John August

Transcribed

Orality, or Writing to be Spoken

Episode - 722

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Scriptnotes, Transcribed

John and Craig ask, are screenwriters just oral storytellers who happen to write things down? They compare the literate and oral markers of the medium, how it separates screenplays from other literary forms, and consider whether screenplays are just one long pitch.

We also look at the upcoming WGA member meetings, follow up on having enough time in the edit bay, Steve Jobs, Eva Victor, justifiable Dad pride, and answer listener questions on deliverables and what makes a script “undeniable.”

In our bonus segment for premium members, we look at the incredible slate of upcoming movies and make predictions for the 2026 box office.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 2-17-26: The transcript for this episode can be found here.

Preparing to Direct (with Eva Victor)

Scriptnotes, Transcribed

John and Craig welcome the actor-writer-director of the acclaimed indie Sorry, Baby to discuss preparing to direct your first feature.

Eva Victor’s year-long bootcamp included reverse-shotlisting movies, shadowing other directors, and lots of visual development. It earned them Best Directorial Debut by the National Board of Review.

We also examine how Eva chose which scenes to cut, answer a listener question on how to talk to actors, and follow up on some excellent reviews of the Scriptnotes Book.

In our bonus segment for premium members (like Eva!), Eva revisits their early career to think about how short-form video intersects with Hollywood.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 2-17-26: The transcript for this episode can be found here.

Watch Your Tone

Scriptnotes, Transcribed

John welcomes back Susanna Fogel and David Iserson (The Spy Who Dumped Me) to steal their secrets on creating an original tone in their new series PONIES. They look at how the writers room was built to match their sensibilities, using characters to anchor the audience, and what it takes to sell and produce an original period TV series in 2026.

We also talk about the pros and cons of filming in Budapest, and answer listener questions on trusting your judgement, recognizing your talent, differentiating character voices, and whether spec pilots are out of fashion.

In our bonus segment for premium members, Susanna and David look at how our taste develops, including what we can learn about taste from The Beatles.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 2-5-26: The transcript for this episode can be found here.

When Good Enough Isn’t Enough

Scriptnotes, Transcribed

John and Craig consider all the words they have to write and ask, how do you know when something deserves your best effort? They offer a useful rubric for deciding when something is worth perfecting, and when over-optimization is a waste of time.

We also follow up on compulsive writing habits, industry euphemisms, back issues, and the impact and legacy of the WGA’s 2019 agency negotiations.

In our bonus segment for premium members, it’s a new year! John looks back at things he accomplished in 2025 and his goals for 2026, while Craig sighs and gestures in the direction of The Last of Us.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 1-22-26: The transcript for this episode can be found here.