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Psych 101

Falling back in love with your script

Episode - 140

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April 22, 2014 Psych 101, QandA, Scriptnotes, Transcribed, Writing Process

Craig and John play marriage counsellor between writers and their scripts, looking at both the first spark of attraction and how to rekindle the flame when the fire has gone out.

There are still some tickets available for the Summer Superhero Spectacular live show on May 15th. Next week, we’ll announce how the Three Page Challenge will work. Don’t send scripts yet.

If you’ve subscribed to Scriptnotes for the back catalog, there’s a bonus panel with John, Kelly Marcel, Linda Woolverton and Scott Neustadter talking about notes and rewrites. You can subscribe at scriptnotes.net and listen through the Scriptnotes app for iOS and Android.

LINKS:

* [Get your tickets](https://www.wgfoundation.org/screenwriting-events/scriptnotes-summer-superhero-spectacular/) for the Scriptnotes Summer Superhero Spectacular
* The bonus panel is available to premium subscribers at [scriptnotes.net](http://scriptnotes.net/bonus-rewriting-and-refocusing) or through the Scriptnotes app for [iOS](https://itunes.apple.com/us/app/scriptnotes/id739117984?mt=8) and [Android](https://play.google.com/store/apps/details?id=com.johnaugust.android.scriptnotes)
* Tony Gilroy’s [BAFTA/BFI screenwriters lecture](https://www.youtube.com/watch?feature=player_embedded&v=kv3DcXIUaRw)
* Michael Arndt [on setting a story in motion](http://johnaugust.com/2014/michael-arndt-on-setting-a-story-in-motion)
* All our [One Cool Things](http://johnaugust.com/onecoolthings)
* Scriptnotes, Episode 124: [Q&A from the Holiday Spectacular](http://johnaugust.com/2013/qa-from-the-holiday-spectacular)
* Scriptnotes listener Tom LaBaff [draws Scriptnotes](https://twitter.com/TLaBaff/status/454819091669594114)
* [Imprint Revolution](http://www.imprintrevolution.com/) prints our shirts
* There are still select shirt sizes (and a few USBs) left at the [John August Store](http://store.johnaugust.com/)
* [Monument Valley](http://www.monumentvalleygame.com/) is available now for iOS, and soon for Android
* [Nomad](http://www.hellonomad.com/), makers of Charge Key (and Charge Card)
* [The Ultimate Guide to Solving iOS Battery Drain](http://www.overthought.org/blog/2014/the-ultimate-guide-to-solving-ios-battery-drain)
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Scriptnotes listener Chris Henry ([send us yours!](http://johnaugust.com/2014/outros-needed))

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_140.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_140.mp3).

**UPDATE** 4-27-14: The transcript of this episode can be found [here](http://johnaugust.com/2014/scriptnotes-ep-140-falling-back-in-love-with-your-script-transcript).

The Grimm side of marriage

April 11, 2014 Follow Up, Psych 101, Random Advice

This morning, I [tweeted](https://twitter.com/johnaugust/status/454629102142517248):

> Grimm’s fairy tales offer uniformly terrible marriage advice:
> 1. Endure supernatural hardship
> 2. Marry the person who rescues you

My observation was based on my nightly reading of a copy of Grimm’s that I got at Barnes and Noble last week, ((I’m reading one of those $20 made-for-Barnes versions, and it’s actually really nice.)) not any statistical analysis. But it sure feels true.

If someone has the time this weekend, I’d be curious to know which of Grimm’s tales actually fit this pattern. The book is free through [Project Gutenberg](http://www.gutenberg.org/files/2591/2591-h/2591-h.htm).

Obviously, fairy tales are simplifications of reality, so we can’t expect verisimilitude in them. But this pattern of marrying the first person who assists you seems an especially dangerous idea to instill in young women.

As I think about acquaintances with terrible boyfriends/husbands, almost invariably the girl came from a difficult background (abusive parents, poverty, illness), and this guy got them away from it.

But the fact that they rescued you once doesn’t mean they are the right person for you to build a life with. It doesn’t mean they’ll be a supportive spouse or a good parent. And it doesn’t mean that you’re right for them, either.

If the only requirement for marriage is saving you from peril, we should all marry firefighters.

When you think someone stole your idea

February 21, 2014 First Person, Psych 101, Rights and Copyright, Story and Plot

Randall Girdner is a screenwriter living in Shanghai who wrote in with a question that became a conversation. I asked him to share his experience as a First Person post.

