John August

Film Industry

The long and short of it

Episode - 196

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Film Industry, Follow Up, One Hit Kill, Producers, QandA, Scriptnotes, Television, Transcribed, WGA, Words on the page

John and Craig dig into the listener mailbag and take questions on TV producer credits, jealousy over other writers’ success, writing tight vs writing long and plenty of other follow up.

It’s a jam packed episode worthy of a long commute.

We also have information on the card game we playtested in LA a few weeks back. It’s called One Hit Kill, and you can see some of the artwork and play our mini-game at [onehitkillgame.com](http://www.onehitkillgame.com/) now.

Links:

* [Scriptnotes, 195: Writing for Hollywood without living there](http://johnaugust.com/2015/writing-for-hollywood-without-living-there)
* [Email us](mailto:ask@johnaugust.com) or [leave us a Facebook comment](https://www.facebook.com/scriptnotes) and let us know your favorite episodes
* [John’s 2004 blog post on producer credits](http://johnaugust.com/2004/producer-credits-and-what-they-mean) and [screenwriting.io on the television writer/producer pecking order](http://screenwriting.io/what-is-the-television-writerproducer-pecking-order/)
* [Superman vs. Batman? DC’s Real Battle Is How to Create Its Superhero Universe](http://www.hollywoodreporter.com/news/superman-batman-dcs-real-battle-792190) by Kim Masters
* [See artwork from our new game, One Hit Kill, and play our mini-game now](http://www.onehitkillgame.com/)
* [Rocketbook: Cloud-Integrated Microwavable Notebook](https://www.indiegogo.com/projects/rocketbook-cloud-integrated-microwavable-notebook) on Indiegogo
* [Scriptnotes, the 100th Episode](http://johnaugust.com/2013/scriptnotes-the-100th-episode)
* [All our past One Cool Things](http://johnaugust.com/onecoolthings)
* [The MacBook’s new trackpad will change the way you click](http://www.macworld.com/article/2895758/the-macbooks-new-trackpad-will-change-the-way-you-click.html) on Macworld
* [Scriptnotes, Bonus: The Dirty Show with Rebel Wilson and Dan Savage](http://scriptnotes.net/the-dirty-show-with-rebel-wilson-and-dan-savage)
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Scriptnotes editor Matthew Chilelli ([send us yours!](http://johnaugust.com/2014/outros-needed))

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_196.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_196.mp3).

**UPDATE 5-7-15:** The transcript of this episode can be found [here](http://johnaugust.com/2015/scriptnotes-ep-196-the-long-and-short-of-it-transcript).

Writing for Hollywood without living there

Adaptation, Film Industry, International, Los Angeles, Pitches, Scriptnotes, Transcribed

Canadian screenwriter Ryan Knighton joins John and Craig to discuss how you sustain a career writing for Hollywood studios while living a flight away. Knighton’s first screenplay was the adaptation of his memoir about going blind. He’s since written for several studios, including a new project for Ridley Scott.

We also talk about general meetings, pitching, adapting true stories, and the Sundance screenwriting lab.

Links:

* [Ryan Knighton](http://www.ryanknighton.com/), and on [Twitter](https://twitter.com/ryanknighton), [Wikipedia](http://en.wikipedia.org/wiki/Ryan_Knighton), [This American Life](http://www.thisamericanlife.org/contributors/ryan-knighton), [The Moth](http://themoth.org/posts/storytellers/ryan-knighton) and [Reading Aloud with Nate Corddry](http://wolfpop.com/photos/711304/ryan-knighton)
* Ryan’s books [Cockeyed](http://www.amazon.com/dp/1586484400/?tag=johnaugustcom-20) and [Swing in the Hollow](http://www.amazon.com/dp/1895636345/?tag=johnaugustcom-20) on Amazon
* [What is a treatment?](http://screenwriting.io/what-is-a-treatment/) on screenwriting.io
* [Ryan side-by-side with Chris O’Dowd](http://johnaugust.com/Assets/chrisryan.png)
* [LootCrate](https://www.lootcrate.com/)
* [The For Dummies series](http://www.dummies.com/) and [Google AdWords for Dummies](http://www.amazon.com/dp/1118115619/?tag=johnaugustcom-20)
* [Lovage](http://en.wikipedia.org/wiki/Lovage) on Wikipedia
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Scriptnotes editor Matthew Chilelli ([send us yours!](http://johnaugust.com/2014/outros-needed))

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_195.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_195.mp3).

**UPDATE 5-4-15:** The transcript of this episode can be found [here](http://johnaugust.com/2015/scriptnotes-ep-195-writing-for-hollywood-without-living-there-transcript).

