• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

John August

  • Arlo Finch
  • Scriptnotes
  • Library
  • Store
  • About

Projects

Introducing Launch

Episode - 335

Go to Archive

January 23, 2018 Arlo Finch, Books, Scriptnotes, Transcribed, Writing Process

John and Craig introduce Launch, John’s new podcast about making a book. Over the course of six episodes, the series tracks the process of writing and shipping a novel, from idea to printing.

The first two episodes are available today, with new episodes coming each Tuesday.

Not to worry — Scriptnotes isn’t going anywhere. We’ll have new episodes on Tuesdays as well.

Subscribe to Launch today: [http://wondery.fm/launch](http://wondery.fm/launch)

Links:

* Subscribe to Launch at [http://wondery.fm/launch](http://wondery.fm/launch) or wherever you listen to podcasts.
* You can preorder Arlo Finch in the Valley of Fire and read an excerpt [here](http://read.macmillan.com/mcpg/arlo-finch/).
* [The Scriptnotes Listeners’ Guide!](johnaugust.com/guide)
* [The USB drives!](https://store.johnaugust.com/collections/frontpage/products/scriptnotes-300-episode-usb-flash-drive)
* [John August](https://twitter.com/johnaugust) on Twitter
* [Craig Mazin](https://twitter.com/clmazin) on Twitter
* [John on Instagram](https://www.instagram.com/johnaugust/?hl=en)
* [Find past episodes](http://scriptnotes.net/)
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Andy Roninson ([send us yours!](http://johnaugust.com/2014/outros-needed))

Email us at ask@johnaugust.com

You can download the episode [here](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_335.mp3).

**UPDATE 1-29-18:** The transcript of this episode can be found [here](http://johnaugust.com/2018/scriptnotes-ep-335-introducing-launch-transcript).

Wait for It

January 2, 2018 Arlo Finch, Film Industry, Follow Up, Formatting, Rights and Copyright, Scriptnotes, Story and Plot, Weekend Read, WGA, Words on the page, Writing Process

John and Craig discuss suspense and its function in all genres, from thrillers to romcoms. They examine suspense of the known and of the unknown and the techniques available to construct it.

We also answer listeners questions about registering scripts with the WGA, how to overcome creative paralysis and unconventional sluglines.

Links:

* [The WGA’s page](http://www.wga.org/members/workplace-matters/sexual-harassment) regarding sexual harassment
* [The Wedding Planner](https://en.wikipedia.org/wiki/The_Wedding_Planner), [Die Hard](https://en.wikipedia.org/wiki/Die_Hard), [Three’s Company](https://en.wikipedia.org/wiki/Three%27s_Company), [Man Up](https://en.wikipedia.org/wiki/Man_Up_(film)), and the [old ketchup commercials](https://www.youtube.com/watch?v=uoLoyg3JKRQ) are great examples of suspense
* Thanks to [Katie Dippold](http://www.imdb.com/name/nm1767754/), who pitched the idea for this episode
* [Weekend Read](https://quoteunquoteapps.com/weekendread/) has many of this season’s awards scripts posted for your reading pleasure
* [Flipflop Solitaire](http://www.flipflopsolitaire.com) by Zach Gage, who also made [Really Bad Chess](http://www.reallybadchess.com)
* Slate’s podcast, [Slow Burn](http://www.slate.com/articles/slate_plus/watergate.html)
* [The Scriptnotes Listeners’ Guide!](johnaugust.com/guide)
* [The USB drives!](https://store.johnaugust.com/collections/frontpage/products/scriptnotes-300-episode-usb-flash-drive)
* [John August](https://twitter.com/johnaugust) on Twitter
* [Craig Mazin](https://twitter.com/clmazin) on Twitter
* [John on Instagram](https://www.instagram.com/johnaugust/?hl=en)
* [Find past episodes](http://scriptnotes.net/)
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Travis Newton ([send us yours!](http://johnaugust.com/2014/outros-needed))

Email us at ask@johnaugust.com

You can download the episode [here](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_332.mp3).

