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Transcribed

Where Movies Come From

Episode - 359

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July 17, 2018 Adaptation, Comics, Film Industry, Follow Up, Genres, News, Producers, Rights and Copyright, Scriptnotes, Transcribed, WGA, Writing Process

John and Craig welcome Liz Hannah (screenwriter of The Post) to explore where movies come from, be it real life, storytelling social media sites, or all-powerful comic book IP. How do these story sources affect the writer’s relationship with the material and with the audience?

We also follow up on the meaning of “Jackman Shot” and answer listener questions about using accents to indicate foreign language, where low-budget holiday movies fit into a blossoming writing career and the responsibilities of adapting the work of someone with a questionable moral legacy.

Links:

* Thanks for joining us, [Liz Hannah](https://en.wikipedia.org/wiki/Liz_Hannah)! Liz’s film, [The Post](https://en.wikipedia.org/wiki/The_Post_(film)), was a Best Picture nominee.
* [Fred Jackman](https://en.wikipedia.org/wiki/Fred_Jackman), [cinematographer/writer/director/special effects hero](https://www.imdb.com/name/nm0413164/), is the apparent namesake of the Jackman shot.
* [How Wattpad is Rewriting the Rules of Hollywood](http://www.vulture.com/2018/07/how-wattpad-is-rewriting-the-rules-of-hollywood.html), by Chris Lee writing for Vulture
* [Hunting the Con Queen of Hollywood: Who’s the “Crazy Evil Genius” Behind a Global Racket?](https://www.hollywoodreporter.com/features/hunting-con-queen-hollywood-1125932), by Scott Johnson writing for the Hollywood Reporter
* [Comic Book Shake-Up: DMG Entertainment Acquires Valiant ](https://www.hollywoodreporter.com/heat-vision/valiant-acquired-by-dmg-entertainment-comic-book-shake-up-1078980), by Borys Kit for The Hollywood Reporter
* [Valkyrie](https://www.youtube.com/watch?v=X6n3hRZmgxU), [Schindler’s List](https://www.youtube.com/watch?v=JdRGC-w9syA) and [The Death of Stalin](https://www.youtube.com/watch?v=ukJ5dMYx2no) are examples of how one can handle the indication of foreign language.
* [Who We Are and How We Got Here: Ancient DNA and the New Science of the Human Past](https://www.amazon.com/Who-Are-How-Got-Here/dp/110187032X) by David Reich
* [GamePigeon](https://itunes.apple.com/us/app/gamepigeon/id1124197642?mt=8)
* [Overlooked](https://www.nytimes.com/interactive/2018/obituaries/overlooked.html) by the New York Times adds obituaries for remarkable people that were overlooked in their time, like Bette Nesmith Graham who invented liquid paper.
* [The Scriptnotes Listeners’ Guide!](http://johnaugust.com/guide)
* [The USB drives!](https://store.johnaugust.com/collections/frontpage/products/scriptnotes-300-episode-usb-flash-drive)
* [John August](https://twitter.com/johnaugust) on Twitter
* [Craig Mazin](https://twitter.com/clmazin) on Twitter
* [Liz Hannah](https://twitter.com/itslizhannah) on Twitter
* [John on Instagram](https://www.instagram.com/johnaugust/?hl=en)
* [Find past episodes](http://scriptnotes.net/)
* [Scriptnotes Digital Seasons](https://store.johnaugust.com/) are also now available!
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Larry Douziech ([send us yours!](http://johnaugust.com/2014/outros-needed))

Email us at ask@johnaugust.com

You can download the episode [here](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_359_v2.mp3).

**UPDATE 7-23-18:** The transcript of this episode can be found [here](http://johnaugust.com/2018/scriptnotes-ep-359-where-movies-come-from-transcript).

Point of View

July 10, 2018 Film Industry, Follow Up, Scriptnotes, Sundance, Transcribed, Words on the page

John and Craig discuss the power of point of view in scripts and how the choice of which characters have storytelling power changes how we experience a movie. Point of view has a meaningful role in creating mystery, expanding scale, elevating characters, and energizing a story.

We also answer listener questions about “Jackman shots,” renaming a character in the middle of a story, and supporting a child who writes.

Links:

* [Scriptnotes Digital Seasons](https://store.johnaugust.com/) are now available!
* [Margin Call](https://www.youtube.com/watch?v=SmHl7hKlVj4) uses the ”plain English” trope a little differently.
* Justin Dise walks through the [basic shot types](https://www.bhphotovideo.com/explora/video/tips-and-solutions/filmmaking-101-camera-shot-types) in a blog post for B&H.
* [Bubble](http://www.maximumfun.org/shows/bubble), a podcast by Jordan Morris
* [Alleys](https://www.alleys.tw/), an immersive escape mobile game
* [The Scriptnotes Listeners’ Guide!](http://johnaugust.com/guide)
* [The USB drives!](https://store.johnaugust.com/collections/frontpage/products/scriptnotes-300-episode-usb-flash-drive)
* [John August](https://twitter.com/johnaugust) on Twitter
* [Craig Mazin](https://twitter.com/clmazin) on Twitter
* [John on Instagram](https://www.instagram.com/johnaugust/?hl=en)
* [Find past episodes](http://scriptnotes.net/)
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Luke Davis ([send us yours!](http://johnaugust.com/2014/outros-needed))

Email us at ask@johnaugust.com

You can download the episode [here](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_358.mp3).

