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Random Advice

The Somewhat Healthy Screenwriter

Episode - 50

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August 14, 2012 Follow Up, Random Advice, Scriptnotes, Transcribed, WGA

Screenwriters are often not the healthiest folk. We do our work at computers, surrounded by snacks, so it’s no surprise many of us get fat. But it doesn’t have to be that way.

Screenwriters are often not the healthiest folk. We do our work at computers, surrounded by snacks, so it’s no surprise many of us are not our fittest. But it doesn’t have to be that way. We’re not doctors or nutritionists, but we’re relatively healthy members of a cohort that is relatively unhealthy, so our advice might point you in useful directions.

We also discuss the upcoming WGA Board elections, sumo wrestlers, head tits, Jaclyn Smith and secret e-smoking.

All this in more in the new Scriptnotes.

LINKS:

* [Conehead leads to sumo rule change](http://news.google.com/newspapers?nid=1290&dat=19940713&id=mlRUAAAAIBAJ&sjid=W44DAAAAIBAJ&pg=6580,6135447)
* [Jaclyn Smith](http://www.reuters.com/article/2009/03/05/us-smith-idUSTRE52424720090305) at the premiere of Charlie’s Angels: Full Throttle
* [Frankenweenie](http://trailers.apple.com/trailers/disney/frankenweenie/) trailer is cute
* [CDC: Pretty Much Everyone is Fat](http://www.wired.com/wiredscience/2012/08/cdc-everyone-fat/), from Wired
* [P90X](http://www.amazon.com/gp/product/B000TG8D6I/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000TG8D6I&linkCode=as2&tag=johnaugustcom-20) DVD set on Amazon
* [The 4-Hour Body](http://www.amazon.com/gp/product/030746363X/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=030746363X&linkCode=as2&tag=johnaugustcom-20), by Tim Ferriss on Amazon
* [Jambox](http://www.amazon.com/gp/product/B004E10KI8/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B004E10KI8&linkCode=as2&tag=johnaugustcom-20) wireless speaker on Amazon
* [Big Jambox](http://www.amazon.com/gp/product/B006AXRR3Y/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B006AXRR3Y&linkCode=as2&tag=johnaugustcom-20) wireless speaker on Amazon
* INTRO: [Fat Albert opening theme](http://www.youtube.com/watch?v=6WT-fxBNKs8)
* OUTRO: [Baby Got Back](http://www.amazon.com/dp/B000ZK68X8/?tag=johnaugustcom-20), covered by Jonathan Coulton

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_50.m4a).

**UPDATE** 8-17-12: The transcript of this episode can be found [here](https://johnaugust.com/2012/scriptnotes-ep-50-the-somewhat-healthy-screenwriter-transcript).

Basic cartographic concepts to understand when first setting foot in New York City

July 3, 2012 Random Advice, Travel

While visiting my family in Colorado, I spoke with a high school senior who was heading to New York for a summmer program at NYU. I was jealous, of course, as I am about anyone with his twenties ahead of him.

But I also remembered how disoriented I felt when first setting foot in New York, so I gave him some basic walking-around advice, which I’m generalizing here.

I first visited Manhattan in January 1993. My college roommate Paul had landed a job at Spy Magazine, which was like getting an invitation to join The Beatles. Filled with frienvy, I crashed on his couch for a few days.

I didn’t think I’d have a hard time finding my way around. Hell, I was an Eagle Scout. I could read a map.

But somehow New York stumped me. I got it very, very wrong.

I spent the next few years trying to correct my mental map of New York City, one visit at a time. Two decades later, I’m not a native or an expert by any means, but tourists consistently ask me for directions — perhaps because they recognize that I was once lost, like them.

So here’s a guide I’ll offer to help anyone who finds themselves encountering New York City for the first time.

## Manhattan is an island in a river.

Coming from a landlocked state, I grew up seeing New York City as a dot on the East Coast of America. So I naturally assumed that any water east of New York City would be the Atlantic Ocean.

But it’s not. The water east of Manhattan is the East River, and beyond that is more New York: Brooklyn, Queens and lots of other stuff.

So while you’re generally on “The East Coast” when you’re in Manhattan, don’t think about it as literally being on the ocean.

Anyone who grew up around New York is now saying, “Well, yeah, of course, you idiot.”

Fine. I was an idiot. But here’s a thought problem for rest of us that illustrates this East Coast problem:

* Think about the Statue of Liberty.
* Now, place it on your mental map in relation to New York City.

Where is the statue of Liberty? East of New York, right? All those European immigrants saw it as they were coming to Ellis Island, and Europe is east of America.

But the Statue of Liberty is actually southwest of New York City. Those boats of immigrants were headed north, up the bay.

More than anything, I think the East Coast issue messed up my bearings in the city. I kept trying to place myself on a map of America, and nothing seemed to fit right.

## The maps are skewed for your convenience and confusion.

Looking at a tourist map of Manhattan, a deist might surmise that our Creator meant for a great city to be built on this island, for it runs perfectly north-south.

Only it doesn’t at all. That’s just the maps.

In fact, Manhattan doesn’t even have north and south. There are really only two directions: Uptown and Downtown. Uptown is northish and and the street numbers go up. Downtown is southish and the street numbers get lower.

It’s better this way. Really. One you get used to it, it makes sense.

The concepts of east and west exist in New York City, particularly in reference to Central Park, but they’re mostly just proxies for “right” and “left” when facing uptown. East and west are considered “cross-town,” a term which is most often used with the observation that it’s often a pain in the ass getting cross-town.

Streets run cross-town, while avenues run uptown/downtown. That becomes a handy distinction when exiting the subway and trying to figure out which way you’re facing.

