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Writer Emergency Pack

How classes use Writer Emergency Pack

October 11, 2022 Education, Follow Up, Writer Emergency, Writer Emergency Pack

Since the launch of Writer Emergency Pack in 2015, we’ve partnered with youth writing programs to get decks into classrooms and after-school groups. By far our biggest partner is NaNoWriMo’s Young Writers Program.

With the arrival of Writer Emergency Pack XL, I asked NaNoWriMo’s executive director Grant Faulkner for an update on how the original decks are being used.

JOHN: A lot of people are familiar with National Novel Writing Month (NaNoWriMo), but what is Young Writers Program?

GRANT: It’s a version of NaNoWriMo, just for kids. When I was a kid, I didn’t dream of writing a novel (and I was bookish). Because of our Young Writers Program, though, now nearly 100,000 kids write novels each year, and educators from over 9,000 classrooms around the world participate.

The challenge is, like NaNoWriMo, to draft an entire novel in November. We believe that giving kids agency and making writing fun is the best way to learn. For 30 wild, exciting, surprising days, kids get to lock away their inner editor, let their imagination take over, and just create! You might say our pedagogy is rooted in joy.

What are students doing in the program?

We provide teachers a virtual classroom so they can do things like read student novels and create chat topics. And then we also provide kids with free classroom kits — which include Writer Emergency Packs! — workbooks, and Common Core-aligned K–12 lesson plans.

Kids set word-count goals for the month (appropriate to their age and capabilities) and then draft their novel right on our site. They track their progress, and then they also get support from published authors and an international community of fellow novelists.

photo of high school classroom, students looking at teacher

How are teachers using Writer Emergency Pack in the classroom?

I’ve heard so many stories. I’ve heard of teachers who weave cards into the mini-lessons they might do on things like conflict or characterization. I’ve heard of teachers who hand out cards to students who might have hit a wall and have writers’ block. I’ve heard of teachers who give the cards to groups of students and have them use the cards to collaboratively create a story together and then tell it to the class as a way to warm up to write in November.

There is one commonality, though: all teachers make the cards part of the classroom, which is important, because the classroom becomes a writing community during NaNoWriMo.

What feedback have you gotten from teachers about the decks?

They love them! The cards are encouraging, approachable, and fun! They provide the same lessons a book might—but in a single illustrated card. Like NaNoWriMo itself, the cards are all about sparking the imagination, making writing not about a teacher’s red correction marks but the joy of storytelling.

Do you think the new decks will have the same reaction?

I do. I think the size of the cards makes them more inviting. All of the relevant information is now on a single card, and with 52 cards there’s enough for every student in class, even bigger classes.

And, just one more thing: I know adult writers who use the cards as well (me).


Writer Emergency Pack XL is now on Kickstarter. For every deck we send to backers, we’ll be sending a deck to our youth writing program partners, including NaNoWriMo’s Young Writers Program.

Photo by Kenny Eliason/Unsplash

The Free Stuff

August 11, 2022 Apps, Bronson, Highland, Meta, News, Software, Tools, Weekend Read, Writer Emergency Pack

My friend Nima recently pointed out that most of the stuff our company makes is free.

That’s probably not a great business model, but it’s always been our culture. We only charge for those things that have significant ongoing costs — like upkeep and hosting — or a per-unit cost to produce.

If you’re a writer, here are the things we offer at absolutely no cost. As in free.

johnaugust.com

This blog has been running since 2003. Nearly all of its 1,500 posts are screenwriting advice. The Explore tab on the right is a good way to get started looking through the archives. For example, you might start with the 129 articles on formatting.

Scriptnotes

Craig Mazin and I have been recording this weekly screenwriting podcast for over ten years. It’s always been free, with no ads whatsoever. The most recent 20 episodes are available in every podcast player. Back episodes are available to Scriptnotes Premium members, or can be purchased in 50-episode “seasons.”

Inneresting

Chris Csont edits this weekly newsletter, which serves as a good companion to Scriptnotes. Every Friday, it has links to things about writing, centering on a given theme. It’s a Substack, but completely free.

Highland 2

For years, I’ve written all my scripts and novels in this terrific app our company makes. It’s a free download on the Mac App Store. The Standard edition is fully functional, with no time limits. Students can receive the enhanced Pro edition through our student license program.

Courier Prime

English-language screenplays are written in Courier, but not all Couriers are alike. Many are too thin, and the italics are ugly. So we commissioned a new typeface called Courier Prime. It’s Courier, but better. Since it’s free and open licensed, you can use it through Google Fonts and similar services.

Weekend Read

Reading a screenplay on an iPhone is a pain in the ass — unless you use Weekend Read. It melts down screenplay PDFs so they format properly on smaller screens. Weekend Read also has an extensive library of older scripts, including many award nominees. It’s free on the App Store.

The Library

The Library has most of the scripts I’ve written, and hosts a few other writers’ work as well. For several projects, I’ve included treatments, pitches, outlines and additional material.

Screenwriting.io

While johnaugust.com offers detailed articles on various topics, screenwriting.io answers really basic questions about film and TV writing. If you’re Googling, “how many acts does a TV show have?” we want to give you the answer with no cruft or bullshit.

