Buckle up! John and Craig discuss the elements that make up a classic road movie. They cover the quintessential scenes, common pitfalls, and the economic quandaries you’ll find in the genre. They also answer listener questions about editing novels (versus screenplays) and the aesthetics of outlines and breakdowns. In our bonus segment for premium subscribers, […]
John and Craig invite over Rashida Jones and Will McCormack to chat about their new film The Invite, out in theaters now. Rashida and Will divulge the origin story and dynamics of their own writing partnership, as well as discuss the process of adapting an adaptation and writing to the truth of relationships. In our […]
How do you keep doing creative work when the world is falling apart around you? To sift through the despair and doubt, John welcomes back legendary Scriptnotes guest, writer-turned-psychotherapist Dennis Palumbo. They discuss the many feelings that catastrophic events can bring up in artists, the personal narratives that often inform those feelings, and how to […]
John and Craig sit down with Ryan Condal, showrunner of House of the Dragon, just as its third season airs. They dive into Ryan’s late start in Hollywood, spec scripts, the anatomy of a writers room, and thinking as a product of movement. They also answer a listener question about the mechanics of writing a […]
John and Craig welcome Curry Barker, the writer-director behind this summer’s surprise blockbuster, Obsession. It’s a rom-com, a horror film and a great example of trusting your audience. We discuss Curry’s roots, his writing process, learning from YouTube, as well as the pressure to follow up a hit. In our bonus segment for premium subscribers, […]
This week, Craig answers listener questions about rewriting on set, AI coverage, when and how to kill off characters, sizing up producers, and more. There’s also an extra-special guest appearance for this week’s One Cool Thing. In the bonus segment for premium subscribers, Craig discusses how to be wrong—something he feels he knows all too […]
Why is it so satisfying to watch a highly-skilled character complete their goals? And why can it be equally hilarious to watch an incompetent character bumble through a slew of screw-ups? In this episode, John and Craig discuss how to play with competence in your characters. We also say goodbye to our producer Drew Marquardt […]
John and Craig welcome writer and showrunner David E. Kelley (Big Little Lies, Ally McBeal) to look at his process for adapting books to TV, particularly with his latest series Margo’s Got Money Troubles. They explore where to find your act breaks, crafting complicated tones, and when to trust the writer of the book. We […]
John welcomes writer and showrunner Courtney Kemp (Power, Nemesis) to ask, how do you find an audience and build momentum on television? They look at how writers can match their voice to an underserved audience, the pitfalls of being boxed in by a niche, and what new writers can do to get people excited about […]
John welcomes back Phil Hay (Destroyer, The Invitation) to ask, how do you get a movie made with independent financing? They look at how indie movies get made, where you get the money, deciding when to go indie, and whether streamers complicate the picture. We also follow up on testing movies with focus groups and […]
John and Craig welcome back Aline Brosh McKenna (The Devil Wears Prada, Crazy Ex-Girlfriend) to explore the timely questions about art and human labor posed by her long-awaited sequel, The Devil Wears Prada 2. We’ll warn you now: Spoilers ahead! We also look at what AI knitting podcasts can tell us about the future of […]
John and Craig go back to the beginning to examine the mechanics of the flash-forward opening — or as it’s known on this podcast, the “Stuart Special.” They look at what makes a strong flash-forward, when to avoid them, and how to pay back the narrative debt they incur. We also follow up on the […]
John and Craig welcome back Katie Dippold (Widow’s Bay, Ghostbusters) to ask, what advice would you give to your younger self? They revisit the writers they used to be, offer specific guidance to each one, and demystify everything from “Why isn’t a producer calling me back?” to “Should I join that sorority?” Most importantly, we […]
John welcomes five-time Emmy-winning writer Ali Barthwell (Last Week Tonight) to ask, can writers learn to be funny? Drawing from her time as a teacher at The Second City, they look at what writers can learn from sketch and improv, and how to reliably find ways to make an audience laugh. We also celebrate the […]
John welcomes writer/showrunner Haley Z. Boston for a post-mortem on her terrifying new series, Something Very Bad is Going to Happen. They look at how the series evolved from initial idea through production, her experience as a first-time showrunner, the special relationship between women and horror, and how she constructs terror on the page. We […]
John and Craig flip the idea of motivation on its head and ask, what are your characters running from? Using examples across film and TV, they look at the psychological underpinnings of discomfort, and how to use avoidance as a driving force of character and story. We’ve also been away for a minute, so there’s […]
There’s a brand new agreement between the WGA and the AMPTP! And since John was the co-chair of the negotiating committee, he’s excited to share all the details of the 2026 MBA. Links: The 2026 MBA agreement memorandum John August on Instagram and Bluesky Scriptnotes on Instagram and TikTok Scriptnotes is produced by Drew Marquardt […]
John and Craig connect the dots on transitions and how they can be just as important as the scenes themselves. They look at how to get your scenes flowing into one another, the many different types of transitions, when to use “CUT TO,” and how to use your cuts to tell your story. We also […]
John sits down with the Northwest Screenwriters Guild at an event to promote the Scriptnotes book, and ends up having a poignant conversation about how the career of screenwriting has changed, missteps John made throughout his career, and how his approach to screenwriting has evolved over time. He also answers questions on kicking bad writing […]
In our first sequel compendium, John and Craig revisit four of their best segments dedicated to crafting a satisfying and emotional ending to your story. They look at rooting your ending in character, the function of the denouement, what makes a memorable farewell, how and why our endings can change, and how to bring everything […]