• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

John August

  • Arlo Finch
  • Scriptnotes
  • Library
  • Store
  • About

QandA

The Contract between Writers and Readers

Episode - 132

Go to Archive

February 25, 2014 Genres, QandA, Scriptnotes, Three Page Challenge, Transcribed, WGA, Words on the page

John and Craig look at the implicit contract made between screenwriters and readers — and ultimately, movies and their audience. That’s a natural introduction to our Three Page Challenge and the three new entries we look at this week.

Also: Late Payments suck. You shouldn’t tolerate it, and neither should your agents.

There are still a limited number of tickets available for the great Scriptnotes/Nerdist Writers Panel crossover live show on April 13th. You can find a link in the show notes.

Links:

* Get your tickets now for the [Scriptnotes/Nerdist Live Crossover episode](https://www.nerdmeltla.com/tickets2/index.php?event_id=791/) on April 13th at Nerdmelt, with proceeds benefiting [826LA](https://826la.org/)
* Patti Lupone [interrupted](http://www.youtube.com/watch?v=WruzPfJ9Rys)
* Film Independent’s [Directors Close-Up series](http://www.filmindependent.org/event/directors-close-up-2014/#.UwuxjkJdVxo)
* [Chicago Fire](http://www.nbc.com/chicago-fire) and [Chicago P.D.](http://www.nbc.com/chicago-pd)
* Three Pages by [Blake Armstrong](http://johnaugust.com/Assets/BlakeArmstrong.pdf)
* Three Pages by [Sandra Lee Slotboom](http://johnaugust.com/Assets/SandraLeeSlotboom.pdf)
* Three Pages by [James Stubenrauch](http://johnaugust.com/Assets/JamesStubenrauch.pdf)
* [How to submit your Three Pages](http://johnaugust.com/threepage), and [Stuart’s post on lessons learned from the early batches](http://johnaugust.com/2012/learning-from-the-three-page-challenge)
* The [XStat syringe](http://www.revmedx.com/#!xstat-dressing/c2500) by RevMedx
* [Threes!](https://itunes.apple.com/us/app/threes!/id779157948?mt=8) on the App Store
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Scriptnotes listener Betty Spinks

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_132.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_132.mp3).

**UPDATE** 2-27-14: The transcript of this episode can be found [here](http://johnaugust.com/2014/scriptnotes-ep-132-the-contract-between-writers-and-readers-transcript).

When you think someone stole your idea

February 21, 2014 First Person, Psych 101, Rights and Copyright, Story and Plot

Randall Girdner is a screenwriter living in Shanghai who wrote in with a question that became a conversation. I asked him to share his experience as a First Person post.

—

first personThis morning, I was listening to both John and Craig’s comments in regard to the [billion dollar lawsuit](http://www.avclub.com/article/tom-cruise-is-being-sued-for-allegedly-stealing-th-107570) against Tom Cruise and the general legal entanglements in regard to theft of ideas. As a whole, I agree with all of their points. I am forever astounded at the frivolous lawsuits that get bandied about and the inflated self-importance of the people that pursue them.

But something happened to me last year that was a very weird coincidence.

I have been writing for many, many years, but I’ve never sold a script, nor had an agent (and have only really tried in a half-hearted manner). I’m sure I’ve sent a couple of my scripts around at some point, but considering I’ve lived overseas for a good deal of my adult life, it’s never been a high priority.

Last summer, I learned of a thriller that was about to come out that had an idea that was similar to a script I had written in the past. Very similar.

It wasn’t “two-guys-and-a-girl-move-into-an-apartment-together” similar, or “an-asteroid-is-going-to-crash-into-the-planet” similar. The idea for this new film was unique and was almost exactly the same as mine.

I had registered my original script with the Writers Guild in 1995 and had forgotten about it until this movie came out. Suddenly, news of this movie was everywhere. I felt somewhat ill at the notion that my idea might have been stolen.

Worse but related: the premise of the movie is so unique that this particular movie has rendered my original script dead in the water.

I contacted an entertainment lawyer through friends, who advised me to watch the movie and compare plot points. I never did, partially because I lived in mortal fear that the movie actually *would* be similar to mine and would make my brain explode.

I wrote to John, and told him basically what I wrote above.

While I was waiting (hoping) for a reply, I ended up watching the movie.

###Similar yet entirely different

Aside from the initial premise and some general, large-scale ideas, it turns out that my script is pretty much unlike the this movie at all. The execution is very different.

While I was pondering how this could be, John wrote back: ((I save most questions for the podcast. In this case, I had a hunch there was a First Person post possibility, which is why I wrote Randall directly.))

> I know it’s hard to wrap your head around that there are probably four other guys who saw this movie and said, “Hey wait a second! That’s almost exactly like the script I wrote!” But I guarantee there were. I bet some hardcore googling would find them bitching in message boards, and that might give you some solace.

> Can you remember when you got the idea? My hunch is that there was a moment of inspiration/inception…And it’s a goodish idea. But that bare idea doesn’t have characters and story and detail. It has nothing protectable.

This was true and I needed to hear something like that to help calm my brain.

But those feelings are still there. Partly because there’s a sequel coming.

As a writer, my uncontrollable imagination can envision nine thousand elaborate scenarios in which someone (a studio, a producer, a writer/director) could have conspired to screw me over, but the truth of the matter is that I cannot conceive of any possible way in which my script could have been stolen.

Even if it was, the planning and execution of that theft would have to be so incredibly elaborate and dastardly that someone should have just bought it from me in the first place. Nothing is worth that much thought and energy.

Hmm…there’s an idea for a movie.

—-

When I encounter this with projects I’ve written — or have on the drawing board — I try to remind myself, “This means I have commercial taste! People make movies like mine!” It’s small comfort, but it’s something.