Poking the bear

Film Industry, Follow Up, News, QandA, Scriptnotes, So-Called Experts, Transcribed, WGA

This week, Craig and John discuss recent events that seem custom-designed to make Craig furious.

An anonymous screenwriter promises to tell you the secrets of Hollywood, including the unspoken dress code. A London-based film production company wants to buy your script — but they want you to pay for some notes first.

But it’s not all bad news. The WGA East has organized the writers at Gawker, so we talk about why and whether it’s a good idea. We also look at GLAAD’s latest report on LGBT representative in feature films.

Links:

* [RSVP here for the April 25 WGAw screenings of Ghost and Jacob’s Ladder, featuring a Q+A with Bruce Joel Rubin moderated by John August](http://www.wga.org/content/default.aspx?id=229), and [follow John on Twitter](https://twitter.com/johnaugust) where he will let you know if tickets are released for non-WGA members
* [Gawker Media Editorial Staff Welcomed by WGAe](http://www.thewrap.com/writers-guild-of-america-east-welcomes-gawker-media-editorial-staff/)
* [Scriptnotes, 193: How writing credits work](http://johnaugust.com/2015/how-writing-credits-work)
* LA Times on [Ron Bass and his in-house team](http://articles.latimes.com/1997/aug/10/entertainment/ca-20955)
* The poster for [The Harvest](http://www.screenrelish.com/wp-content/uploads/2015/04/the-harvest-poster.jpg)
* [Meet Writer X](http://www.finaldraft.com/discover/videos/final-draft-writer-app-for-the-ipad/meet-writer-x)
* [The not-so-well-dressed screenwriter](http://johnaugust.com/2004/the-not-so-well-dressed-screenwriter) from johnaugust.com
* [Tom Vu](http://en.wikipedia.org/wiki/Tom_Vu) and [Don Lapre](http://en.wikipedia.org/wiki/Don_Lapre) on Wikipedia
* [Stage32 discussion on iFilm Group](https://www.stage32.com/lounge/screenwriting/iFilm-Group-iFilm-Ltd)
* [The Paris Gold Ring Scam](http://www.everywhereist.com/the-paris-gold-ring-scam/)
* [GLAAD’s 2015 Studio Responsibility Index](http://www.glaad.org/sri/2015/overview)
* [More on Internet Neologisms: Rage Quitting is a Thing](http://daily.jstor.org/more-on-internet-neologisms-rage-quitting-is-a-thing/) by Chi Luu
* [Kano is a computer you build and code yourself](http://www.kano.me/kit)
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Scriptnotes editor Matthew Chilelli ([send us yours!](http://johnaugust.com/2014/outros-needed))

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_194.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_194.mp3).

**UPDATE 4-24-15:** The transcript of this episode can be found [here](http://johnaugust.com/2015/scriptnotes-ep-194-poking-the-bear-transcript).

How writing credits work

Film Industry, News, Scriptnotes, Transcribed, WGA

Craig and John do a deep-dive into the world of screenwriting credits, explaining the entire process from the Notice of Tentative Writing Credits, to arbitration to review boards. The system can be confusing, but most produced screenwriters will find themselves facing it at some point, so it’s important to understand how it works.

Links:

* [Scriptnotes, Ep 20: How credit arbitration works](http://johnaugust.com/2012/how-credit-arbitration-works)
* [Jurassic World Script Credits Resolved; Helmer Colin Trevorrow Speaks On Arbitration Process](http://deadline.com/2015/04/jurassic-world-script-credits-resolved-colin-trevorrow-speaks-on-arbitration-process-1201406086/) on Deadline
* [WGAw Screen Credits Manual](http://www.wga.org/subpage_writersresources.aspx?id=167)
* [Big Fish poster](http://netdna.webdesignerdepot.com/uploads/2013/04/BigFish.jpg)
* [WGAw Credits Department contact information](http://www.wga.org/subpage_whoweare.aspx?id=809)
* [WGAw residuals look up](https://my.wgaw.org/home/Login.aspx?ReturnUrl=%2fhome%2fresiduals.aspx)
* [RSVP here for the April 25 WGAw screenings of Ghost and Jacob’s Ladder, featuring a Q+A with Bruce Joel Rubin moderated by John August](http://www.wga.org/content/default.aspx?id=229)
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Scriptnotes listener Rajesh Naroth ([send us yours!](http://johnaugust.com/2014/outros-needed))

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_193.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_193.mp3).

**UPDATE 4-17-15:** The transcript of this episode can be found [here](http://johnaugust.com/2015/scriptnotes-ep-193-how-writing-credits-work-transcript).