John August

Directors

Let’s talk about Nikki Finke

Episode - 93

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Directors, Film Industry, Resources, Scriptnotes, Software, Tools, Transcribed, Words on the page

John and Craig discuss the polarizing potentate of Deadline Hollywood Daily, then segue into what a healthy entertainment journalism ecosystem might look like.

From there, it’s a discussion of Amazon Studios’ new storyboarding software, which demos well but isn’t likely to change much. It’s a good jumping-off spot for talking about storyboarding in general.

Also this week: T-shirts! Live dates!

Official Scriptnotes t-shirts are available in Umbrage Orange and Rational Blue — but only until June 21st, so don’t delay. You can find them at store.johnaugust.com (or follow the link below).

Two live shows this summer! June 29th and July 25th, both in Los Angeles. Click the links for details.

LINKS:

* The Daily Beast on [Nikki Finke’s 8 Greatest Freakouts](http://www.thedailybeast.com/articles/2013/06/04/deadline-hollywood-editor-in-chief-nikki-finke-s-8-greatest-freakouts.html)
* The LA Times on how [Nikki Finke’s next big story may be her own exit](http://www.latimes.com/entertainment/envelope/cotown/la-fi-ct-nikki-finke-20130604,0,4915206,full.story)
* Time asks [What’s Next for Hollywood’s Most Feared Reporter?](http://entertainment.time.com/2013/06/06/whats-next-for-hollywoods-most-feared-reporter/)
* The (one and only?) infamous [Nikki Finke headshot](http://www.mediabistro.com/fishbowlla/files/original/nikki_finke.jpg)
* Gawker on [Why Nikki Finke Never Makes a Mistake](http://gawker.com/5392863/why-nikki-finke-never-makes-a-mistake) and the [commenter edition](http://gawker.com/5501268/why-nikki-finke-never-makes-a-mistake-commenter-edition)
* The Writers Guild Foundation presents [The Screenwriter’s Craft: Finding Your Voice](https://www.wgfoundation.org/screenwriting-events/the-screenwriters-craft-finding-your-voice/) featuring Scriptnotes Live
* [Submit your Three Pages](http://johnaugust.com/threepage) for the Writers Guild Foundation event and let us know you’ll be there
* John’s blog post on [this summer’s two live shows](http://johnaugust.com/2013/scriptnotes-live-in-la)
* [Amazon Storyteller](http://studios.amazon.com/storyteller) from Amazon Studios
* Get your Scriptnotes shirt from [the John August Store](http://store.johnaugust.com/) until June 21st
* [f.lux](http://justgetflux.com/) adjusts your displays for the time of day
* [Kingdom Rush Frontiers](https://itunes.apple.com/us/app/kingdom-rush-frontiers-hd/id598581619?mt=8) is available now

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_93.m4a).

**UPDATE** 6-14-13: The transcript of this episode can be found [here](http://johnaugust.com/2013/scriptnotes-ep-93-lets-talk-about-nikki-finke-transcript).

Writing effective transitions

Directors, Film Industry, Los Angeles, Scriptnotes, Transcribed, Words on the page

How you get from one scene to the next can be just as important as the scenes themselves. Craig and John talk techniques and tactics for making those cuts count.

But first there’s the issue of the $23 million lawsuit filed by two of the GI Joe writers, claiming that much of the storyline in the 2013 sequel came from their earlier work. Is this the case John and Craig have long predicted, in which unpaid pre-writing comes back to haunt the studios?

We also look at a bunch of shots we no longer need to see in movies.

Plus Craig and John have actual news, with a date for the long-promised live 100th episode in Los Angeles, and a bonus live podcast in June.