**UPDATE 1-8-18:** The transcript of this episode can be found [here](http://johnaugust.com/2018/scriptnotes-ep-332-wait-for-it-transcript).

Don’t search with your eyes

December 11, 2017 Arlo Finch, Books, Highland, How-To, Projects

This week, I’m editing the manuscript for the second [Arlo Finch](http://arlofinchbooks.com). I do most of my edits on paper because I find I catch a lot of mistakes I’d otherwise miss just scrolling on the screen.

One of the frustrations with this process can be trying to match up the errors you’ve found on paper with what’s in the file. You’re constantly scrolling, looking for the trouble spot. [Highland 2](https://quoteunquoteapps.com/highland-2-beta/) has a sidebar navigator and inline page numbers, both of which can help. But I’ve found the fastest solution is to stop scrolling altogether and use the built-in search function.

Let’s say you’re fixing a typo, like a missing ‘d’ on *the door had been **force** open.* It’s halfway down on page 183, but that doesn’t matter.

Hit Command-F and type *had been force* then return.

Boom. You’re right there. Fix the mistake and keep going.

Note that you want to search for a string of words, not just the one with the typo. You may have used *force* a dozen times, but you’re almost certain to have typed *had been force* just once.

In Highland 2 — and most Mac writing apps — the Find command starts searching from wherever your cursor is, so if you’re working through edits in order, you rarely have to be particularly narrow in your search query. Even if you use *its claws scraped* more than once in your book, it will always give you the next one first. That’s likely to be the one you want.

This technique probably saved me half an hour today, and a lot of eye fatigue. So try it out next time.

How Arlo Finch got his name

August 30, 2017 Arlo Finch, Author, Books, Writing Process

A reader asks:

> What other names did you consider and how did you land on Arlo Finch?

I have a very hard time writing a character if I don’t love the name. So I obsess over picking the right one. I’ll spend hours staring in the middle distance, trying out various combinations until something clicks.

The right name would be especially important in this case. From the start, I was pretty sure the book was going to be titled some variation of *Boy’s Name in the Place of the Noun*, so I needed something appropriate for both a 12-year-old boy and a three-volume fantasy series.

For Arlo Finch, the last name came first.

I’ve always liked Finch, either as a first or last name. It’s been on my what-about list for years. It has the combination of feeling classic but unusual — I’ve never met anyone named Finch, but I wouldn’t be surprised to. Culturally, I’d believe that the family was American, possibly of English descent.

Of course, “finch” is also a kind of bird. I’m not much of an ornithologist, but I knew they were small and flitty. So I googled them.

Here’s a house finch:

brown bird

From the [photographer’s description](http://tgreybirds.com/Pages/HouseFinchp.html):

> that look is the quintessence of cool plainness. “I am extraordinarily ordinary.”

Male finches can actually be quite colorful, but I really like the simplicity of this brown and tan female.

Finch happens to be the last name of the family in *To Kill A Mockingbird*. That’s a great pedigree. But it’s also related to my own family’s name.

My original last name is Meise, which is the German term for the bird we call a titmouse.

Here’s the tufted variety:

small bird

So the Finch and *die Meise* are both small flitty birds. They’re not the same, but they’re the same general idea. Since I knew the main character of the book was going to be a stand-in for my 12-year-old self, it felt right to give him a name similar to mine.

Once I had settled on Finch, “Arlo” came relatively quickly.

Working off a [list of common boys’ names](https://www.babble.com/pregnancy/1000-most-popular-boy-names/), I started by ruling out single-syllable names, like John or Jim or Rob. The staccato one-two of these names can certainly work (e.g. Huck Finn, John Wick, Tom Ford), but it didn’t feel right for this. ((“Ray Finch” sounds like a private eye. “Bill Finch” sells insurance.))

Moving up to two syllables, you quickly realize that almost all boys’ names have the stress on the front half: DUH-duh rather than duh-DUH. But even within that pattern, there’s lot of variation on where your mouth ends up when finishing the weak syllable.

Try saying the following names out loud:

Liam Finch
Jacob Finch
Logan Finch
Joseph Finch

In the first two examples, the final ‘m’ and ‘b’ require you to put your lips together, which makes for a weird transition to the start of “Finch.”