100 Most Frequently Asked Questions about Screenwriting

We gathered the 100 most frequently searched-for entries on screenwriting.io in this handy 85-page PDF.

Launch

I recorded this seven-episode podcast series about the pitch, sale, writing and production of my first Arlo Finch book. If you’ve ever thought about writing a book, you’ll want to check it out. Free wherever you listen to podcasts.

The Paid Stuff

Given all the free stuff we put out, how does our company make money? We sell things.

Highland 2 Pro

Highland 2 Standard Edition is free, but most users choose to upgrade to Pro for its added features: revision mode, priority email support, extra templates, custom themes, and watermark-free PDFs. It’s an in-app purchase, $39 USD.1

Writer Emergency Pack

Writer Emergency Pack began its life as a Kickstarter, and is now one of the most popular gifts for writers of all ages. Available through our store and Amazon.

Bronson Watermarker PDF

Bronson is the app I needed when watermarking scripts for a Broadway reading. Now it’s become the default watermarking app in Hollywood. It’s $20 on the Mac App Store.

T-shirts and hoodies

We used to print and ship our own t-shirts, but we now sell them through Cotton Bureau. We put out a new Scriptnotes shirt every year. It’s definitely not a profit center, but it’s fun seeing merch out in the wild.

Weekend Read Unlocked

Users can unlock their expanded library for $10 USD.

Scriptnotes Premium

The Scriptnotes podcast runs out of a separate LLC from our software business. Premium subscriptions pay for the salaries of our producer, editor and transcriptionist, along with hosting and management fees. Craig and I don’t make a cent off it.

  1. Prices may change. Also note that Apple sets international pricing, so some apps cost a little more or a little less in some countries. ↩

Pretty much everything is on sale

September 7, 2020 Apps, Bronson, Highland, Weekend Read, Writer Emergency, Writer Emergency Pack

Every fall, we put many of the products we make on sale. Typically, it lines up with Back to School or Labor Day, but the notions of “time” and “seasons” and “school” don’t seem to match the actual experience of 2020.

Still: bargains!

Through Sunday, September 13th all of the following are half off —

The upgrade to Highland 2 Pro, now just $25 USD.1

The upgrade to Weekend Read is $5.

Bronson Watermarker PDF is just $10.

Writer Emergency Pack is $10 on Amazon and in our store.

We’re also clearing out the remaining stock of our game One Hit Kill from our Pennsylvania warehouse. It’s a great card game for just ONE DOLLAR plus shipping.

  1. Both Highland 2 and Weekend Read are free to download. The upgrade is an in-app purchase, with prices varying a little bit internationally. ↩

Austin Live Show 2017 (AKA Too Many Scotts)

Episode - 323

Go to Archive

October 31, 2017 Directors, Film Industry, Producers, Scriptnotes, Story and Plot, Television, Transcribed, Travel, Writer Emergency Pack, Writing Process

John and Craig talk with uber-screenwriter Scott Frank (Out of Sight, Get Shorty, Minority Report, Logan) about how his feature script Godless ended up as a miniseries at Netflix.

We then invite more guests up to discuss what movies can learn from the success of TV:

  • Guinevere Turner (American Psycho, Go Fish)
  • Scott Alexander (Ed Wood, The People v. O.J. Simpson,)
  • Tess Morris (Man Up, “You Had Us At Hello” podcast)
  • Lindsay Doran (producer of Stranger Than Fiction, Sense and Sensibility)

In our final segment, we’re joined by a new batch of writers to play “The Studio Has Notes.”

  • Dana Fox (How to Be Single, Ben and Kate)
  • Megan Amram (The Good Place, The Simpsons)
  • Oren Uziel (22 Jump Street, Shimmer Lake)
  • Jason Fuchs (Wonder Woman, Ice Age: Continental Drift)
  • Scott Rosenberg (High Fidelity, Beautiful Girls)

Can our lucky audience member pick out the one fake note among the five real ones? Can you?

Recorded live from the Driskill Ballroom at the 2017 Austin Film Festival.

Thanks to the Austin Film Festival for hosting us, and to a great audience. It’s one of our highlights each year.

Links:

  • Scriptnotes T-shirts are here! We’ve got Classic (in light and dark mode), the Umbrage Strikes Back, and Umbrage & Reason.
  • Thank you, Austin Film Festival!
  • Scott Frank’s IMDB and on twitter. And don’t miss the trailer for Godless, his upcoming miniseries on Netflix.
  • Guinevere Turner’s IMDB and on twitter
  • Scott Alexander’s IMDB
  • Tess Morris’s IMDB and on twitter
  • Lindsay Doran’s IMDB
  • Dana Fox’s IMDB and on twitter
  • Megan Amram’s IMDB and on twitter
  • Oren Uziel’s IMDB and on twitter
  • Jason Fuchs’s IMDB and on twitter
  • Scott Rosenberg’s IMDB
  • “The Studio Has Notes” notes
  • The Scriptnotes Listeners’ Guide!
  • The USB drives!
  • John August on Twitter
  • Craig Mazin on Twitter
  • John on Instagram
  • Find past episodes
  • Outro by Matthew Chilelli (send us yours!)

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 11-6-17: The transcript of this episode can be found here.

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