John August

Books

Anthrax, Amnesia and Atomic Veterans

Episode - 260

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Books, Follow Up, Meta, News, QandA, Scriptnotes, So-Called Experts, Story and Plot

John and Craig implore screenwriters to think twice before using the phrase “begs the question.” We know it’s a losing battle, but if we learned anything from 300, sometimes those are still worth having.

We then dive into one of our favorite features, How Would This Be a Movie, looking at listener-suggested stories about anthrax, amnesia and atomic veterans.

Links:

* [Arlo Finch](http://arlofinch.tumblr.com/) on TUMBLR
* [Duly Noted: Let’s Talk about Episode 259](http://johnaugust.com/2016/duly-noted-lets-talk-about-episode-259)
* [Craig’s One Cool PI Thing](https://www.quora.com/Do-irrational-numbers-like-pi-disprove-humanity-being-a-simulation)
* [Latif Ullah’s Cut of Overboard](https://vimeo.com/174891455)
* [Begging the Question](https://en.wikipedia.org/wiki/Begging_the_question)
* [Begging the Question Fallacy](http://www.nizkor.org/features/fallacies/begging-the-question.html)
* [Trip Gabriel](http://nytimes.com/2016/07/17/opinion/sunday/the-day-that-went-missing.html?_r=0)
* [Oliver Sacks](http://www.oliversacks.com/)
* [The Answer to the Riddle Is Me: A Memoir of Amnesia](https://www.amazon.com/Answer-Riddle-Me-Memoir-Amnesia/dp/0547519273) on Amazon
* [Tom Hallman, Jr.](http://www.oregonlive.com/living/index.ssf/2016/07/the_fight_continues_for_vetera.html)
* [Clyde Haberman](http://www.nytimes.com/2016/05/30/us/veterans-of-atomic-test-blasts-no-warning-and-late-amends.html?_r=1)
* [2001 Anthrax Attacks](https://en.wikipedia.org/wiki/2001_anthrax_attacks)
* [Bruce Edward Ivins](https://en.m.wikipedia.org/wiki/Bruce_Edwards_Ivins)
* [macOS Sierra](http://www.apple.com/macos/sierra-preview/)
* [Phased](https://vimeo.com/173472729) by Joe Capra
* [John August](https://twitter.com/johnaugust) on Twitter
* [Craig Mazin](https://twitter.com/clmazin) on Twitter

* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Rajesh Naroth ([send us yours!](http://johnaugust.com/2014/outros-needed))

You can download the episode [here](http://traffic.libsyn.com/scriptnotes/Episode_260.mp3).

**UPDATE 8-1-16:** The transcript of this episode can be found [here](http://johnaugust.com/2016/scriptnotes-ep-260-anthrax-amnesia-and-atomic-veterans-transcript).

I wrote a book.

Arlo Finch, Author, Books, News

I’m not sure how many screenplays I’ve written. At least 30. Maybe 50.

I have [ten produced credits][imdb], so that means a lot of unmade movies. As much as I love screenwriting, it’s like being the architect for a bunch of buildings that may never get built. Screenplays are transitional documents, plans for making the “real” thing.

Novels, however, *are* the real things. Even if they’re later adapated into movies or TV shows, the books themselves are finished works. They’re permanent in a way screenplays could never be.

So in between other projects, I decided to write one. And now it’s [getting published][quote].

Here’s the key bit from the press release:

> Roaring Brook Press, an imprint of the Macmillan Children’s Publishing Group, has signed a 3-book deal for a new middle grade series by award-winning screenwriter John August, who counts Big Fish, Charlie and the Chocolate Factory, and Go among his credits.

> In the first book in the series, Arlo Finch in the Valley of Fire, set to be published in early 2018, readers are introduced to Arlo Finch, a young boy who joins a mountain scouting troop and discovers that his fellow campers are not just training in outdoor survival—they are also learning to harness the wild magic that lies deep within the forest. Through treacherous adventures and close calls, Arlo is awakened to his unique destiny and the foundations of the Rangers’ Vow: loyalty, bravery, kindness, and truth.

As a screenwriter who frequently gets sent these kinds of books to adapt, it’s been fascinating to see the other side of the business. I’m asking a ton of questions. I’ll be sharing what I learn here and elsewhere.

Since middle grade fiction readers are not the core demo of this site, I’ve also set up a Tumblr at [arlofin.ch][tumblr] that’s just about the book — and is more kid-and-parent friendly.

If you’re curious about the behind-the-scenes of writing and producing the series, I’ll be starting a sporadic newsletter with updates and sneak peeks along the way. More details soon.

Huge thanks to Jodi Reamer, my agent at Writers House, and my editor Connie Hsu for making this happen. It’s going to be a busy couple of years, but I’m looking forward to the journey ahead.

[imdb]: http://www.imdb.com/name/nm0041864
[quote]: http://www.hollywoodreporter.com/bookmark/big-fish-screenwriter-john-august-912543
[tumblr]: http://arlofin.ch

The Exit Interview

Books, Follow Up, Meta, News, QandA, Scriptnotes, So-Called Experts, Story and Plot

In the season finale of Scriptnotes, John and Craig reveal big changes to the podcast.

