John welcomes writers John Hoffman (Only Murders in the Building, Looking) and Brittani Nichols (Abbott Elementary, A Black Lady Sketch Show) to bring us behind the scenes of the comedy writers room. They explain ‘alts’ (alternative line jokes), crafting tone, and the process of pitching. We also discuss the sophomore season and different comedic engines. […]
John and Craig discuss the mechanics of getting characters in and out of scenes. They cover why writers might show a character’s entrance or exit, both what it accomplishes for the story and the expectations it sets up for the audience. We get an update from ‘Please Convince Me to Drop Out of Film School’ […]
John welcomes Willa Paskin on to discuss Sideways Effect, centering on an episode of her podcast Decoder Ring. Willa looks at how dialogue in the 2004 film upended the red wine industry. John and Willa then look at other movie moments that have have shaped cultural behavior, including Clark Gable’s missing t-shirt sales and the […]
John and Aline Brosh McKenna welcome writing team Dan Gregor and Doug Mand (How I Met Your Mother, Most Likely to Murder, Chip ’n Dale Rescue Rangers) to chat about made-to-stream movies. They discuss the joys of niche IP and how changes in the film landscape have resurrected certain genres. We follow up on ‘Murder […]
John invites Anna Jane Joyner and Quinn Emmett from Good Energy Stories to discuss climate change on screen. Climate change affects every creature on our planet, so why don’t we see it more on television? They discuss opportunities for writers to inspire change and raise awareness to capture the environmental concerns of our time. We […]
John welcomes writer/creators Liz Meriwether (New Girl, The Dropout) and Liz Hannah (The Girl from Plainville, The Post) to discuss the genre/form of “limited series based on actual events.” Meriwether and Hannah explain what compelled them to each project and the process of realizing each story on screen. We also play a lightning round of […]
John talks with Joan Rohlfing (Nuclear Threat Initiative, U.S. Department of Energy) and author/reporter David E. Hoffman (Washington Post) about nuclear energy, nuclear safety and nuclear war — both the current reality and how these issues are portrayed in Hollywood. Joan and David explain how the nuclear landscape has changed over the decades, the stories […]
Craig answers listener questions ranging from craft to career: how do you find your voice? What questions should you ask before writing a new project? When should silence carry a scene? Craig offers professional advice and gets dangerously close to starting a cult. We follow up on Barton Fink, writer’s block, and keyboards. In our […]
John answers listener questions on craft and industry. When are you ready to send a script? How do you rewrite scenes during production? Is it cool to take a picture with your celebrity crush on set? John offers professional advice for writers on the page and in real life. We follow up on screenwriter dexterity […]
John and Craig investigate backstabs and double-crosses onscreen and share how writers can set up plot twists on the page. We answer listener questions on imposter syndrome, negative feedback, and hear about John’s journey to find the right ergonomic keyboard. We also follow up on meet-cutes, charismatic aspiring writers, and angry costume designers. In our […]
John and Craig breakdown the ideal attributes of the “screenwriter” character. Looking at the ratio of craft to charm, they debate which combinations lead to success in Hollywood. We also host a round of the Three Page Challenge. Samples this week range from stories on earthquakes to community theatre, but all feature surprising reveals. The […]
John and Craig bump into/trip over/spill coffee on the ‘Meet-Cute.’ They look at the history and mechanics of that moment when two lead characters meet each other in a romantic comedy, with advice to writers on how to keep it fresh. We answer listener questions on packing for set, branding yourself as a writer, and […]
John welcomes writer/director Leigh Whannell (Saw, Upgrade, Invisible Man) and astrophysicist/science consultant Dr. Erin Macdonald (Star Trek) to explore the science of sci-fi. They follow the evolution of an idea through the brainstorm to edit phase, advising how to titrate the proper amount of fact to fiction along the way. We look at how science […]
John and Craig discuss the craft of leading a creative life: What counts as practice? How do you make friends? When is it okay to take a break? A Scriptnotes listener suggested a lifestyle compendium episode, so we reach back through the archives to explore the artist’s soft skills. We touch on the dangers of […]
John invites writer/creator Michael Schur (The Office, Parks and Recreation, The Good Place) to discuss the history of comedy, specifically the evolution of the half hour sitcom. We also cover moral philosophy, working with experts, and coming up with new projects. Mike explains why ‘inside-out’ ideas tend to be more successful shows. In our bonus […]
John and Craig talk about adapting in Hollywood: the process of reimagining existing properties for the screen and career transitions. They cover why some adaptations don’t work, revisiting source material, and developing projects with public domain intellectual property. We offer advice to writers on adapting to a changing industry and returning to writing after a […]
John and Craig discuss the Main Character Energy meme. What does it mean for writers when real life people cast themselves in the leading role? We break down main characters vs. protagonists and the danger of life imitating art. We answer listener questions on do-not-read lists and verb tenses. Follow up this week includes: a […]
John and Craig look at midpoints, the murky middle of the movie, and why writers shouldn’t overthink them. We follow up on script formatting, firing your reps, screenplay “rules,” and how Sisyphus can achieve happiness. We answer listener questions on omitted scenes and imaginative children. In our bonus segment for premium members, John and Craig […]
John and Craig rant about prohibitive screenwriting advice and declare their allegiance to the “we see/we hear” convention. They analyze scripts from this year’s awards season to argue good story trumps all else. We also answer questions on screenplay fundamentals from parantheticals, action lines to script length. In our bonus segment for premium members, we […]