John and Craig talk about the way that movies tend to bring their stories full circle, and what that means for writers trying to figure out their story beats. They discuss rhyming, bookending and how properly setting up the central thematic question helps make the answer feel meaningful. We also answer listener questions about putting […]
John and co-host John Gatins sit down with Aline Brosh McKenna and Rachel Bloom to discuss the experience of writing the third season of Crazy Ex-Girlfriend, from breaking story in hot tubs to adjusting genital-related dances in compliance with Broadcast Standards and Practices. With spoilers aplenty, we discuss the challenges of a TV protagonist’s Act […]
John and Craig discuss the digital tools of the trade. From outline to first draft to production rewrites, screenwriters find themselves facing different challenges. We talk about what works for each of us. We also speculate on what impact Highland 2’s gender analysis tool will have. Then we answer listener questions about following the “rules” […]
John and Craig partake in another installment of How Would This Be a Movie? Which story is destined for the big screen: The millennial mother with her surprise, Youtube-guided childbirth? The couple that has the same fight for decades? The Japanese families-for-hire? We also follow up on the logic of multi-cam formatting, Georgia’s success in […]
John and Craig examine the myriad conflicts of interest that arise in Hollywood, from self-dealing studios to packaging fees to pilot season. But it’s not just other people with issues. Writers grapple with their own conflicts of interest. We discuss what situations screenwriters might face and how to deal with them ethically. We also answer […]
John sits down with screenwriter Christina Hodson to discuss race, gender, and representation in Hollywood, and how screenwriters can help correct the status quo with the one thing they can control: the words on the page. We tackle the nuances of designating race for open-ethnicity characters, the assumption of whiteness, the pros and cons of […]
John and Craig welcome Isaac Aptaker and Elizabeth Berger, the writing team that showruns This Is Us and just made history with Love, Simon. We discuss their experience of breaking into the industry, writing with a partner, running a hit show, adapting YA novels for the screen, and the broccoli/marinara/pudding meals that got them here. […]
Craig welcomes Alec Berg, executive producer of two current HBO comedies (Barry and Silicon Valley), to discuss balancing productivity and creative energy, “comedy geometry,” and identifying as a craftsman rather than an artist. We also answer listener questions about committing to a genre, the necessity of act breaks, and how much writers actually get to […]
John welcomes independent producer Keith Calder to discuss what a producer actually does, how financing and distribution strategies have changed with streaming, and how to approach film festivals as a filmmaker. We also answer a listener question about which career path to take after being laid-off: climb the Hollywood ladder or bootstrap and just make […]
John and Craig delve into the business of screenwriting from money to managers to medical plans. We answer listener questions about collecting unemployment, registering as a corporation, firing a rep, quitting your day job and handling the anxiety that comes with such an uncertain career path. Links: * [Alto’s Odyssey](http://www.altosodyssey.com/) * An ambiguously threatening advertisement […]
John and Craig consider how much a writer should know before going into a scene, looking at the perks and pitfalls of planning and letting oneself discover. We also discuss taking notes from producers and executives. When should you stand your ground? When should you accommodate? What if it’s an excellent drawing of an elephant […]
John and Craig speculate what Luke Skywalker’s plan might have been in the opening of Return of the Jedi. They consider heroes’ plans generally, the allowance we grant as an audience for opening sequences and the foul taste of “logic ketchup.” We then engage in a long-awaited Three Page Challenge, focusing on scripts that play […]
John and Craig evaluate another set of exceptional news stories for their fitness for the big screen in this week’s How Would This Be a Movie? We consider stories about counterfeit debt collectors, the worst roommate ever (beside’s Craig college roommate), the girl who posed as a grown man online and began exhibiting genuine symptoms […]
John and Craig reunite to answer our backlog of listener questions. We follow up on what it means to utilize white space on a page, the conventions of musical numbers, the value of a victory lap, and what the hypothetical destruction of Los Angeles would mean for the industry. We also answer listener questions on […]
John is joined by The Americans’ executive producer Stephen Schiff at a live Scriptnotes taping in New York! They discuss grounding an outrageous premise in character, suspension of disbelief, premium act breaks, and writing for a foreign language. We also answer audience questions about New York writers rooms, expert consultants, expecting comparisons, first drafts, and […]
John and Craig talk about everything that comes after the oft-discussed First Three Pages, speculating on the kinds of issues they’d spot if they were looking at full scripts. They also answer listener questions on topics ranging from proper spacing protocol to novelists rewriting their screenplay adaptations. This episode originally aired on November 27, 2012. […]
John and Aline welcome Peter Spears, producer of Call Me by Your Name, to discuss how the film came to be, from optioning the novel through its long development and multiple roadblocks. Through the lens of Call Me by Your Name, we discuss the difficulties of preproduction for an indie film, the process of securing […]
John and Craig introduce Launch, John’s new podcast about making a book. Over the course of six episodes, the series tracks the process of writing and shipping a novel, from idea to printing. The first two episodes are available today, with new episodes coming each Tuesday. Not to worry — Scriptnotes isn’t going anywhere. We’ll […]
John and Craig ponder worst case scenarios that might usher the end of screenwriting as we know it. What are the odds that screenwriters lose work because an economic crash keeps movies from getting made? That screenwriting gets outsourced? That human screenwriters are replaced by AI? That film as a medium gets replaced? That the […]
John and Craig tackle that tricky stretch of screenplay between crystalizing what the story is going to be and the protagonist actually embarking upon it: the end of Act 1. We also answer listener questions about writing for new media, why working outside of a WGA contract hurts everyone, what people want when asking for […]