• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

John August

  • Arlo Finch
  • Scriptnotes
  • Library
  • Store
  • About

Follow Up

What went right and what could have gone better with Writer Emergency Pack

October 15, 2015 Follow Up, Writer Emergency Pack

This week is the one year anniversary of Writer Emergency Pack. I wrote about it at our [newly-redesigned site](http://writeremergency.com/2015/writer-emergency-pack-turns-one):

> It was a test deck, full of typos and formatting errors, but it felt like something worth pursuing.

> I showed the prototype to screenwriter friends, soliciting their feedback. I took several decks to the Austin Film Festival, passing them around during the live Scriptnotes session.

> On November 3rd, we launched our Kickstarter campaign for Writer Emergency Pack. Within an hour, we were fully funded. Within days, it was clear we were onto something big.

We ended up with 5,714 backers, making us the most-backed card project in Kickstarter history. ((Oh, yeah: Exploding Kittens. That happened later.))

I originally wrote up the blog post as a look-how-far-we’ve-come retrospective, charting how in 12 months we went from an idea to shipping thousands of decks to writers and schools around the world. Basically, “Hooray for us!”

But writing is a process of discovery, and sometimes it forces you to question your central thesis.

Yes, things went well. But they could have gone better.

It’s easy to imagine an alternate history in which Writer Emergency Pack reached a bigger post-Kickstarter audience through better marketing and retail partnerships:

> Every time I’m in a bookstore, I see a spot where Writer Emergency Pack would fit. Sometimes it’s on a shelf near the writing books. Other times, it’s near the register. But we’re not there, because we simply haven’t committed the time and resources to figuring it out.

> We’ve had conversations with some smart retail folks, and even a tentative discussion with a potential publisher/distributor. But we’ve never gotten past talking.

The good thing about missed opportunities is that most of them are still out there. We can improve our marketing, retail and international distribution. The question is how. I’ve outlined some of [what we’re thinking](http://writeremergency.com/2015/writer-emergency-pack-turns-one), but I’d encourage you to offer your own suggestions.

More than anything, I’d recommend writing up honest recaps of how things are going in your life. The process is cathartic and useful.

So often, we’re presenting sanitized versions of events in Christmas letters, or context-less status updates on Facebook. Writing up the longer version helps make sense of recent history, and offers suggestions for where you want to head next. Even if you never share what you write, putting words to these thoughts helps focus your attention in useful ways.

You can take a look at my full write-up on Writer Emergency Pack [here](http://writeremergency.com/2015/writer-emergency-pack-turns-one).

The One Where Aline’s Show Debuts

Episode - 219

Go to Archive

October 13, 2015 Film Industry, Follow Up, Scriptnotes, Television, Three Page Challenge, Transcribed, Words on the page, Writing Process

Aline Brosh McKenna joins us to talk through the launch of Crazy Ex-Girlfriend, and what she’s learned since she introduced us to the show nearly a year ago. Brian Lowry of Variety raves that it is “one of the fall’s most promising hours.” We’re not surprised at all.

Then it’s a look at three pages from writer-director Scott Frank’s THE LOOKOUT, examining how a two-character dialogue scene works both on paper and on the screen.

Also this week: Indian screenwriters go on strike, Craig goes to Canters, and a French train hero gets stabbed in the second act.

If you got your new Scriptnotes shirt, show the world with the hashtag #scriptnotes or #scripnotesT.

Links:

