John and Craig discuss the digital tools of the trade. From outline to first draft to production rewrites, screenwriters find themselves facing different challenges. We talk about what works for each of us. We also speculate on what impact Highland 2’s gender analysis tool will have. Then we answer listener questions about following the “rules” […]
John and Craig examine why almost all of the top-grossing movies are part of a franchise — and the chicken-or-egg question at the heart of it. You don’t get Minions without Despicable Me.
In 2011, I wrote a post detailing my writing setup. Over the past five years several things have changed, so I thought I’d give it update.
The makers of Final Draft pay us a visit to clear up John and Craig’s misconceptions of, well, everything. It’s double the umbrage for your money.
Screenwriters often find themselves with PDF of a screenplay when they actually need a Final Draft (.fdx) file that they can edit. Here are three ways to convert from PDF to fdx, ranging from painful to sublime.
An upcoming project at Quote-Unquote Apps involves heavy use of Dropbox, so we’ve been experimenting with their developer API. Today, we added “Save to Dropbox” for all the scripts in the Library.
John and Craig debate the perils and possibilities of bringing iPads into movie theaters. Is Disney’s Little Mermaid iPad app a way to breathe new life into a classic, or a slippery slope towards cinematic ruin? It’s a conversation with plenty of umbrage — but from an unexpected source.
John and Craig discuss the polarizing potentate of Deadline Hollywood Daily, then segue into what a healthy entertainment journalism ecosystem might look like.
John and Craig talk about perspective — both within a scene and the overall story. It’s not always obvious to the reader which characters are in the driver’s seat, so it falls on the screenwriter to make that clear.
Craig and John look at the logic and fallacies of one-step deals for screenwriters, along with advice on reading screenplays and enjoying Skyfall.
Bronson Watermarker 1.5 adds support for photos and images.
Currently, there’s no way for us to do volume licensing through the Mac App Store. At first glance, that seems to be no big deal, since Mac apps (unlike iOS apps) don’t have to be installed through official channels. But that means we have to figure out our own way to handle serial numbers and updates, and possibly maintain multiple versions of the app.
FDX Reader, our app for reading Final Draft screenplay files on the iPhone and iPad, has been updated to version 1.1.4, and is on sale for $1.99 through Monday, December 12th.
I have a hunch that some readers may have a lot of experience with AdWords. You might have good advice for Stuart, both in terms of maximizing exposure and minimizing frustration.
John and Craig answer a listener’s question about whether (and how) to ditch an ineffective manager, then discuss daily work habits, hardware and software.
Apple has updated Final Cut Pro X to address some of editors’ biggest concerns (XML, shared media) and now offers a free trial version. It’s worth a download.
Apple has resumed selling the old version of Final Cut Pro. But it ain’t cheap, and there’s no guarantee it will be around long.
Over the past four weeks, Stuart and I have had the opportunity to cut a few projects in the new FCP X and evaluate its strengths and weaknesses. I think the differences in our reactions are largely based on how familiar we were with the old version.
Plot Device, a short film directed by Seth Worley (and funded by the Magic Bullet plugin folks) does a good job balancing story and how’d-they-do-that.
A few weeks ago, I expressed exasperation upon seeing demos of iMovie 09, which seemed to be working hard to fix exactly the wrong problems. Now that I have it installed, I’ve been able to spend a few days playing around with it. And you know what? It’s actually a lot better. Yes, that could […]
Just so you know, the radio silence around the trailer competition is not for lack of interest or intent. Stuff got very crazy, very quickly, and we had a hard enough time getting the real trailer finished up. (Plus there was other stuff going on.) We have all the clips ready to go, but we’re […]
In Final Draft, what do you use the “General” element for? The manual describes its function negatively, saying only that it’s for whatever doesn’t fit into the other elements. Personally, I haven’t found a use for it yet and was wondering what the pros use it for. — Richard Budd As far as I know, […]
Reader Josh C wrote in with one solution to a problem that’s been frustrating me for months. When you want to save a script as a .pdf, Final Draft won’t always include the title page. It’s frustratingly inconsistent. The obvious workaround is to save the title page as a separate file, which is what I’ve […]
For the past few weeks, I’ve been working on the production notes for The Nines. The document will end up being about 20 pages, detailing the backstory of how the movie got made, from inspiration through editing, along with everyone’s bios. It’s part of the press kit for the film, helping the journalists at Sundance […]
Final Draft, the screenwriting application I use most despite profound reservations, has been upgraded to 7.1.3. I haven’t gotten it to crash, so that’s something. My assistant Chad had never used the Tools>Reformat command, which despite its clunky interface is a huge timesaver when importing text from other places.1 Basically, it steps through your script […]