**UPDATE 7-17-18:** The transcript of this episode can be found [here](http://johnaugust.com/2018/scriptnotes-ep-358-point-of-view-transcript).

Writing Animated Movies

June 26, 2018 Broadway, Directors, Film Industry, Genres, Producers, Scriptnotes, Story and Plot, Television, Transcribed, WGA, Writing Process

John welcomes Linda Woolverton (Beauty and the Beast, The Lion King, Homeward Bound) to talk about her experience writing animated features, from the parallel processes of writing and production to her paltry paycheck for Beauty and the Beast. They consider the blurring lines between live-action and hyperrealistic CGI, as well as the history of animation writers’ exclusion from the WGA.

We also answer listener questions about whether there is such a thing as a bad character want and how to manage story days within a screenplay, which prompts exploration of wardrobe changes, thinking in terms of color rather than time and Linda’s penchant for naked characters.

Links:

* Thanks for joining us, [Linda Woolverton](https://en.wikipedia.org/wiki/Linda_Woolverton)!
* Adjusted for inflation, Beauty and the Beast ranks [#133 in domestic grosses](http://www.boxofficemojo.com/alltime/adjusted.htm), above Toy Story, Iron Man, and other huge films.
* In [Episode 317: First Day on the Job](http://johnaugust.com/2017/scriptnotes-ep-317-first-day-on-the-job-transcript), we talked about the history of why animation writers are not represented by the WGA.
* In [Episode 92: The Little Mermaid](http://johnaugust.com/2013/scriptnotes-ep-92-the-little-mermaid-transcript), we did a deep dive on the animated film that changed the game.
* [Shanghai Disney’s Pirates of the Caribbean](https://www.shanghaidisneyresort.com/en/attractions/pirates-of-caribbean/) ride is amazing. This [POV video of the ride](https://www.youtube.com/watch?v=1vIchXwRw7U) is definitely a spoiler.
* [Climate Central](http://www.climatecentral.org) is an independent organization of leading scientists and journalists researching and reporting the facts about our changing climate and its impact on the public. It helps [localize reports](https://www.nbcnews.com/news/us-news/global-warming-now-brought-you-your-local-tv-weathercaster-n884831) of the effects of climate change.
* [The Scriptnotes Listeners’ Guide!](http://johnaugust.com/guide)
* [The USB drives!](https://store.johnaugust.com/collections/frontpage/products/scriptnotes-300-episode-usb-flash-drive)
* [John August](https://twitter.com/johnaugust) on Twitter
* [Craig Mazin](https://twitter.com/clmazin) on Twitter
* [John on Instagram](https://www.instagram.com/johnaugust/?hl=en)
* [Find past episodes](http://scriptnotes.net/)
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Matthew Chilelli ([send us yours!](http://johnaugust.com/2014/outros-needed))

Email us at ask@johnaugust.com

You can download the episode [here](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_356.mp3).

**UPDATE 7-3-18:** The transcript of this episode can be found [here](http://johnaugust.com/2018/scriptnotes-ep-356-writing-animated-movies-transcript).

Not Worth Winning

June 19, 2018 Comics, Film Industry, News, Producers, Rights and Copyright, Scriptnotes, Story and Plot, Transcribed, Videogames, WGA, Writing Process

In light of the dust-up over Coverfly, John and Craig discuss why most screenwriting contests are essentially useless and should be avoided.

We then look at destructive fandom and ponder how today’s entitled enthusiasts might have responded to the classics.

Plus we answer listener questions about the “gutters” between scenes, whether an employer owns your idea, what the business of big talent-led production companies looks like, and how to maintain momentum after your first sale.

Links:

  • Coverfly’s response to accusations in a now-deleted blog post. Here’s a conversation on the Screenwriting Reddit page about it.
  • In 2015’s Episode 191 The Deal with Scripped.com, we invited John Rhodes from ScreenCraft and Guy Goldstein from WriterDuet to investigate a data management crisis with Scripped.com.
  • Toxic Fandom Is Killing ‘Star Wars’ by Marc Bernardin for the Hollywood Reporter
  • Slate’s Decoder Ring podcast covers the Johnlock Conspiracy.
  • Apple has made a deal with the WGA
  • Evan in Philadephia recommends Scott McCloud’s Understanding Comics: The Invisible Art for a great explanation of “gutters.”
  • JJ Abrams’ Bad Robot is an example of a big production company led by a creative.
  • The worst sex in the world is anglerfish sex, and now there’s finally video by Avi Selk for the Washington Post. This video’s upsetting animation shows what the process would look like for humans.
  • Bethesda’s Starfield has been announced
  • The Scriptnotes Listeners’ Guide!
  • The USB drives!
  • John August on Twitter
  • Craig Mazin on Twitter
  • John on Instagram
  • Find past episodes
  • Outro by Jeff Mooney (send us yours!)

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 6-26-18: The transcript of this episode can be found here.

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