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How modern English got that way

March 17, 2014 Words on the page

David Shariatmadari looks at several of the reasons English has shifted, both in [spelling and pronunciation](http://www.theguardian.com/commentisfree/2014/mar/11/pronunciation-errors-english-language):

> A dark “l”, in linguistic jargon, is one pronounced with the back of the tongue raised. In English, it is found after vowels, as in the words full or pole. This tongue raising can go so far that the “l” ends up sounding like a “w”. People frown on this in non-standard dialects such as cockney (“the ol’ bill”). But the “l” in folk, talk and walk used to be pronounced. Now almost everyone uses a “w” instead- we effectively say fowk, tawk and wawk. This process is called velarisation.

Other times, sounds swap around and change the word dramatically:

> Wasp used to be waps; bird used to be brid and horse used to be hros. Remember this when the next time you hear someone complaining about aks for ask or nucular for nuclear, or even perscription. It’s called metathesis, and it’s a very common, perfectly natural process.

I found the whole article inneresting.

So Many Questions

Episode - 134

Go to Archive

March 11, 2014 Film Industry, QandA, Scriptnotes, Transcribed, Words on the page

John has questions about the questions Craig answered on his Reddit AMA, but that’s just the tip of the iceberg as we answer six great listener questions:

– What’s the deal with the “mystery insider” Twitter accounts?
– Can a screenwriter use the n-word?
– If we had to start from scratch, what would we do?
– What did we mean by “lens selection?”
– To CONT’D, or not to CONT’D?
– Starting over after big life events.

Also, a reminder to Oscar winners: if you’re going to thank the creative team, don’t neglect to thank the screenwriter.

LINKS:

* [If/Then](http://www.ifthenthemusical.com/), a new musical starring Idina Menzel
* The Wrap on [the rift between Steve McQueen and John Ridley](http://www.thewrap.com/oscars-rift-fight-john-ridley-steve-mcqueen-12-years-a-slave)
* [Craig’s AMA on Reddit](http://www.reddit.com/r/Screenwriting/comments/1z8m5z/im_craig_mazin_im_a_screenwriter_ama/)
* Accidental Tech Podcast [episode 54](http://atp.fm/episodes/54-goto-fail), in which they discuss our [Final Draft episode](http://johnaugust.com/2014/the-one-with-the-guys-from-final-draft), and their follow-up on [episode 55](http://atp.fm/episodes/55-dave-who-stinks)
* [Floppy Music (Tainted Love)](http://www.youtube.com/watch?feature=player_embedded&v=nOMX3deeW6Q)
* [Spritz for speed-reading](http://www.spritzinc.com/#)
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Scriptnotes listener Jakob Freudenthal

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_134.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_134.mp3).

**UPDATE** 3-14-14: The transcript of this episode can be found [here](http://johnaugust.com/2014/scriptnotes-ep-134-so-many-questions-transcript).

Groundhog Day

March 4, 2014 Scriptnotes, Story and Plot, Transcribed

John and Craig pay their respects to Harold Ramis with an episode devoted entirely to Groundhog Day.

Ramis and co-writer Danny Rubin fashioned a deceptively simple story that upended expectations and essentially created a new genre of supernatural predicament comedies. Often imitated but never surpassed, Groundhog Day is smarter than you remember, cleverly side-stepping logic traps to explore deeper philosophical questions.

So grab your toaster and give Ned Ryerson a hug. It’s time to relive Groundhog Day.

Links:

* Chicago Tribune’s [Harold Ramis obituary](http://articles.chicagotribune.com/2014-02-24/entertainment/chi-harold-ramis-dead-20140224_1_harold-ramis-chicago-actor-second-city)
* Ramis on [Wikipedia](https://en.wikipedia.org/wiki/Harold_Ramis)
* Groundhog Day on [Amazon](http://www.amazon.com/dp/B000SP1SH6/?tag=johnaugustcom-20) and [Wikipedia](https://en.wikipedia.org/wiki/Groundhog_Day_(film))
* [How to Write Groundhog Day](http://www.amazon.com/dp/B0072PEV6U/?tag=johnaugustcom-20) by Danny Rubin
* [Warner Bros. Logo Design Evolution](http://annyas.com/screenshots/warner-bros-logo/) compiled by Christian Annyas
* [Shogun](http://www.amazon.com/dp/0440178002/?tag=johnaugustcom-20) by James Clavell
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Scriptnotes listener Jonas Bech

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_133.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_133.mp3).

**UPDATE** 3-6-14: The transcript of this episode can be found [here](http://johnaugust.com/2014/scriptnotes-ep-133-groundhog-day-transcript).

The Contract between Writers and Readers

February 25, 2014 Genres, QandA, Scriptnotes, Three Page Challenge, Transcribed, WGA, Words on the page

John and Craig look at the implicit contract made between screenwriters and readers — and ultimately, movies and their audience. That’s a natural introduction to our Three Page Challenge and the three new entries we look at this week.

Also: Late Payments suck. You shouldn’t tolerate it, and neither should your agents.

There are still a limited number of tickets available for the great Scriptnotes/Nerdist Writers Panel crossover live show on April 13th. You can find a link in the show notes.

Links:

* Get your tickets now for the [Scriptnotes/Nerdist Live Crossover episode](https://www.nerdmeltla.com/tickets2/index.php?event_id=791/) on April 13th at Nerdmelt, with proceeds benefiting [826LA](https://826la.org/)
* Patti Lupone [interrupted](http://www.youtube.com/watch?v=WruzPfJ9Rys)
* Film Independent’s [Directors Close-Up series](http://www.filmindependent.org/event/directors-close-up-2014/#.UwuxjkJdVxo)
* [Chicago Fire](http://www.nbc.com/chicago-fire) and [Chicago P.D.](http://www.nbc.com/chicago-pd)
* Three Pages by [Blake Armstrong](http://johnaugust.com/Assets/BlakeArmstrong.pdf)
* Three Pages by [Sandra Lee Slotboom](http://johnaugust.com/Assets/SandraLeeSlotboom.pdf)
* Three Pages by [James Stubenrauch](http://johnaugust.com/Assets/JamesStubenrauch.pdf)
* [How to submit your Three Pages](http://johnaugust.com/threepage), and [Stuart’s post on lessons learned from the early batches](http://johnaugust.com/2012/learning-from-the-three-page-challenge)
* The [XStat syringe](http://www.revmedx.com/#!xstat-dressing/c2500) by RevMedx
* [Threes!](https://itunes.apple.com/us/app/threes!/id779157948?mt=8) on the App Store
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Scriptnotes listener Betty Spinks

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_132.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_132.mp3).

**UPDATE** 2-27-14: The transcript of this episode can be found [here](http://johnaugust.com/2014/scriptnotes-ep-132-the-contract-between-writers-and-readers-transcript).

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