—

first personThis morning, I was listening to both John and Craig’s comments in regard to the [billion dollar lawsuit](http://www.avclub.com/article/tom-cruise-is-being-sued-for-allegedly-stealing-th-107570) against Tom Cruise and the general legal entanglements in regard to theft of ideas. As a whole, I agree with all of their points. I am forever astounded at the frivolous lawsuits that get bandied about and the inflated self-importance of the people that pursue them.

But something happened to me last year that was a very weird coincidence.

I have been writing for many, many years, but I’ve never sold a script, nor had an agent (and have only really tried in a half-hearted manner). I’m sure I’ve sent a couple of my scripts around at some point, but considering I’ve lived overseas for a good deal of my adult life, it’s never been a high priority.

Last summer, I learned of a thriller that was about to come out that had an idea that was similar to a script I had written in the past. Very similar.

It wasn’t “two-guys-and-a-girl-move-into-an-apartment-together” similar, or “an-asteroid-is-going-to-crash-into-the-planet” similar. The idea for this new film was unique and was almost exactly the same as mine.

I had registered my original script with the Writers Guild in 1995 and had forgotten about it until this movie came out. Suddenly, news of this movie was everywhere. I felt somewhat ill at the notion that my idea might have been stolen.

Worse but related: the premise of the movie is so unique that this particular movie has rendered my original script dead in the water.

I contacted an entertainment lawyer through friends, who advised me to watch the movie and compare plot points. I never did, partially because I lived in mortal fear that the movie actually *would* be similar to mine and would make my brain explode.

I wrote to John, and told him basically what I wrote above.

While I was waiting (hoping) for a reply, I ended up watching the movie.

###Similar yet entirely different

Aside from the initial premise and some general, large-scale ideas, it turns out that my script is pretty much unlike the this movie at all. The execution is very different.

While I was pondering how this could be, John wrote back: ((I save most questions for the podcast. In this case, I had a hunch there was a First Person post possibility, which is why I wrote Randall directly.))

> I know it’s hard to wrap your head around that there are probably four other guys who saw this movie and said, “Hey wait a second! That’s almost exactly like the script I wrote!” But I guarantee there were. I bet some hardcore googling would find them bitching in message boards, and that might give you some solace.

> Can you remember when you got the idea? My hunch is that there was a moment of inspiration/inception…And it’s a goodish idea. But that bare idea doesn’t have characters and story and detail. It has nothing protectable.

This was true and I needed to hear something like that to help calm my brain.

But those feelings are still there. Partly because there’s a sequel coming.

As a writer, my uncontrollable imagination can envision nine thousand elaborate scenarios in which someone (a studio, a producer, a writer/director) could have conspired to screw me over, but the truth of the matter is that I cannot conceive of any possible way in which my script could have been stolen.

Even if it was, the planning and execution of that theft would have to be so incredibly elaborate and dastardly that someone should have just bought it from me in the first place. Nothing is worth that much thought and energy.

Hmm…there’s an idea for a movie.

—-

When I encounter this with projects I’ve written — or have on the drawing board — I try to remind myself, “This means I have commercial taste! People make movies like mine!” It’s small comfort, but it’s something.

You can reach Randall through his [website](http://gracelandwest.com) or on Twitter [@randallpgirdner](http://twitter.com/randallpgirdner).

The trap of being good at something

February 14, 2014 Psych 101

Megan McArdle wonders if procrastination stems largely from a [fear of failure](http://www.theatlantic.com/business/archive/2014/02/why-writers-are-the-worst-procrastinators/283773/):

> Over the years, I developed a theory about why writers are such procrastinators: We were too good in English class. This sounds crazy, but hear me out.

> Most writers were the kids who easily, almost automatically, got A’s in English class. […] At an early age, when grammar school teachers were struggling to inculcate the lesson that effort was the main key to success in school, these future scribblers gave the obvious lie to this assertion. Where others read haltingly, they were plowing two grades ahead in the reading workbooks. These are the kids who turned in a completed YA novel for their fifth-grade project. It isn’t that they never failed, but at a very early age, they didn’t have to fail much; their natural talents kept them at the head of the class.

I’ve seen this in myself and my daughter: when something is comparatively easy, it’s bewildering when it gets difficult.

With age, we begin to realize that everything we write isn’t perfect. Most of it isn’t even good. Procrastination becomes self-defense. The scene you haven’t written yet can’t be terrible.

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