The ’n’ of Logan is easier, but still requires a fair amount of tongue-repositioning for the ‘f.’

And Joseph Finch sounds like one word: *jossefinch.*

Ideally, you’d want to end the first name with a vowel sound so it would be easy to hit the ‘f.’ ((A ‘r’ would also work. Yes, it’s a consonant, but at the end of a word it stays open like a vowel. “Roger Finch” is easy to say.)) But there aren’t many boys’ names that end in a vowel, and they tend to sound Old Testament-y:

Noah
Levi
Eli
Leo
Ezra
Jonah
Henry

Henry was a contender. It worked well with Finch, and was my father’s name. But it didn’t quite feel like the character. I ended up making Arlo’s best friend “Henry Wu.”

I found Arlo quite low on the list. ((The first name Arlo is #502 on this list, but has apparently risen to #299 for 2017. I have a hunch its popularity is going to continue growing, regardless of what happens with the book. It feels like a new Noah or Wyatt.)) I loved it immediately. Like Finch, it was a name that I’d never seen in the wild but certainly believed could exist.

“Arlo Finch” is easy to pronounce. The ‘o’ flows naturally into the ‘f.’ (Almost too naturally — some people hear it as “our loaf inch.”)

Typographically, its four letters look good together — an important consideration for a word that will show up multiple times on every page. And it balances really nicely with Finch when you see both words together.

I chose the name on October 29th, 2015. The next day, I set to work writing chapter one. Arlo’s sister became Jaycee Finch — another two-syllable first name ending in a vowel. His mom became Celeste Bellman Finch.

Months later, I discovered there’s at least one real person named Arlo Finch. But that’s not particularly surprising. There are quite a few [Harry Potters](https://www.abebooks.com/docs/harry-potter/biographies.shtml) and [Tom Riddles](http://www.newsweek.com/what-its-share-name-lord-voldemort-301388) out there as well.

Ultimately, what makes a name work isn’t that it’s unique, but that it uniquely suits the character. For this book, for this kid, I was really happy to find Arlo Finch.

—

book cover

[Arlo Finch in the Valley of Fire](https://us.macmillan.com/books/9781626728141) comes out February 6, 2018 in the U.S., with international editions available later in the year.

You can read more about the book at [arlofin.ch](http://arlofin.ch).

 

« Previous Page
Next Page »

Primary Sidebar

Newsletter

Inneresting Logo A Quote-Unquote Newsletter about Writing
Read Now

Explore

Projects

  • Aladdin (1)
  • Arlo Finch (27)
  • Big Fish (88)
  • Birdigo (2)
  • Charlie (39)
  • Charlie's Angels (16)
  • Chosen (2)
  • Corpse Bride (9)
  • Dead Projects (18)
  • Frankenweenie (10)
  • Go (30)
  • Karateka (4)
  • Monsterpocalypse (3)
  • One Hit Kill (6)
  • Ops (6)
  • Preacher (2)
  • Prince of Persia (13)
  • Shazam (6)
  • Snake People (6)
  • Tarzan (5)
  • The Nines (118)
  • The Remnants (12)
  • The Variant (22)

Apps

  • Bronson (14)
  • FDX Reader (11)
  • Fountain (32)
  • Highland (73)
  • Less IMDb (4)
  • Weekend Read (64)

Recommended Reading

  • First Person (88)
  • Geek Alert (151)
  • WGA (162)
  • Workspace (19)

Screenwriting Q&A

  • Adaptation (66)
  • Directors (90)
  • Education (49)
  • Film Industry (491)
  • Formatting (130)
  • Genres (90)
  • Glossary (6)
  • Pitches (29)
  • Producers (59)
  • Psych 101 (119)
  • Rights and Copyright (96)
  • So-Called Experts (47)
  • Story and Plot (170)
  • Television (164)
  • Treatments (21)
  • Words on the page (238)
  • Writing Process (178)

More screenwriting Q&A at screenwriting.io

© 2025 John August — All Rights Reserved.