Because really, he should drive a Chrysler LeBaron

Clearing (and not worrying about) brands, artwork and monikers for your movie.

Copyright: The Comic Book

Link to a great legal resource for filmmakers concerned with portraying reality.

Writing about real events

How to deal when your situations and characters are based on real incidents and people.

Using the story of a friend’s life

Legal and moral issues arise when taking someone else’s story, even just pieces of it.

Getting permission

Link to a great book to ease your fears of getting permissions to copyrighted material.

Optioning a screenplay

Options; defined and explained.

Using a song in a short without permission

Using unlicensed material can be okay at the festival level. The trouble comes when you make money off of it.

Average price for a short story option

What is the average option price short stories are optioned for? Just to get an estimate of what I should be offering/accepting. Where else can I do research about these confidential matters?

Setting up a project without having the underlying book rights

If there’s a book you can’t afford to option yourself, it’s worth trying to get someone to option it for you.

Using the music of an unknown band

Having the rights shouldn’t necessarily be your first concern.

Slandering historical figures

Dead people are fair game, for the most part.

Dead copyright holders, and being too young

How to track down rights after someone passes on.

Getting rights when the story is based on actual events

Navigating the differences between public domain and intellectual property.

Do you need permission to use a quotation?

Let lawyers handle the law. You have plenty to worry about as a mere screenwriter.

Finding a writer

Got an idea but no writing chops? Here’s some options for getting a writer on board.

Getting rights to a concept album

Copyright almost certainly rests with the songwriters, so start there.

Based on a true story

How is that label earned? What are the legal parameters?

A character sings a song

Hope you have to worry about these problems when the movie gets made. Until then, don’t.

Copyrighted materials in your script

Worry about writing the best scenes and not about lawsuits or song rights.

Worried about copyrights

This is America. If you want your characters to say that TOWN AND COUNTRY was a boring, unfunny disaster, they can.

Optioning a book

If you can, option. If not, don’t be afraid to show your script for fear of losing the rights to the source material.

More copyrights and changes

How important is it to register your screenplay?

Getting rights to a concept album

Copyright almost certainly rests with the songwriters, so start there.

“Fictional events” disclaimer

In GO, the threeway, the strippers and the burning hotel room all happened – at different times, to different people – but in stringing them together, I created a fictious work that is not really “based on actual events.”

Finding the rights

Sometimes an attorney should be your first stop on the search for rights.