John and Craig offer advice to a director taking the plunge, with guidance on both getting the work done and getting the performances you want. From there, we segue into a discussion of the Perfect Director, the next installment of our Perfect series.
John and Craig talk about where to start a story — how far back should you go? The decision about whether to meet the hero as a child, in their normal rut, or mid-crisis fundamentally changes the narrative, so it’s worth exploring fully.
As part of their Creative Spark series, The Academy shot a video with me talking about my creative process.
What are the odds that fivethirtyeight.com’s statistical analysis of screenplays will make Craig angry? Always bet on umbrage. Fortunately, he just finished a script, so we talk about that, and John’s new gig writing Scary Stories to Tell in the Dark (which was the project he described phone-pitching the past few episodes).
Craig and John discuss that delusional period in which you’re convinced your script is the best thing ever written — and the inevitable heartbreak when someone tells you it isn’t. (TPS is close cousins to the Oscar Speech in the Shower.)
We’ve re-opened the John August Store with new shirts for Scriptnotes and Highland, plus our first ever hoodie.
We have very few Scriptnotes t-shirts left in the store. We’re considering printing a new batch, but we’re not sure which color listeners would actually want. The first round of shirts came in Umbrage Orange and Rational Blue. The second batch came in only Basic Blacklist. For the new t-shirts, we’re considering revisiting one of […]
We’re hiring a full-time UI designer for Quote-Unquote Apps. I have a hunch we’ll find someone amazing.
John and Craig discuss why most characters are liars, and how that’s actually a good thing. John offers seven suggestions for picking character names that will help your readers. Then we look at a three page challenge that’s been filmed to see what worked on the page versus on screen.
At the live Scriptnotes show on May 15th, we’ll be conducting a Three Page Challenge with special guest judge Susannah Grant. Tuesday was the deadline for entering. All of the entries are now available for reading, both on Weekend Read and here. Once you’ve had a look, vote for your favorite(s) — you can choose […]
You can’t have a superhero movie without epic theme music. Likewise, we can’t have a Scriptnotes live show about superheroes without a suitably giant arrangement of our piddly five-note jingle.
We’re doing a live episode of Scriptnotes on Thursday, May 15th at the Writers Guild Theater in Beverly Hills. This time, we’re featuring some of the biggest names behind the biggest superhero movies.
John and Craig talk with WGA President Chris Keyser about the tentative deal reached between writers and the studios, and why it’s more groundbreaking than it might appear at first glance.
House of Cards creator Beau Willimon wonders if “television” is a good word for describing what we’re seeing in long-form storytelling: If you start thinking, well a TV show is a half-hour to an hour long and it’s in chunks, and a [movie] is an hour to two hours and it has a beginning, middle, […]
We have a new app. It’s called Weekend Read. It’s for reading scripts on your iPhone, and it’s free on the App Store right now.
Carolyn Strauss, executive producer of Game of Thrones, joins John and Craig to discuss female directors and the death of pilot season. In one short hour, they solve all the intractable problems facing the film and television industry. (Not true. Not even remotely.)
It’s a week of big egos as Craig and John take a look at when (or whether) filmmakers will be able to pull a Beyoncé and surprise-release a feature film, and what Mrs. Carter’s tussle with Amazon and Target means for the future of retail DVD.
Scriptnotes now has an app for iOS and Android. It’s free for both platforms.
Through Friday, November 15th, we’ll be taking orders for a new batch of shirts. They’ll ship starting December 2nd, in time for the holidays. Like last time, we’ll only print what people order, so if you want a shirt, you need to order now.
John and Craig discuss what it feels like to finish a project — the combination of excitement and relief, joy and sadness — as Craig advises John which project he should write next now that Big Fish is set to open.
John and Craig reveal their Myers-Briggs secrets as they discuss Kevin Spacey’s comments on the state of television, Eric Garcetti’s plans to address runaway production, and the WGA election.
Tickets for the live episode of Scriptnotes in New York just went on sale. If you’re worried about missing out, get one and come back.
John and Craig discuss Damon Lindelof’s interview about how plot stakes have escalated lockstep with budget, perhaps to the point of absurdity.
I wanted to share a quick summary of where the podcast has been and where we’re going.
Have first acts gotten shorter, or does it just feel that way? John and Craig discuss the pressure on screenwriters to “get to it” faster, and why that’s often the wrong goal.