After five years, a much-loved supporting character is leaving the show. We look back at his time with us, what he learned and what he’ll take with him to his new screenwriting adventures.

Meanwhile, one of the hosts is leaving Los Angeles entirely. We discuss what’s taking him to a different time zone and the impact it will have on the show.

Finally, a fresh voice joins the podcast, bringing an international flavor and a name worthy of NPR.

If all these changes sound scary, please be assured we’ll be back next week with the start of a new season.

Links:

* [Girl Gone Overboard](https://vimeo.com/174427174), cut by Fredrik Limi
* [Stuart Friedel](https://twitter.com/stuartfriedel) on Twitter
* [The Peter Stark Program](https://cinema.usc.edu/producing/)
* [Matt Byrne](http://www.imdb.com/name/nm4791766/?ref_=fn_al_nm_1), [Chad Creasey](http://www.imdb.com/name/nm1548657/?ref_=fn_al_nm_1), [Dana Fox](http://www.imdb.com/name/nm1401416/?ref_=fn_al_nm_1) and [Rawson Thurber](http://www.imdb.com/name/nm1098493/?ref_=fn_al_nm_1)
* [Thomas Barbusca](http://www.imdb.com/name/nm4564958/?ref_=tt_cl_t13)
* [The Three Page Challenge](http://johnaugust.com/threepage)
* [Steve Zissis](http://www.imdb.com/name/nm1587813/?ref_=nv_sr_1) and [Corey Stoll](http://www.imdb.com/name/nm1015684/)
* One of John’s doppelgängers [as Hebrew National’s Uncle Sam](http://www.youtube.com/watch?v=Qf2j-YzZRAA)
* [Ghostbusters (2016)](http://www.imdb.com/title/tt1289401/fullcredits?ref_=tt_ov_st_sm) credits on IMDb
* Gizmodo on [The Six Plots](http://gizmodo.com/data-analysis-suggests-there-exist-only-six-book-plots-1783263768)
* [NaNoWriMo](http://nanowrimo.org/)
* [Godwin Jabangwe](https://twitter.com/itaizhou) on Twitter
* [The Wibberleys at UCLA TFT](http://www.tft.ucla.edu/2015/02/the-wibberlys/)
* [My Dad Wrote a Porno](https://overcast.fm/+FQ0rlFek8)
* [Do irrational numbers like pi disprove humanity being a simulation?](https://www.quora.com/Do-irrational-numbers-like-pi-disprove-humanity-being-a-simulation) on Quora
* [Pastor Evan Mawarire](https://twitter.com/pastorevanlive) on Twitter, and [#ThisFlag](https://twitter.com/hashtag/thisflag)
* Fiddler’s Bistro [chicken kabobs](https://www.yelp.com/biz_photos/fiddlers-bistro-los-angeles?select=O5lDBWpGnHsPoGEcP69Qxw) and [red pepper dip](https://www.yelp.com/biz_photos/fiddlers-bistro-los-angeles?select=0ASoVfJyY3ahUW_S2p3Uwg)
* The phonaesthetically beautiful [cellar door](https://en.wikipedia.org/wiki/Cellar_door) and [The Best Ever Death Metal Band in Denton](https://www.youtube.com/watch?v=4IsXKMkDAMQ)
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Rajesh Naroth ([send us yours!](http://johnaugust.com/2014/outros-needed))

You can download the episode [here](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_259.mp3).

**UPDATE 2-22-23** The transcript for this episode can be found [here](https://johnaugust.com/2016/scriptnotes-ep-259-the-exit-interview-transcript).

To Kill a Mockingbird

Author, Books, Words on the page

Harper Lee, author of the Pulitzer Prize-winning To Kill a Mockingbird, died today at 89.

Everyone reads To Kill a Mockingbird in high school or college, right? For years, I recalled it being on a summer AP English reading list. I no doubt rushed through it to get to Heller or Dostoyevsky.

But last year, as the controversy over Go Set a Watchman started bubbling up, I began to wonder: did I actually ever read Mockingbird? Like a lot of great books, it had permeated American culture so thoroughly that I could fake my way through a conversation about Atticus Finch without first-hand knowledge the book he appears in.

Sadly, discussing things you haven’t read is an important skill in Hollywood.

I bought and read Mockingbird this year over the Christmas holiday. Spoiler: it’s terrific. Through cultural osmosis, I already had some sense of Atticus, Scout and Boo Radley, and the trial at the center of the book.

What I hadn’t anticipated was how smart and funny Lee’s writing would be. She manages the difficult feat of telling the story from the perspective of a willful six-year-old tomboy while vividly painting in the details of Maycomb, Alabama. As the reader, you understand the complicated lives of the adults even while the young protagonist is annoyed and baffled by them.

Lee’s scene work is terrific — a nighttime walk back from school is harrowing — but her transitions are remarkable. She can thoroughly document a moment down to each scowl and scrape, then zip through months in a sentence. This ability to stretch and compress time is so much harder than Lee makes it look.

To Kill a Mockingbird is usually studied for its themes and cultural issues, but I’d urge you to read it — or re-read it — just for the writing.