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Franchises and Final Draft

Episode - 236

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February 9, 2016 Film Industry, QandA, Scriptnotes, Software, Transcribed

John and Craig examine why almost all of the top-grossing movies are part of a franchise — and the chicken-or-egg question at the heart of it. You don’t get Minions without Despicable Me.

We also look at the sale of Final Draft to an accounting software company and speculate wildly about the fate of the company and the state of screenwriting apps.

Plus: follow-up on Zola, sleep paralysis and dead scripts.

In the premium feed at Scriptnotes.net, you’ll find audio from John’s live panel with the WGA nominees, including Matt Charman, Drew Goddard, Jonathan Herman and Andrea Berloff, John McNamara, Phyllis Nagy, Charles Randolph and Adam McKay, Josh Singer & Tom McCarthy, and Aaron Sorkin.

Links:

* Vanity Fair on [the original Game of Thrones pilot](http://www.vanityfair.com/hollywood/2016/02/game-of-thrones-original-pilot-bad)
* [@clmazin’s followers growth over the past two months](http://johnaugust.com/wp-content/uploads/2016/02/clmazin_20160208followers.png)
* Deadline on the [2016 WGA Beyond Words panel](http://deadline.com/2016/02/wga-nominated-writers-panel-beyond-words-no-controversy-1201696981/), which you can [listen to now with a premium subscription at scriptnotes.net](http://scriptnotes.net/bonus-beyond-words-2016/)
* [Grease Live](http://www.fox.com/grease-live) on Fox
* [Scriptnotes, 222: Live from Austin 2015](http://johnaugust.com/2015/live-from-austin-2015), and [Variety’s article on the upcoming Zola movie](http://variety.com/2016/film/news/james-franco-direct-zola-stripper-saga-1201697548/) based on [this Rolling Stone article](http://www.rollingstone.com/culture/news/zola-tells-all-the-real-story-behind-the-greatest-stripper-saga-ever-tweeted-20151117)
* [Scriptnotes, 233: Ocean’s 77](http://johnaugust.com/2016/oceans-77), and [Dead Awake](http://www.imdb.com/title/tt3778010/?ref_=nm_flmg_wr_2)
* [Regus](http://www.regus.com/)
* Variety on [the acquisition of Final Draft by Cast & Crew](http://variety.com/2016/artisans/news/screenwriting-software-final-draft-cast-and-crew-1201694791/), and [the official press release](http://www.businesswire.com/news/home/20160202005654/en/Cast-Crew-Entertainment-Acquires-Final-Draft)
* [Highland](http://quoteunquoteapps.com/highland/), [Slugline](http://slugline.co/), [Writer Duet](https://writerduet.com/), [Movie Magic Screenwriter](http://www.write-bros.com/movie-magic-screenwriter.html), [Fade In](http://www.fadeinpro.com/), [Amazon Storywriter](https://storywriter.amazon.com/), and [a host of other apps for writing in Fountain](http://fountain.io/apps)
* John’s blog post on [franchises all the way down](http://johnaugust.com/2016/its-franchises-all-the-way-down)
* Shut Up & Sit Down’s spoiler-free review of [Pandemic Legacy](http://www.shutupandsitdown.com/blog/post/spoiler-free-review-pandemic-legacy/)
* [The Katering Show](http://thekateringshow.com/), and the Craig-recommended [third episode](http://thekateringshow.com/episodes/3-we-quit-sugar/)
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Sam Tahhan ([send us yours!](http://johnaugust.com/2014/outros-needed))

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_236.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_236.mp3).

**UPDATE 2-14-16:** The transcript of this episode can be found [here](http://johnaugust.com/2016/scriptnotes-ep-236-franchises-and-final-draft-transcript).

My writing setup, 2016

January 27, 2016 Apps, Highland, Software, Tools, Workspace

In 2011, I wrote a post detailing my [writing setup](http://johnaugust.com/2011/my-daily-writing-routine). Over the past five years several things have changed, so I thought I’d give it an update.

Where applicable, I’ll include links. (Amazon links include my referral code, so you’ll help keep me stocked with pens.)

I work in an office built over my garage. My assistant Stuart works downstairs. Twice a week the rest of my staff (Nima and Dustin) comes in to work on app stuff and other projects. This year, we finally added a giant whiteboard. It’s been a godsend for planning and visual thinking.

I’m “in the office” from 8:30 a.m. to 6 p.m., but I wander in and out of the house pretty freely.

