how to turn them into opportunities.
We also respond to listener questions on outlining, servicing many storylines, and what screenwriting challenges go under-appreciated.
John and Craig talk about the trope of “Never split the party,” and why, as a writer, you often want and need to divide up your characters to better explore relationships, propel the story forward, give actors something to do, and simply fit everyone in the frame.
John welcomes Derek Haas (Chicago Fire, 3:10 to Yuma, 2 Fast 2 Furious) to talk about writing accurate portrayals of different jobs, and when to sacrifice reality for storytelling. They also share their time-management strategies in honor of those New Year resolutions to get writing done.
John welcomes Tess Morris, Christina Hodson, Nicole Perlman, and Jason Fuchs to discuss their paths to becoming a professional screenwriter. They track the progression from glass bead day jobs to navigating general meetings to planning inconsistent finances to actually calling oneself a writer and even getting paid. We also answer audience questions about career longevity […]
John sits down with Fran Walsh, Peter Jackson and Philippa Boyens to discuss their new film Mortal Engines, and their approach to writing as a team, worldbuilding, and rewriting through production, because one does not simply walk into Mordor. We also answer audience questions about the difference between ideas for television and movies, and working […]
John and Craig welcome Pamela Ribon (Ralph Breaks the Internet, Smurfs: The Lost Village), Phil Lord and Chris Miller (Into the Spiderverse, The Lego Movie), Zoanne Clack (Grey’s Anatomy) and Cherry Chevapravatdumrong (Family Guy, The Orville) to discuss writing animated features, breaking into television, and how to disappoint your parents.
John and Craig examine why and how writers need to make bad things happen to their characters, and the ways in which hero suffering differs between features and television.
John is joined by Phil Hay and Matt Manfredi (The Invitation, Ride Along, the upcoming Destroyer) to talk about the second draft, offering some practical tips for the first big rewrite. We also answer listener questions about getting scripts to actors, how to label characters with job titles, and the cooler way to describe a […]
Craig and John spend the entire episode discussing and dissecting Raiders of the Lost Ark, looking at both its structure and scene work. This amazing and iconic 1981 film established so much of what we expect of out movie heroes and set pieces — but a lot of what it does would have a hard […]
John and Craig discuss commencement, the official moment to start writing. It can be easy to get pressured into free producer rewrites, starting to write before a deal is done and other pitfalls of blurry boundaries, so the WGA is introducing the Start Button, designed to help writers define their timeline and let the Guild […]
John and Craig review three new Three Page Challenge entries with the help of Lindsay Doran (producer of Stranger Than Fiction, Sense and Sensibility, Nanny McPhee, Dead Again) and Jewerl Ross (manager and founder of Silent R Management). They then invite the writers up to discuss the notes, including the importance of geography, setting up […]
John and Craig investigate actual villains in this installment of How Would This Be a Movie? From the eerily prescient writer of “How to Murder Your Husband” to the dark comedy of Jacob Wohl, sometimes reality provides the character — now you just need an actual story. We also look at the craft behind writing […]
John and Craig invite Wendy Calhoun (Station 19, Empire), Phil Hay (The Invitation, Ride Along), Nicole Perlman (Guardians of the Galaxy, Captain Marvel), and Jason Fuchs (Wonder Woman, Ice Age: Continental Drift) to join them onstage for a discussion about the death of the writing middle class, why we get bored during a film or […]
John and Craig discuss the dangers of leave-behinds. The “writing before the writing” is an important part of the craft, but giving it away for free is bad for everyone.
John and Craig talk romantic comedies with screenwriter Tess Morris, whose film Man Up is unapologetically part of the genre. We discuss what distinguishes rom-coms from other comedies, and why they get singled out for disdain and death-of articles. Also this week: Amazon Storywriter, overused dicks, and follow-up on Whiplash. This episode originally aired on […]