Showrunner Damon Lindelof joined me for [episode 296](http://johnaugust.com/2017/television-with-damon-lindelof) to talk through the process of writing The Leftovers. Here’s how he described breaking an episode:
> For the “blue-sky phase,” once we land on something that we like, you just write a sentence. Like, “Baby doll made in Tijuana.” And the last one is “Kevin throws baby out window.” It’s literally just those sentences.
> After two days, you look and you have about 20 of those sentences up on the board. Then you’re ready to go into the next phase, which I think is what I would call the story-breaking phase, where you just go scene-by-scene and you start to pitch specific dialogue, character dynamics, etc.
Writing for Vulture, Boris Kachka takes an in-depth look at [how the final episode was written, shot and edited](http://www.vulture.com/2017/06/leftovers-finale-behind-the-scenes-exclusive.html). It’s a great look at the process from blank whiteboard to final cut. Highly recommended for anyone interested in making television.