I do a fair amount of my morning work — emails, listening to cuts of Scriptnotes — while walking on the treadmill. I MacGyvered an old film festival lanyard to hold my iPad, and use an Apple bluetooth keyboard. I find I can think coherently up to about 3.2 miles per hour. (Beyond that speed, it’s genuine cardio and I can only listen to podcasts and such.)

When I’m really writing — that is, buckling down on a specific draft of a specific movie — I do a lot of writing sprints. It’s one hour of focused writing with no distractions. If I do three of these a day, that’s a lot of pages written.

## Getting away

When I start a new screenplay, I generally go away for a few days. I find that barricading myself in a new hotel in a new city helps me break the back of a story. I hand-write pages, trying to plow through as much as possible; my record is 21 pages in a day. Writing by hand keeps me from editing and second-guessing. At the start, it’s crucial to generate a critical mass of pages.

Every morning, I send what I’ve written to my assistant to type up. The [Scannable](https://itunes.apple.com/us/app/evernote-scannable/id883338188?mt=8) app is great for this.

I find I can generally get 40 decent pages out of a good barricading session. I won’t paste the scenes together until I’m more than halfway through a script.

## Hardware

When writing by hand, I like a white, lined, letter-sized writing pad with a very stiff back. It should barely bend. I’ve been using some generic Staples brand.

My preferred pen is the [black Pilot G2](http://www.amazon.com/gp/product/B001GAOTSW/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B001GAOTSW&linkCode=as2&tag=johnaugustcom-20&linkId=E3J46BX6H7ZXIPHR) (0.7mm size). It’s cheap; it writes consistently; I never worry about losing one. For proofreading, a colored felt-tip pen is key. I like the [Papermate Flairs](http://www.amazon.com/gp/product/B000BMBU4W/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000BMBU4W&linkCode=as2&tag=johnaugustcom-20&linkId=6BJZQUXW7IRJTBKC). Again, cheap and losable.

I alternate between index cards and whiteboards for mapping out stories. If you’re going to be working in television, get comfortable with the whiteboard, because you’re going to be spending a lot of time staring at one.

My main computer is a 27-inch iMac. I love it.

Overall, I print very little these days. Almost everything is PDFs. But last year we replaced our decade-old laser printer with the [Brother HL5470DW](http://www.amazon.com/gp/product/B0081TYO72/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B0081TYO72&linkCode=as2&tag=johnaugustcom-20&linkId=YBPKB6L6HVOWUBX5). It’s crazy how cheap and fast it is, and it uses a lot less power.

Stuart uses the [DYMO LabelWriter 4XL thermal label printer](http://www.amazon.com/gp/product/B002M1LGJ4/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B002M1LGJ4&linkCode=as2&tag=johnaugustcom-20&linkId=RFIH3OEBW6LM4BO7) for packages. It ends up being faster, better and cheaper than using laser printer labels.

Years ago, I had horrible carpal-tunnel problems, so I changed my setup significantly. I use the SafeType keyboard and an [Evoluent vertical mouse](http://www.evoluent.com/). The keyboard is great, but command-key combos are a bear with it, so I’ve mapped a [Logitech G13 gamepad](http://gaming.logitech.com/en-us/product/g13-advanced-gameboard) to handle most of them. My desk raises so I can use it standing up. I try to be on my feet at least half the day.

For travel and kitchen duty, I have a 13-inch Macbook Pro. It’s good, but the screen is always getting overwhelmed with windows.

I used to talk on the phone a lot more, and found the [Plantronics S12 headset](http://www.plantronics.com/us/product/s12) essential. I still use it, but phone conversations are not nearly as important as they were just a few years ago.

We generally record Scriptnotes over Skype. I’m using the [Shure SM7B microphone](http://www.amazon.com/gp/product/B0002E4Z8M/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B0002E4Z8M&linkCode=as2&tag=johnaugustcom-20&linkId=XIZGNF2ZHO3F6XXJ) and [Sony MDR-7506 headphones](http://pro.sony.com/bbsc/ssr/product-MDR7506/). This combo has worked well enough for me, but everyone has different opinions and preferences.

For recording in the field, I use the [Zoom H5 four-track recorder](http://www.amazon.com/gp/product/B00KCXMBES/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00KCXMBES&linkCode=as2&tag=johnaugustcom-20&linkId=MJYTCILEP242UXXB). I love it.

