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Follow Up

The job of writer-producer

Episode - 238

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February 23, 2016 Film Industry, Follow Up, Producers, Scriptnotes, Transcribed

Dana Fox joins John and Craig to discuss her role as both screenwriter and producer of How to Be Single. Like Simon Kinberg and Chris Morgan, Dana is one of a handful of feature writers taking responsibility for delivering not just the script, but the finished movie.

We look at how and why she made the transition, and the differences between a feature writer-producer and a TV showrunner. We also discuss the challenges Dana faced in this role, from studio politics to pregnancy, and whether she’d do it again.

Our postponed interview with screenwriter Lawrence Kasdan is now scheduled as part of a WGF/Nicholls event. Details in the link below.

Links:

  • Dana Fox on Wikipedia, IMDb and Twitter
  • DSM-III-R and DSM-5 on Wikipedia
  • The New York Times on The Fempire
  • How to Be Single is in theaters now
  • Modern Farmer on Cow Tipping: Fake or Really Fake?
  • farmersonly.com, and their YouTube page
  • Spectra S1 breast pump, and on Amazon
  • The Katering Show is fantastic
  • The Great British Bake Off
  • Sky Guide
  • Get tickets now to see John and Craig interview Lawrence Kasdan as part of WGFestival 2016
  • USB drives with the first 200 Scriptnotes are available now at the John August Store
  • Outro by Adam Lastname (send us yours!)

You can download the episode here: AAC | mp3.

UPDATE 2-26-16: The transcript of this episode can be found here.

Sexy But Doesn’t Know It

February 16, 2016 Follow Up, Producers, Screenwriting Software, Scriptnotes, Transcribed, Words on the page, Writing Process

John and Craig look at how to introduce characters in a screenplay — and how to avoid being mocked by a Twitter feed for it. We go back through previous Three Page Challenges and several of the screenplays nominated for awards this year to examine trends and techniques.

We also discuss writing two projects at once, and offer follow-up on previous topics including screenwriting software, top-100 lists and our favorite Australians we’ve never met.

Links:

  • The Katering Show is fantastic
  • Notes for last week’s release of Movie Magic Screenwriter 6.2.1
  • Ross Putman’s @femscriptintros Twitter feed
  • mberry Miracle Fruit Tablets on Amazon
  • Christians Against Dinosaurs
  • Poe’s Law on Wikipedia
  • Outro by Adam Lastname (send us yours!)

You can download the episode here: AAC | mp3.

UPDATE 2-19-16: The transcript of this episode can be found here.

The Script Graveyard

January 26, 2016 Follow Up, Projects, Scriptnotes, Transcribed

Where do screenplays go when they die? John and Craig take a look at their movies that never were, looking for patterns among dozens of their unproduced works. What can screenwriters learn from the dead, and is it ever worth trying to resurrect these flatliners?

We also have lots of follow-up on finding a place to write, and news of an old-man-robbers movie already underway.

Yesterday’s live show will be released as an upcoming episode.

Links:

  • You Must Remember This podcast
  • Scriptnotes on iTunes
  • Become a premium subscriber at scriptnotes.net for access to the entire back catalogue
  • Hatton Garden heist film goes into production from The Guardian
  • The Sun on the Bloody past of Blingo Blaggers: PC stabbing, armed robbery and mayhem
  • Rodney Ascher’s The Nightmare on Wikipedia
  • The Atlantic asks A New Planet or a Red Herring?
  • Breather helps find a place for you to work
  • John Hess’s filmmakeriq.com
  • Writer Emergency Pack
  • Withings Thermo
  • Music Memos
  • Tickets are now available for the Writers Guild Foundation Beyond Words panel on February 4
  • Outro by Sam Tahhan (send us yours!)

You can download the episode here: AAC | mp3.

UPDATE 1-28-16: The transcript of this episode can be found here.

Ocean’s 77

January 19, 2016 Awards, Follow Up, Genres, News, Pitches, QandA, Scriptnotes, Story and Plot, Transcribed

Craig and John play “How Would This Be a Movie?” looking at three articles in the news.

A band of pensioners pull off an audacious jewel heist — but is it a Working Title comedy, or something darker? Where does the story begin and end? What’s the MacGuffin?

A researcher investigates sleep paralysis and visions of an Italian witch. Is the movie a straightforward horror thriller, and if so, how do you make the audience care about your hero?

A revenge porn king is confronted by his victims. But would the movie version be an investigation (like Spotlight), or a tale of personal justice (like Taken)?

We also need your suggestions for finding a non-coffeeshop place to write when sharing a studio apartment.

Links:

  • 10 Cloverfield Lane trailer
  • Rachel Bloom at the Golden Globes, and on Scriptnotes, 175
  • Kvell at Merriam-Webster
  • Andrea Berloff on Scriptnotes, 144 and the Bonus Straight Outta Compton episode, and the Bonus Drew Goddard episode
  • Tickets are now available to see John talk to Andrea, Drew and more at the Writers Guild Foundation Beyond Words panel on February 4
  • Get your tickets now for Scriptnotes, Live on January 25 with Jason Bateman and Lawrence Kasdan, a benefit for Hollywood HEART
  • On February 13, John will receive the WGA’s 2016 Valentine Davies Award
  • Creative Spark: Aline Brosh McKenna
  • 7 British Men Guilty Of Massive Easter Gem Heist on NPR
  • Eddie the Eagle trailer
  • The Imposter on Wikipedia
  • The Demon Vanquisher by Theresa Fisher, on sleep paralysis
  • Dream Warriors by Dokken
  • Patrick on IMDb
  • At Home with a Revenge Porn Mogul, from Fusion
  • Do I Sound Gay?
  • Priceonomics on How Mickey Mouse Evades the Public Domain
  • Outro submitted by Martine Charnow (send us yours!)

You can download the episode here: AAC | mp3.

UPDATE 1-22-16: The transcript of this episode can be found here.

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