LINKS:

* [Turning the Page: Storytelling in the Digital Age](http://www.oscars.org/events-exhibitions/events/2013/05/turning-page.html) at the Samuel Goldwyn Theater
* [The Inebriati](http://www.youtube.com/watch?v=lIv96reVlAE) from That Mitchell and Webb Look
* [Paramount & MGM Sued By ‘G.I. Joe’ Writers](http://www.deadline.com/2013/05/paramount-mgm-sued-by-g-i-joe-writers-for-23m/) and [the complaint](http://www-deadline-com.vimg.net/wp-content/uploads/2013/05/G.-I.-Joe-Complaint__130506233913.pdf) from Deadline
* [Twenty Shots to Be Henceforth Retired from Film Vocabulary](http://www.reverseshot.com/article/20_shots_be_henceforth_retired_film_vocabulary) on Reverse Shot
* The Los Angeles Times on [Studios donating film set materials to Habitat for Humanity](http://articles.latimes.com/2013/may/08/business/la-fi-ct-onlocation-habitat-20130508)
* Joe Nienalt and Daniel Vang’s [will-read-your-script fundraiser](http://heartwalk.kintera.org/faf/donorReg/donorPledge.asp?ievent=1044247&supid=227801200) for the American Heart Association
* Listen to [Scandal Revealed episode 221](https://itunes.apple.com/us/podcast/scandal-revealed/id566120824) featuring Matt Byrne
* Chad & Dara Creasey are on [Mistresses](http://beta.abc.go.com/shows/mistresses) on ABC
* [The Hollywood Reporter Comedy Class of 2013](http://www.hollywoodreporter.com/lists/john-hamburg-dana-fox-449162)’s writeup on Dana Fox (and John Hamburg)
* Rawson Thurber’s [We’re the Millers](http://en.wikipedia.org/wiki/We’re_the_Millers) on Wikipedia
* New dad [Sean Smith](http://www.imdb.com/name/nm1091301/) on IMDb
* [Email us](http://johnaugust.com/ask-a-question) or Tweet [John](https://twitter.com/johnaugust) and [Craig](https://twitter.com/clmazin) your questions on anything
* OUTRO: Cyndi Lauper’s [Girls Just Want to Have Fun covered by Busby Marou](http://www.youtube.com/watch?v=nJeYmzDTGqE)

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_89.m4a).

**UPDATE** 5-16-13: The transcript of this episode can be found [here](http://johnaugust.com/2013/scriptnotes-ep-89-writing-effective-transitions-transcript).

Shine on, you Kubrick theorists

Directors, Follow Up

When I [criticized](http://johnaugust.com/2011/cinematic-geography-and-problem-of-genius) Rob Ager’s analysis of spatial impossibilities in The Shining, I didn’t realize the extent of [wild theories about Kubrick’s film](http://www.nytimes.com/2012/01/29/movies/room-237-documentary-with-theories-about-the-shining.html?_r=2&src=me&ref=movies):

> “Room 237,” the first full-length documentary by the director Rodney Ascher, examines several of the most intriguing of these theories. It’s really about the Holocaust, one interviewee says, and Mr. Kubrick’s inability to address the horrors of the Final Solution on film. No, it’s about a different genocide, that of American Indians, another says, pointing to all the tribal-theme items adorning the Overlook Hotel’s walls. A third claims it’s really Kubrick’s veiled confession that he helped NASA fake the Apollo Moon landings.

Of course, we’ll never know Kubrick’s true intentions, because he’s dead.

*Unless he isn’t.*

Working with directors

Directors, Scriptnotes, Transcribed

In episode four of Scriptnotes, Craig and I discuss migraines, kidney stones and zombie apocalypse preparations before we segue to the main topic: how screenwriters work with directors, from the first meeting to on-set etiquette to giving notes in post.

Screenwriters and directors often come at a project from different directions. The writer is trying to explain the movie he’s already written; the director is trying to explore the movie he’s planning to make.

By understanding what a director wants and needs, you stand the best chance of getting your movie on screen in a way that satisfies both of you.

Links:

You can download the episode here: AAC.

UPDATE 9-24-11: The transcript of this episode can be found here.