When recording in the office with multiple guests, I use the [Mackie 802VLZ4 8-channel mixer](http://www.amazon.com/gp/product/B00EDHWLFI/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00EDHWLFI&linkCode=as2&tag=johnaugustcom-20&linkId=FSELAXNN4EMUR3KG) with a bunch of XLR mics and send the output directly into my MacBook with [this cable](http://www.amazon.com/gp/product/B00B6WZGHS/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00B6WZGHS&linkCode=as2&tag=johnaugustcom-20&linkId=UJPYTSNUAT6BPKS7).

After years of not using Time Machine, I just set up a one terabyte [Samsung T1 Portable SSD](http://www.amazon.com/gp/product/B00RWXVRW8/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00RWXVRW8&linkCode=as2&tag=johnaugustcom-20&linkId=5V55JTFPXFEMNZCT) to use as a backup drive. (If you get it, follow the advice in the “Most Helpful” Amazon review to remove the extraneous software Samsung installs.)

## Software

I do all of my writing in the [Highland beta](https://quoteunquoteapps.com/highland-2-beta/). Highland was originally just for screenwriting, but version 2 adds robust Markdown support, so now it’s the only app I need for writing anything — including this blog post.

[Slack](http://slack.com) is absolutely transformative. Our team doesn’t use email anymore. Everything is in Slack, sorted in channels.

[Dropbox](http://dropbox.com) still seems like magic. In addition to storing my active projects, I keep a folder named Pending in the Dropbox with an alias on the desktop. Anything that would normally clutter up the desktop, I throw in Pending.

I still use [Evernote](http://evernote.com), but mostly for household things like the grocery list. Random links go to [Pinboard](http://pinboard.in) instead. (On iOS, I use the [Pinner](https://itunes.apple.com/us/app/pinner-for-pinboard/id591613202?mt=8) app.)

I’ve used a lot of GTD productivity apps over the years, including [OmniFocus](http://www.omnigroup.com/products/omnifocus/) and [Things](http://culturedcode.com/things/). For the past few months, I’ve been using [2Do](http://www.2doapp.com), which works very well on both Mac and iOS.

For outlining and show notes, I love [WorkFlowy](https://workflowy.com). Because it’s web-based, we can all edit the same document.

I use both Mail and [Airmail](http://airmailapp.com), with some addresses going to Sparrow instead. ((Google discontinued Sparrow, but the Mac app still works for now.)) I use Google Calendar with [Fantastical 2](https://flexibits.com/fantastical).

I do all my RSS-reading on the iPad, using [Reeder](http://reederapp.com/ipad/).

## What I’d change

I’m pretty happy with my setup, but there’s definitely room for improvement.

My mail setup is a mess. The right combination of rules would probably allow me to sort out the wheat from the chaff, but I haven’t invested the energy. Plus, getting it to work properly in iOS would be a big challenge. Increasingly, the iPhone is where I’m doing email triage.

I’d like to push more of my email over to Slack, where it would be a better fit. An example is my D&D group. It’s six writers, so anytime there’s a conversation, it’s a chain of 20 emails, and you can never tell who is responding to what. In Slack, that thread would make a lot more sense.

Overall, the best thing that could happen to email would be to get rid of it.

The One with the Guys from Final Draft

February 4, 2014 Apps, Directors, QandA, Scriptnotes, Software, Transcribed, WGA

The makers of Final Draft pay us a visit to clear up John and Craig’s misconceptions of, well, everything. It’s double the umbrage for your money.

Then we discuss Quentin Tarantino’s leaked script, the upcoming WGA negotiations, and how to make it clear you’re attached to direct your spec.

Links:

  • Final Draft
  • Scriptnotes 126: Punching the Salty Ocean
  • John’s post on Final Draft, software and people
  • Deadline: WGA Claims AMPTP Wants Big Pension & Health Contribution Cuts In New Contract
  • LA Times on Quentin Tarantino’s Gawker suit
  • Ciclavia
  • @chuckpalahniuk
  • Outro by Scriptnotes listener Jakob Freudenthal

You can download the episode here: AAC | mp3.

UPDATE 2-6-14: The transcript of this episode can be found here.

How to convert a PDF to Final Draft

November 15, 2013 Formatting, Fountain, Geek Alert, Highland, How-To, Scriptcast, Software

Screenwriters often find themselves with PDF of a screenplay when what they actually need a Final Draft (.fdx) file that they can edit.

Some common scenarios:

* Your hard drive crashed, and the only copy of your screenplay is an old PDF you sent to a friend.
* You’ve been hired to rewrite a project, but the producers only have a PDF of the script.
* The script only exists on paper. Now it’s been scanned to a PDF — but that still doesn’t get you a script you can edit.

However it happens, it happens a lot. Among my working screenwriter friends, it’s one of the questions I get most.