* [Austin Film Festival 2015 panel schedule](https://austinfilmfestival.com/festivalandconference/conference/2015-panels/)
* [Train hero Spencer Stone stabbed](http://www.sacbee.com/news/local/crime/article38180571.html), and [Scriptnotes, 214](http://johnaugust.com/2015/clerks-and-recreation)
* [Canter’s](https://www.cantersdeli.com/home)
* [Aline Brosh McKenna](http://www.imdb.com/name/nm0112459/) on episodes [60](http://johnaugust.com/2012/the-black-list-and-a-stack-of-scenes), [76](http://johnaugust.com/2013/how-screenwriters-find-their-voice), [100](http://johnaugust.com/2013/scriptnotes-the-100th-episode), [101](http://johnaugust.com/2013/101-qa-from-the-live-show), [119](http://johnaugust.com/2013/positive-moviegoing), [123](http://johnaugust.com/2013/scriptnotes-holiday-spectacular), [124](http://johnaugust.com/2013/qa-from-the-holiday-spectacular) [152](http://johnaugust.com/2014/the-rocky-shoals-pages-70-90), [161](http://johnaugust.com/2014/a-cheap-cut-of-meat-soaked-in-butter), [175](http://johnaugust.com/2014/twelve-days-of-scriptnotes), [180](http://johnaugust.com/2015/bad-teachers-good-advice-and-the-default-male) and [200](http://johnaugust.com/2015/the-200th-episode-live-show)
* The New York Times on [The Great American Musical, Side B, in ‘Crazy Ex-Girlfriend’](http://www.nytimes.com/2015/10/11/arts/television/the-great-american-musical-side-b-in-my-crazy-ex-girlfriend.html?_r=0)
* Rachel Bloom and Jack Dolgen (and Aline) on [Scriptnotes, 175](http://johnaugust.com/2014/twelve-days-of-scriptnotes)
* [Bola Ogun](https://pro-labs.imdb.com/name/nm4459589/?ref_=sch_int), and the full cast and crew of [Crazy Ex-Girlfriend](http://www.imdb.com/title/tt4094300/fullcredits?ref_=tt_ov_st_sm) on IMDb
* [Bollywood to go on indefinite strike from October 3](http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Bollywood-to-go-on-indefinite-strike-from-October-3/articleshow/49183357.cms) from The Times of India
* Scott Frank on [Wikipedia](https://en.wikipedia.org/wiki/Scott_Frank) and [IMDb](http://www.imdb.com/name/nm0291082/)
* The Artful Writer on [Scene Harmony](https://web.archive.org/web/20120323053754/http://artfulwriter.com/?p=216)
* Three Pages by [Scott Frank](http://johnaugust.com/Assets/luvlee.pdf), and [the scene from The Lookout](https://www.youtube.com/watch?v=_nmYaR_ZllQ)
* [Use gift cards from other countries to make purchases in foreign iTunes stores](http://www.elftronix.com/easy-method-make-us-itunes-purchase-from-any-country/)
* [Games Magazine](http://gamesmagazine-online.com/)
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Rajesh Naroth ([send us yours!](http://johnaugust.com/2014/outros-needed))

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_219.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_219.mp3).

**UPDATE 10-16-15:** The transcript of this episode can be found [here](http://johnaugust.com/2015/scriptnotes-ep-219-the-one-where-alines-show-debuts-transcript).

Features are different

October 6, 2015 Follow Up, Scriptnotes, Story and Plot, Television, Three Page Challenge, Transcribed, Writing Process

John and Craig look at how writing feature films is fundamentally different than writing television, and how that difference begins at the point of story inception. It’s not just that movies are longer; they’re also built to be unique events, with characters embarking on once-in-a-lifetime journeys. We discuss how to decide whether an idea is better suited for features or series, and lessons learned from properties that have existed in both worlds.

Then it’s another Three Page Challenge, with entries taking us from dark cellars to the edge of the galaxy.

Links:

* Scriptnotes Premium Bonus episode, with [Black Mass screenwriter Mark Mallouk](http://scriptnotes.net/black-mass-screenwriter-mark-mallouk)
* [Austin Film Festival 2015 panel schedule](https://austinfilmfestival.com/festivalandconference/conference/2015-panels/)
* [Sign up for Scriptnotes premium access](https://my.libsyn.com/show/view/id/44610)
* [Emma Coats’s Pixar Story Rules](http://www.pixartouchbook.com/blog/2011/5/15/pixar-story-rules-one-version.html)
* [Submit your Three Pages](http://johnaugust.com/threepage)
* Three Pages by [Dan Maurer](http://johnaugust.com/Assets/DanMaurer.pdf)
* Three Pages by [Kate Jeffrey](http://johnaugust.com/Assets/KateJeffrey.pdf)
* Three Pages by [Sehaj Sethi](http://johnaugust.com/Assets/SehajSethi.pdf)
* [A24](http://a24films.com/), and Slate on [The Distributor as Auteur](http://www.slate.com/articles/arts/culturebox/2015/09/profile_of_the_independent_film_distributor_a24_the_company_behind_spring.html)
* Hamilton, the Original Broadway Cast Recording on [iTunes](https://itunes.apple.com/us/album/hamilton-original-broadway/id1025210938) and on [Amazon](http://www.amazon.com/dp/B013JLBPGE/?tag=johnaugustcom-20)
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Rajesh Naroth ([send us yours!](http://johnaugust.com/2014/outros-needed))

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_218.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_218.mp3).

