John and Craig welcome Daley Haggar and Dara Resnik to examine the potential impacts of the Harvey Weinstein revelations on Hollywood. What should have been done? And what should happen next to foster a safer, saner and more inclusive industry culture? We also explore gender dynamics in a television writers room, discuss ways to address […]
John and Craig attempt to answer the question that many aspiring screenwriters dare not ask aloud: when — if ever — is the right time to give up on the dream of becoming a working screenwriter? Relatedly, is it okay to omit “aspiring” when describing oneself as a screenwriter? How do you ask friends for […]
In this special mini-episode, John and Craig talk through the upcoming WGA strike authorization vote — what it actually means, and why they’re both voting yes.
In this bonus mini-episode, John talks with Nima Yousefi, the wizard behind Highland and Weekend Read, about his experience as an Iranian refugee, and his fears for the future in light of the travel ban.
From state legislatures to school boards, every one of the 519,682 elected offices in the United States affects people’s daily lives. You should run for one of them.
I think you’re a potentially great character but you seem stuck in a story where you’re neither hero nor villain.
In this Scriptnotes Extra, Craig and John discuss the melting dread they experienced this morning and hopefully offer some succor.
One of the positive things I took from this election was a quote Hillary Clinton used from her Methodist upbringing: Do all the good you can. By all the means you can. In all the ways you can. In all the places you can. At all the times you can. To all the people you […]
In this special mini-episode, Craig and John tackle the gold standard and why economists think it’s a flat-out terrible idea.
Craig and John discuss the impact of Star Wars knocking down all the records, both for the industry and big-screen sci-fi.
Doc McStuffins creator Chris Nee joins Craig and John to answer listener questions that have nothing to do with screenwriting.
Noah Bradley, who illustrated several of the weapon cards for One Hit Kill, has a great post up about his journey to becoming a full-time professional artist.
Gina Ippolito writes about how she got staffed on her first TV show.
Bragging about efficiency plays into the worst stereotypes of California: smug, self-righteous and self-congratulatory. Yet conspicuous underconsumption has actual public benefits. You’re showing what’s possible, and helping to nudge trend lines and public policy in the right direction.
You’re going to want to pass on the curse. The smart play is to pick someone who won’t die right away.
Aline Brosh McKenna joins John and Craig to discuss the how movies featuring good mentors (Dead Poet’s Society, To Sir with Love) differ from films with bad mentors (Whiplash, The Devil Wears Prada). It’s not just that the teachers are bad guys; rather, the stories are structured completely differently.
John and Craig spend the hour discussing the number one topic whenever screenwriters are done complaining about studio notes: the end of the world, and how to get ready for it.
Grimm’s fairy tales offer uniformly terrible marriage advice.
Craig and John go back to basics with an all advice episode, looking at the Dear J.J. recommendations for Star Wars, Tony Gilroy’s advice to screenwriters and whatever’s up with Max Landis.
As promised, John and Craig answer a bunch of listener questions on everything except screenwriting, on topics ranging from sex to science to sushi.
Craig and John look at two recent court decisions that could have a big impact on how movies get sold and resold — and how writers get paid. First-Sale Doctrine is one of those intractable issues that involves freedom and control, bits and atoms, creators and consumers.
Brett Terpstra has good advice for anyone sending in a resume.
Screenwriters are often not the healthiest folk. We do our work at computers, surrounded by snacks, so it’s no surprise many of us get fat. But it doesn’t have to be that way.
After somehow flipping my mental model of the city, I spent a few years trying to correct my internal map of New York City, one visit at a time. Two decades later, I’m not a native or an expert by any means, but tourists consistently ask me directions — perhaps because they recognize that I was once lost, like them. So here’s a guide I’ll offer to help anyone who finds themselves encountering New York City for the first time.
My last house-sitting gig was in 1995, taking care of Vincent Price’s old house in the hills. I lasted one sleepless night. Despite the promise of easy escape — the master bedroom had sliding glass doors to the patio — the accumulated creaks and bumps and footsteps in the dark were too much for my fertile imagination.