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How-To

Photoplays and archetypes

Episode - 143

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May 13, 2014 Broadway, Follow Up, How-To, Screenwriting Software, Scriptnotes, Transcribed

In a wide-ranging episode, Craig and John look at a 1912 screenwriting book, Levinson’s beef with the WGA, and the Periodic Table of Storytelling.

We also answer listener questions about keeping secrets from readers, firing managers, and what happens to a Broadway show after Broadway. Plus, more follow-up on old One Cool Things.

There are still (maybe?) tickets for the live show on the 15th. See the links for details.

Links:

* [Voting for the Live Three Page Challenge is open](http://johnaugust.com/threepagelive) until May 14 at noon
* [Get your tickets now](https://www.wgfoundation.org/screenwriting-events/scriptnotes-summer-superhero-spectacular/) for the Scriptnotes Summer Superhero Spectacular
* John’s blog post on [which apps screenwriters are using](http://johnaugust.com/2014/which-apps-are-screenwriters-using)
* Scriptnotes, Episode 141: [Uncomfortable Ambiguity, or Nobody Wants Me at their Orgy](http://johnaugust.com/2014/uncomfortable-ambiguity-or-nobody-wants-me-at-their-orgy)
* Matt Selman [on Wikipedia](https://en.wikipedia.org/wiki/Matt_Selman)
* The Simpsons, Episode 492: The Book Job, on [Wikipedia](https://en.wikipedia.org/wiki/The_Book_Job) and [Amazon Instant Video](http://www.amazon.com/dp/B006B318N8/?tag=johnaugustcom-20)
* The Simpsons, Episode 266: The Trilogy of Error [on Wikipedia](https://en.wikipedia.org/wiki/Trilogy_of_Error)
* John’s blog post on [How to Write a Photoplay](http://johnaugust.com/2014/how-to-write-a-photoplay) and [the book on archive.org](https://archive.org/details/howtowritephotop00hoag)
* Deadline on [Barry Levinson leaving the WGA](http://www.deadline.com/2014/05/barry-levinson-quits-wga-over-sloppy-credit-arbitration-on-screen-version-of-philip-roths-the-humbling/)
* [The Periodic Table of Storytelling](http://designthroughstorytelling.net/periodic/)
* Seattle’s [Experience Music Project Museum](http://www.empmuseum.org/), and [John’s photo of the Archetypes of Fantasy chart](http://johnaugust.com/Assets/archetypes.jpg)
* Joseph Campbell’s [The Hero with a Thousand Faces, Collected Works](http://www.amazon.com/dp/1577315936/?tag=johnaugustcom-20), and his and Bill Moyers’ video series, [The Power of Myth](http://www.amazon.com/dp/B00A4E8E1O/?tag=johnaugustcom-20)
* [Bulfinch’s Mythology](http://www.amazon.com/dp/1440426309/?tag=johnaugustcom-20)
* [Memos to Hollywood](http://www.nytimes.com/2014/05/04/movies/critics-weigh-in-on-patriarchy-and-the-vanished-film-print.html) from The New York Times
* Big Fish’s [upcoming shows](http://www.theatricalrights.com/big-fish)
* Vote now (for Big Fish!) for the [Broadway.com Audience Choice Awards](http://awards.broadway.com/buzz/2014/5/5/votebway-vote-now-for-the-winners-of-the-2014-broadwaycom-audience-choice-awards)
* All our [One Cool Things](http://johnaugust.com/onecoolthings)
* [WorkEZ Executive Laptop Stand](http://www.uncagedergonomics.com/workez-executive/) and [on Amazon](http://www.amazon.com/dp/B00B9HGHPU/?tag=johnaugustcom-20)
* [Sometimes You Die](https://itunes.apple.com/us/app/sometimes-you-die/id822701037?mt=8) for iOS
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Scriptnotes listener Sam Worseldine ([send us yours!](http://johnaugust.com/2014/outros-needed))

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_143.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_143.mp3).

**UPDATE 5-16-14:** The transcript of this episode can be found [here](http://johnaugust.com/2014/scriptnotes-ep-143-photoplays-and-archetypes-transcript).

How to convert a PDF to Final Draft

November 15, 2013 Formatting, Fountain, Geek Alert, Highland, How-To, Scriptcast, Software

Screenwriters often find themselves with PDF of a screenplay when what they actually need a Final Draft (.fdx) file that they can edit.