**UPDATE 10-8-15:** The transcript of this episode can be found [here](http://johnaugust.com/2015/scriptnotes-ep-218-features-are-different-transcript).

Campaign statements and residual statements

September 29, 2015 Film Industry, Follow Up, International, Los Angeles, News, QandA, Scriptnotes, Transcribed, WGA

John and Craig discuss the WGA election results, and take a look at the issues that dominated the campaigns. What is a paper team? Do screenwriters really retire? And why does it take us so long to get paid?

We also dive into the mailbag and take questions on visiting Los Angeles, backend and residuals, and what an unrepped writer should do if there is interest in her project.

T-shirts are being folded and packaged this week, and should be in the mail by the time next episode airs. Keep a lookout in your mailbox, and be sure to pack them for Austin.

Links:

* [WGAw 2015 election results](http://www.wga.org/content/default.aspx?id=5938)
* John and Craig [on The Black List Table Reads podcast with Franklin Leonard](http://blacklist.wolfpop.com/audio/39626/john-august-and-craig-mazin)
* Melissa Mazin will be at the [Austin Film Festival 2015 Screenwriting Conference](https://austinfilmfestival.com/festivalandconference/conference/)
* [Reaper Miniatures](https://www.reapermini.com/), and [Miniature Painting 101](https://www.youtube.com/playlist?list=PLB0292071C3B38CAC) on YouTube
* [All the ‘Happy Birthday’ song copyright claims are invalid, federal judge rules](http://www.latimes.com/local/lanow/la-me-ln-happy-birthday-song-lawsuit-decision-20150922-story.html) from the LA Times
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) sent in by Luke Yoquinto ([send us yours!](http://johnaugust.com/2014/outros-needed))

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_217.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_217.mp3).

**UPDATE 10-2-15:** The transcript of this episode can be found [here](http://johnaugust.com/2015/scriptnotes-ep-217-campaign-statements-and-residual-statements-transcript).

« Previous Page
Next Page »

Primary Sidebar

Newsletter

Inneresting Logo A Quote-Unquote Newsletter about Writing
Read Now

Explore

Projects

  • Aladdin (1)
  • Arlo Finch (27)
  • Big Fish (88)
  • Birdigo (2)
  • Charlie (39)
  • Charlie's Angels (16)
  • Chosen (2)
  • Corpse Bride (9)
  • Dead Projects (18)
  • Frankenweenie (10)
  • Go (29)
  • Karateka (4)
  • Monsterpocalypse (3)
  • One Hit Kill (6)
  • Ops (6)
  • Preacher (2)
  • Prince of Persia (13)
  • Shazam (6)
  • Snake People (6)
  • Tarzan (5)
  • The Nines (118)
  • The Remnants (12)
  • The Variant (22)

Apps

  • Bronson (14)
  • FDX Reader (11)
  • Fountain (32)
  • Highland (73)
  • Less IMDb (4)
  • Weekend Read (64)

Recommended Reading

  • First Person (87)
  • Geek Alert (151)
  • WGA (162)
  • Workspace (19)

Screenwriting Q&A

  • Adaptation (65)
  • Directors (90)
  • Education (49)
  • Film Industry (490)
  • Formatting (128)
  • Genres (89)
  • Glossary (6)
  • Pitches (29)
  • Producers (59)
  • Psych 101 (118)
  • Rights and Copyright (96)
  • So-Called Experts (47)
  • Story and Plot (170)
  • Television (165)
  • Treatments (21)
  • Words on the page (237)
  • Writing Process (177)

More screenwriting Q&A at screenwriting.io

© 2026 John August — All Rights Reserved.