There are basically three ways to convert from a PDF to Final Draft:

1. Retype it.
2. Copy and Paste and Reformat every line.
3. Use Highland.

**Update:** The folks at Final Draft emailed me to suggest an additional workflow, which I’ll detail after the section on copy-and-paste.

###Retyping it

This is the worst option, but back in the days of paper scripts, it was the only option. It’s as awful as it sounds. If you do it yourself, it’s exhausting. If you pay someone to do it, it’s expensive.

Retyping inevitably introduces mistakes. Spellcheck will catch some typos, but words will get omitted.

The only scenario in which I can envision retyping a script is if it’s so bad you really do want to rewrite it scene by scene. But in these cases, I think you’re better off putting the old script aside and starting at page one.

###Copy and Paste and Reformat every line

PDFs come in two basic types. Some PDFs are essentially photos of pages. You see the text, but it’s really an image. Other PDFs include the text itself. In Acrobat or Preview, you can select the text.

Most PDFs these days have selectable text, so there’s a good chance you’ll be able to copy the text out. If you paste it into Final Draft, you’ll end up with a mess that will take quite a bit of work (and time) to sort out. But it’s doable.

Here’s a [screencast](http://youtu.be/dElQe8_xf9E) to show you this workflow:

As you can see, reformatting a script this way sucks. It’s better than retyping, but there are many ways things can go wrong. Final Draft is not well-suited to this kind of brute force. You will learn to despise the Reformat box.

But if you only have a PC, this may be your best option, because the next solution only exists on the Mac.

###Use Adobe Reader to save as text, then open in Final Draft

After I posted this entry, the folks Final Draft pointed me to an alternate workflow. Here’s what they [recommend](http://kb.finaldraft.com/article.aspx?cid=1001&aid=519):

> If you have a recent version of the Adobe Acrobat Reader you can go to File > Save As > Text and save the document as a text file.

> Import this text file into Final Draft (File > Open) as a script but you may need to do some reformatting.

Here’s a [screencast](https://www.youtube.com/watch?v=opOsTknLZJ4):

In my testing, it’s only a little better than copy-and-paste. Elements were more likely to be recognized correctly, but line breaks and spacing glitches were daunting. The script also swelled from 114 to 343 pages. I had similar results with all the PDFs I tried.

So while it’s generally an improvement over copy-and-paste, you’d still need to spend quite a bit of time getting a useful script out of this workflow

###Use Highland

If you have a Mac, or a friend who has a Mac, this is your best choice. Hell, if you have a mortal enemy who has a Mac, it’s worth kissing up to him for the five minutes this will take.

[Highland](http://highland.quoteunquoteapps.com/screencast-pdf-fdx) is a paid app in the Mac App Store. It’s actually a full-on screenwriting app, but its ability to melt down PDFs was its original claim to fame, and is still unrivaled.

With Highland, you just drag in the PDF. Highland sucks out the text and does all the reformating. From there, you can edit it right there in Highland, or export it to Final Draft.

Here’s a [screencast](http://youtu.be/4ECADQtAvUg) showing the process:

Can Highland convert every PDF to Final Draft? No.

If a PDF is really just a stack of images, there’s no text to suck out. You may come across these kinds of PDFs when dealing with scanned paper scripts. However, many screenwriters report success running PDFs through optical character recognition software like [Prizmo 2](https://itunes.apple.com/us/app/prizmo-2-scanning-ocr-speech/id546392952?mt=12) first. That’s certainly an option.

PDFs created by Fade In don’t convert well. It’s because of the odd PDF-building code Fade In uses. It’s not something Highland is going to be able to fix.

### Built to be used

My company created Highland because I needed it. While it’s not a huge moneymaker, ((Highland revenues could probably support a single coder with a love of ramen noodles and penchant for tent living.)) it serves a crucial need for screenwriters.

We used to offer a free demo version of Highland, but it confused users more than it helped. (Support emails like, “How do I get rid of the watermark that says ‘Highland Demo?'”)

Also, the demo version was always lagging behind. We update Highland frequently, often twice a month. Maintaining both the paid and demo versions was slowing down development, and the feature sets kept getting out of sync. It’s not easy or rewarding to build deliberately crippled versions of your apps.

So rather than a demo version, I’m planning more screencasts like these to show features and workflows. In the meantime, if you find yourself with a PDF to convert, head over to the Mac App Store and [grab Highland](http://highland.quoteunquoteapps.com/screencast-pdf-fdx). For $30, it will save you untold hours of frustration.

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