Some common scenarios:

* Your hard drive crashed, and the only copy of your screenplay is an old PDF you sent to a friend.
* You’ve been hired to rewrite a project, but the producers only have a PDF of the script.
* The script only exists on paper. Now it’s been scanned to a PDF — but that still doesn’t get you a script you can edit.

However it happens, it happens a lot. Among my working screenwriter friends, it’s one of the questions I get most.

There are basically three ways to convert from a PDF to Final Draft:

1. Retype it.
2. Copy and Paste and Reformat every line.
3. Use Highland.

**Update:** The folks at Final Draft emailed me to suggest an additional workflow, which I’ll detail after the section on copy-and-paste.

###Retyping it

This is the worst option, but back in the days of paper scripts, it was the only option. It’s as awful as it sounds. If you do it yourself, it’s exhausting. If you pay someone to do it, it’s expensive.

Retyping inevitably introduces mistakes. Spellcheck will catch some typos, but words will get omitted.

The only scenario in which I can envision retyping a script is if it’s so bad you really do want to rewrite it scene by scene. But in these cases, I think you’re better off putting the old script aside and starting at page one.

###Copy and Paste and Reformat every line

PDFs come in two basic types. Some PDFs are essentially photos of pages. You see the text, but it’s really an image. Other PDFs include the text itself. In Acrobat or Preview, you can select the text.

Most PDFs these days have selectable text, so there’s a good chance you’ll be able to copy the text out. If you paste it into Final Draft, you’ll end up with a mess that will take quite a bit of work (and time) to sort out. But it’s doable.

Here’s a [screencast](http://youtu.be/dElQe8_xf9E) to show you this workflow:

As you can see, reformatting a script this way sucks. It’s better than retyping, but there are many ways things can go wrong. Final Draft is not well-suited to this kind of brute force. You will learn to despise the Reformat box.

But if you only have a PC, this may be your best option, because the next solution only exists on the Mac.

###Use Adobe Reader to save as text, then open in Final Draft

After I posted this entry, the folks Final Draft pointed me to an alternate workflow. Here’s what they [recommend](http://kb.finaldraft.com/article.aspx?cid=1001&aid=519):

> If you have a recent version of the Adobe Acrobat Reader you can go to File > Save As > Text and save the document as a text file.

> Import this text file into Final Draft (File > Open) as a script but you may need to do some reformatting.

Here’s a [screencast](https://www.youtube.com/watch?v=opOsTknLZJ4):

In my testing, it’s only a little better than copy-and-paste. Elements were more likely to be recognized correctly, but line breaks and spacing glitches were daunting. The script also swelled from 114 to 343 pages. I had similar results with all the PDFs I tried.

So while it’s generally an improvement over copy-and-paste, you’d still need to spend quite a bit of time getting a useful script out of this workflow

###Use Highland

If you have a Mac, or a friend who has a Mac, this is your best choice. Hell, if you have a mortal enemy who has a Mac, it’s worth kissing up to him for the five minutes this will take.

[Highland](http://highland.quoteunquoteapps.com/screencast-pdf-fdx) is a paid app in the Mac App Store. It’s actually a full-on screenwriting app, but its ability to melt down PDFs was its original claim to fame, and is still unrivaled.

With Highland, you just drag in the PDF. Highland sucks out the text and does all the reformating. From there, you can edit it right there in Highland, or export it to Final Draft.

Here’s a [screencast](http://youtu.be/4ECADQtAvUg) showing the process:

Can Highland convert every PDF to Final Draft? No.

If a PDF is really just a stack of images, there’s no text to suck out. You may come across these kinds of PDFs when dealing with scanned paper scripts. However, many screenwriters report success running PDFs through optical character recognition software like [Prizmo 2](https://itunes.apple.com/us/app/prizmo-2-scanning-ocr-speech/id546392952?mt=12) first. That’s certainly an option.

PDFs created by Fade In don’t convert well. It’s because of the odd PDF-building code Fade In uses. It’s not something Highland is going to be able to fix.

### Built to be used

My company created Highland because I needed it. While it’s not a huge moneymaker, ((Highland revenues could probably support a single coder with a love of ramen noodles and penchant for tent living.)) it serves a crucial need for screenwriters.

We used to offer a free demo version of Highland, but it confused users more than it helped. (Support emails like, “How do I get rid of the watermark that says ‘Highland Demo?'”)

Also, the demo version was always lagging behind. We update Highland frequently, often twice a month. Maintaining both the paid and demo versions was slowing down development, and the feature sets kept getting out of sync. It’s not easy or rewarding to build deliberately crippled versions of your apps.