You can reach Randall through his [website](http://gracelandwest.com) or on Twitter [@randallpgirdner](http://twitter.com/randallpgirdner).

Procrastination and Pageorexia

February 18, 2014 QandA, Scriptnotes, Transcribed, Weekend Read, Words on the page, Writing Process

Craig and John get in your head to talk procrastination, pageorexia and generalized anxiety. They also move beyond the psychopathology to discuss all the changes in the industry, from cable mergers to lawsuits to disruptive technologies. You’re not as paranoid as you think you are.

John’s new app Weekend Read is in the App Store now, and free. So check it out.

The long-fabled crossover episode with Nerdist Writers Panel is happening April 13th at 5pm. Tickets are $15, and will sell out, so get on that. Link below.

Links:

* [Generalized anxiety disorder](https://en.wikipedia.org/wiki/Generalized_anxiety_disorder) on Wikipedia
* Get your tickets now for the [Nerdist/Scriptnotes Live Crossover episode](https://www.nerdmeltla.com/tickets2/index.php?event_id=791/) on April 13th at Nerdmelt, with proceeds benefiting [826LA](https://826la.org/)
* [The Office](http://www.theofficeonline.com/intro.htm) and [the writers junction](http://www.writersjunction.com/) are both open
* Weekend Read in the [App Store](http://highland.quoteunquoteapps.com/wr-podcast)
* Christian Bale [gets upset on set](http://www.youtube.com/watch?v=0auwpvAU2YA) (very NSFW language)
* Why Writers Are the Worst Procrastinators by Megan McArdle in [The Atlantic](http://www.theatlantic.com/business/archive/2014/02/why-writers-are-the-worst-procrastinators/283773/)
* [Freedom for Mac](http://macfreedom.com)
* Comcast/Time Warner deal will [face antitrust hurdles](http://money.cnn.com/2014/02/13/technology/comcast-time-warner-antitrust/)
* The [Aereo lawsuit](http://upstart.bizjournals.com/companies/media/2014/02/14/aereo-vs-the-broadcasters-six.html?page=all) on Upstart
* [McMurdo Research Station](http://en.wikipedia.org/wiki/McMurdo_Station) in Antarctica
* [The Fog Horn](https://itunes.apple.com/us/app/the-fog-horn/id778971478?mt=8)
* Ellen Page’s [coming out speech](http://www.youtube.com/watch?v=1hlCEIUATzg) at HRC’s Time to Thrive conference
* Wallace Matthews on [Derek Jeter announcing 2014 will be his final season](http://espn.go.com/blog/new-york/yankees/post/_/id/68961/for-once-jeter-can-savor-the-moment), and Jeter’s career on [Baseball-Reference.com](http://www.baseball-reference.com/players/j/jeterde01.shtml)
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Scriptnotes listener Kim Atle

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_131.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_131.mp3).

**UPDATE** 2-21-14: The transcript of this episode can be found [here](http://johnaugust.com/2014/scriptnotes-ep-131-procrastination-and-pageorexia-transcript).

The trap of being good at something

February 14, 2014 Psych 101

Megan McArdle wonders if procrastination stems largely from a [fear of failure](http://www.theatlantic.com/business/archive/2014/02/why-writers-are-the-worst-procrastinators/283773/):

> Over the years, I developed a theory about why writers are such procrastinators: We were too good in English class. This sounds crazy, but hear me out.

> Most writers were the kids who easily, almost automatically, got A’s in English class. […] At an early age, when grammar school teachers were struggling to inculcate the lesson that effort was the main key to success in school, these future scribblers gave the obvious lie to this assertion. Where others read haltingly, they were plowing two grades ahead in the reading workbooks. These are the kids who turned in a completed YA novel for their fifth-grade project. It isn’t that they never failed, but at a very early age, they didn’t have to fail much; their natural talents kept them at the head of the class.

I’ve seen this in myself and my daughter: when something is comparatively easy, it’s bewildering when it gets difficult.

With age, we begin to realize that everything we write isn’t perfect. Most of it isn’t even good. Procrastination becomes self-defense. The scene you haven’t written yet can’t be terrible.

« Previous Page
Next Page »

Primary Sidebar

Newsletter

Inneresting Logo A Quote-Unquote Newsletter about Writing
Read Now

Explore

Projects

  • Aladdin (1)
  • Arlo Finch (27)
  • Big Fish (88)
  • Birdigo (2)
  • Charlie (39)
  • Charlie's Angels (16)
  • Chosen (2)
  • Corpse Bride (9)
  • Dead Projects (18)
  • Frankenweenie (10)
  • Go (29)
  • Karateka (4)
  • Monsterpocalypse (3)
  • One Hit Kill (6)
  • Ops (6)
  • Preacher (2)
  • Prince of Persia (13)
  • Shazam (6)
  • Snake People (6)
  • Tarzan (5)
  • The Nines (118)
  • The Remnants (12)
  • The Variant (22)

Apps

  • Bronson (14)
  • FDX Reader (11)
  • Fountain (32)
  • Highland (75)
  • Less IMDb (4)
  • Weekend Read (64)

Recommended Reading

  • First Person (87)
  • Geek Alert (151)
  • WGA (162)
  • Workspace (19)

Screenwriting Q&A

  • Adaptation (65)
  • Directors (90)
  • Education (49)
  • Film Industry (489)
  • Formatting (128)
  • Genres (89)
  • Glossary (6)
  • Pitches (29)
  • Producers (59)
  • Psych 101 (118)
  • Rights and Copyright (96)
  • So-Called Experts (47)
  • Story and Plot (170)
  • Television (165)
  • Treatments (21)
  • Words on the page (238)
  • Writing Process (177)

More screenwriting Q&A at screenwriting.io

© 2026 John August — All Rights Reserved.