John August

Psych 101

Egoless Screenwriting

Episode - 125

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Film Industry, News, Psych 101, Scriptnotes, Transcribed, WGA

It’s a week of big egos as Craig and John take a look at when (or whether) filmmakers will be able to pull a Beyoncé and surprise-release a feature film, and what Mrs. Carter’s tussle with Amazon and Target means for the future of retail DVD.

Then we dust off an old blog post on “egoless programming” and find it has a lot to recommend for screenwriters. Finally, we look at the lawsuit over The Expendables because it’s crazy town.

Links:

* [BEYONCÉ by Beyoncé](https://itunes.apple.com/us/album/beyonce/id780330041) on iTunes
* [The Ten Commandments of Egoless Programming](http://www.codinghorror.com/blog/2006/05/the-ten-commandments-of-egoless-programming.html)
* The Hollywood Reporter on [The Expendables lawsuit](http://www.hollywoodreporter.com/thr-esq/expendables-writers-guild-tribunal-evolves-667599)
* Lego [Mindstorms](http://www.lego.com/en-us/mindstorms/?domainredir=mindstorms.lego.com) and [Crazy Action Contraptions](http://www.amazon.com/dp/1591747694/?tag=johnaugustcom-20)
* [European green](http://carsihaveseen.com/wp-content/uploads/2009/10/IMG_0175.jpg)
* [her](http://www.herthemovie.com/#/home) is in theaters now
* A bad her review in [The Village Voice](http://www.villagevoice.com/2013-12-18/film/her-movie-review/) and the [very few other bad reviews](http://www.rottentomatoes.com/m/her/reviews/?sort=rotten) on Rotten Tomatoes
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Scriptnotes listener Matthew Chilelli

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_125.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_125.mp3).

**UPDATE** 1-10-14: The transcript of this episode can be found [here](http://johnaugust.com/2014/scriptnotes-ep-125-egoless-screenwriting-transcript).

Solitude and getting stuff written

Psych 101, Television, Writing Process

American Psycho screenwriter Guinevere Turner doesn’t want to talk to you, [not when she’s writing](http://www.filmmakingstuff.com/screenwriting-advice/):

> For me, it’s about morning, quiet, solitude and no Internet to plug me into the cacophony until I have written something. Also about not having a conversation with anyone. Which might be why I am single. I have often woken up to a person next to me who says in a sleepy affectionate way “Hey – what are you up today?” and I answer but all I am thinking is “You killed it! It’s over! Now I can’t write today.”

Kelly Marcel said something similar at AFF. She wants to go straight from bed to writing, no words spoken except on the page. If that helps, try it.

Turner points out that writing for TV forces you to rethink your process:

> Working in TV was great for me though, because I learned to get over myself and just get the damn thing done. In film, you can lie on your chaise lounge with a Garbo-esque hand to the forehead and claim that you “Just don’t feel inspired today” and get away with it for a bit – in TV you either finish the script when you are told to, or you are fired. And there’s a line of people around the block who are ready to do your job.

I know and adore Turner from Outfest Labs, where we advise screenwriters on their scripts. She’s in fundraising mode for her next project, [Creeps](http://www.indiegogo.com/projects/creeps-a-darkly-comedic-feature-by-guinevere-turner), for which she’s offering a range of perks including notes sessions. She’s smart, tough and thoughtful, exactly the kind of person you’d want reading your script.

Risky Business, and the choices you make

Directors, Film Industry, Psych 101

Jake Malooley tracks down writer-director Paul Brickman, who more or less [vanished after Risky Business](http://www.salon.com/2013/09/02/risky_business_director_some_people_like_the_visibility_i_dont/):

> Just 34 when “Risky Business” was released, Brickman directed just one other feature, the 1990 bomb “Men Don’t Leave.” The alchemy that made the filmmaker’s arrival so enduring — elegant direction atypical of coming-of-age films; sparkling adolescent dialogue; the use of Tangerine Dream’s propulsive, hypnotic score — makes his lack of output over the last three decades all the more surprising.

Brickman is candid about his ambivalence towards Hollywood and the choices he might have made. He wanted to make more movies. It just didn’t happen.

I’ve seen smaller versions of Brickman’s story many times, including in my own career: success brings heat; heat brings opportunities. But taking advantage of those opportunities is much more difficult than it seems. Pick the wrong project and your heat is wasted. Knowing this, it’s easy to get paranoid and avoid picking any project — and your heat gradually dissipates.

Luckily, a screenwriter can afford to be wrong more often than a director. A screenwriter can write four movies a year. A director is prolific if she directs one.

In the case of Brickman, a director is notable for only directing two films over the course of a career.

Psychotherapy for screenwriters

Follow Up, Psych 101, Rights and Copyright, Scriptnotes, Transcribed, Writing Process

John and Craig sit down with screenwriter-turned-psychotherapist Dennis Palumbo to discuss writer’s block, procrastination, partnerships and more. It’s a can’t-miss episode for aspiring writers and professionals alike.

The [live 100th episode of Scriptnotes](http://www.oscars.org/events-exhibitions/events/2013/07/script-notes.html) is this Thursday, July 25th, at the Academy Lab in Hollywood. The event is sold out, but there will probably be a stand-by line. Follow [@johnaugust](https://twitter.com/johnaugust) or [@clmazin](https://twitter.com/clmazin) on Twitter for details.

LINKS:

* [Dennis Palumbo](http://dennispalumbo.com/), author and psychotherapist
* Dennis’s book [Night Terrors: A Daniel Rinaldi Mystery](http://www.amazon.com/gp/product/B00CKUTZGS/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B003O34OL6&linkCode=as2&tag=johnaugustcom-20) on Amazon
* [Impostor Syndrome](http://en.wikipedia.org/wiki/Impostor_syndrome) on Wikipedia
* [The Imposter](http://imposterfilm.com/)
* [Paper Karma](https://www.paperkarma.com/) helps you control your mailbox
* [The Secret in Their Eyes](http://www.sonyclassics.com/thesecretintheireyes/)

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_99.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_99.mp3).

**UPDATE** 7-27-13: The transcript of this episode can be found [here](http://johnaugust.com/2013/scriptnotes-ep-99-psychotherapy-for-screenwriters-transcript).