So rather than a demo version, I’m planning more screencasts like these to show features and workflows. In the meantime, if you find yourself with a PDF to convert, head over to the Mac App Store and [grab Highland](http://highland.quoteunquoteapps.com/screencast-pdf-fdx). For $30, it will save you untold hours of frustration.

Talking to actors

September 10, 2013 How-To, Scriptnotes, Transcribed

John and Craig discuss the difference between character intention and motivation, before segueing to conversations about working with actors and on-set writing.

We’ve released a new (and final) batch of seats for the live New York show on September 23rd, so [grab your tickets now](https://www.telecharge.com/Off-Broadway/Scriptnotes-Live-with-John-August/Overview?AID=OBW000996000&cm_mmc=Scriptnotes-Live-_-affiliate-_-web-_-OBW000996000&cm_mmca1=show_site&cm_mmca2=ADSTSR&cm_mmca3=130828) for a chance to see Craig and John sing on stage with special guest Andrew Lippa.

In other live-show news: we’re headed back to Austin! There will be two separate Scriptnotes panels at this year’s festival. Stay tuned for more details.

Links:

* [Shofars](http://en.wikipedia.org/wiki/Shofar) on Wikipedia
* [Submit your Three Pages now](http://johnaugust.com/threepage) and let us know you’ll be at the [2013 Austin Film Festival](http://www.austinfilmfestival.com/)
* [The William Shatner recording session](http://www.youtube.com/watch?v=EfDHIqmUUMs)
* [Brother HL2230 Laser Printer](http://www.amazon.com/dp/B004H1PB9I/?tag=johnaugustcom-20) on Amazon
* John and Dan Jinks on [KCRW’s The Business](http://www.kcrw.com/etc/programs/tb/tb130909john_august_and_dan_)
* [Writerduet.com](https://writerduet.com/) lets you collaborate in real-time
* Outro by Scriptnotes listener Kurt Kuenne

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_107.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_107.mp3).

**UPDATE** 9-12-13: The transcript of this episode can be found [here](http://johnaugust.com/2013/scriptnotes-ep-107-talking-to-actors-transcript).

Rigorous, structured daydreaming

March 5, 2013 How-To, Scriptnotes, Story and Plot, Three Page Challenge, Transcribed, Writing Process

Craig and John take a look at an old post that found new life this week when it got picked up on Twitter and Reddit. We go beyond the bullet points to look at the process of writing a scene, from asking the basic questions to getting the words on the page.

1. What needs to happen in this scene?
2. What’s the worst that would happen if this scene were omitted?
3. Who needs to be in the scene?
4. Where could the scene take place?
5. What’s the most surprising thing that could happen in the scene?
6. Is this a long scene or a short scene?
7. Brainstorm three different ways it could begin.
8. Play it on the screen in your head.
9. Write a scribble version.
10. Write the full scene.
11. Repeat 200 times.

Through this lens, we look at three new entries in the Three Page Challenge.

LINKS:

* [@RyanRivard](https://twitter.com/RyanRivard)’s How to write a scene [graphic](https://twitter.com/johnaugust/status/306566727867711489/photo/1)
* The [Reddit post](http://www.reddit.com/r/movies/comments/19ehyv/for_fellow_aspiring_screenwriters_how_to_write_a/)
* The [original 2007 blog post](http://johnaugust.com/2007/write-scene)
* Three pages by [Josh Golden](http://johnaugust.com/Assets/JoshGolden.pdf)
* Three pages by [Kate Powers](http://johnaugust.com/Assets/KatePowers.pdf)
* Three pages by [Andre McGee](http://johnaugust.com/Assets/AndreMcGee.pdf)
* How to [submit your three pages](http://johnaugust.com/threepage)
* [Waking Mars](https://itunes.apple.com/us/app/waking-mars/id462397814?mt=8) for iOS
* Homeland on [Amazon Instant](http://www.amazon.com/dp/B008QTV3X0/?tag=johnaugustcom-20) and [Blu-ray](http://www.amazon.com/dp/B005LAJ17M/?tag=johnaugustcom-20)
* OUTRO: [New York (Daviglio cover)](http://www.youtube.com/watch?v=hz6QsE1dhfU)

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_79.m4a).

**UPDATE** 3-8-13: The transcript of this episode can be found [here](http://johnaugust.com/2013/scriptnotes-ep-79-rigorous-structured-daydreaming-transcript).

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