## Houston (the street) is pronounced hows-tun, not like the city in Texas.

It’s both a [shibboleth](http://en.wikipedia.org/wiki/Shibboleth) and a divider between the sensibly-gridded uptown and the more freeform downtown. (Also, not everything south of Houston is SoHo.)

## You can walk it.

In most cities, walking isn’t a reasonable choice for actually getting somewhere. The distances are too vast, with too much empty space in-between.

In Manhattan, it’s possible for a healthy person to walk an extraordinarily long way. In fact, it’s advisable, particularly as you’re first learning the city. Walking is free, and you get to see stuff.

A few points:

* If no cars are coming, just cross the street. Only tourists wait for the crosswalk signals.
* You may get turned around south of 14th Street, because it goes off the normal grid. But you have maps on your iPhone, you lucky modern person, so that will help.
* Late at night, you’re better off taking a cab rather than walking through a strange neighborhood. I’ve never had a bad experience in New York, but friends who have invariably found themselves on foot in an empty neighborhood after midnight. So why not spend a few of those dollars you’ve saved by walking so much?

## Take the trains.

The spaghetti-like tangle of subway lines in downtown Manhattan makes the subway system seem much more complicated than it really is. You’ll often only need one of the major uptown/downtown lines, at which point the trains become the equivalent of very fast walking.

My current favorite transit app is [Embark NYC](http://itunes.apple.com/us/app/nyc-subway-by-embark-new-york/id450991137?mt=8) for the iPhone.

## The future is at the edges.

For tourists, many of the things you want to see in New York City are conveniently bundled together near the middle of Manhattan: great museums, Broadway shows, skyscrapers with amazing views.

But the most interesting new things in New York will be found at the periphery, in neighborhoods and boroughs that you’ll only discover by actively searching. Like all cities, young people tend to live where they can afford to live, and that’s where fascinating stuff gets created.

If that’s what you’re after, it’s worth taking the train extra stops (or crossing bridges) to get there.

House-sitting for ghosts

June 1, 2012 Los Angeles, Random Advice

House-sitting is an ideal job for the underemployed writer. But Megan L. Wood recounts how [one assignment went wrong](http://thehairpin.com/2012/05/the-best-time-i-house-sat-for-a-ghost):

> The owner of the house, let’s call her Emily, was flying with her husband via private jet to their other castle in Colorado. All I had to do was feed the cats, soak in the tub, and not steal anything. Emily showed me around her “house” taking the time to explain how her espresso machine worked and insisting I look through her box of clothes headed to Goodwill. I saw a Diane Von Furstenberg label and almost passed out. ‘Leave!’ I kept thinking, anxious to turn on the flatscreen and drink cappuccino while trying on my new designer clothes. I planned on sitting on the magnificent wraparound front porch so passerby’s could admire what a baller I’d become.

> As Emily turned to go she nonchalantly mentioned one final thing. “We have a ghost. She’s a little girl. I call her Rachel.” Then the bitch left me all alone in a three story Victorian mansion for two nights with a child ghost.

Reading Megan’s account, I found myself nodding along.

My last house-sitting gig was in 1995, taking care of Vincent Price’s old house in the hills. I lasted one sleepless night. Despite the promise of easy escape — the master bedroom had sliding glass doors to the patio — the accumulated creaks and bumps and footsteps in the dark were too much for my fertile imagination.

Here’s the thing: I don’t believe in ghosts. At all. But I’m not so adamant in my convictions that I’m willing to be the cocky skeptic who gets dragged across the ceiling by a vengeful spirit.

And let’s not forget — those noises could just be an ordinary psycho with a knife who has been hiding in the house since sunset. Because that happens in the Hollywood Hills all the time.

Or, at least once. So that’s reason enough to get out of that house.

Dear Cindy in Blue Valentine

October 17, 2011 Random Advice, Story and Plot

blue valentine

So, hey, you’re pregnant. And it’s not welcome news, because you’re in college and hope to go to medical school.

You’re not sure if the champion sperm belongs to the scruffy-cute ukelele player or the asshole college wrestler. (But you kind of know it’s the wrestler.) Neither is exactly well-positioned for fatherhood.

You live with your parents. Let’s be frank; your family is not great. Your dad is an asshole. Your mom is a doormat. I doubt they’re much help right now.

We don’t see a lot of your deliberation process, but you decide to get an abortion. Then, just as the procedure is starting, you call it off. And that’s fine. Choice means choice. The doctor, nurse and everything about that clinic seemed appropriately sober and professional.

You decide to marry ukelele guy. I won’t offer any spoilers about how that turns out.

I’m actually writing to call your attention to one other undramatized choice: adoption.

Yes: it would have messed up the plot of your movie. But in terms of the plot of your life, I think it could have worked out pretty well.

Many young women in your situation would be wise to keep adoption in the mix. But I can’t blame them if they don’t strongly consider it. **Movies and TV shows generally do a crappy job portraying adoption,** either ignoring it as a choice or getting the details wrong.

For instance, maybe you watch Glee.

Quinn’s first-season pregnancy seemed fairly well-handled — given that it’s a show in which characters break into song without practice or provocation. But Glee whiffs it in the last minutes, sending the infant off to live with a troubled diva for thematic convenience rather than logical sense. That’s not how it works.

So, Cindy, I want to talk you through what would actually happen if you or another woman in your situation considered adoption.

And since this happens to be a site aimed at film and television writers, it might be a handy guide to how to portray such scenarios.

How it actually works
—-

First, you’d probably Google “adoption” (or “private adoption”) and quickly realize that there are a bunch of agencies that try to match up pregnant women with people hoping to adopt children. A lot of them are essentially attorneys who specialize in adoption.

They’re not attorneys in the scary sense. They’re attorneys in the getting-things-done-legally sense.

Clicking through the websites, you’d read the FAQs. You’d realize that a pregnant woman has her pick of families, each of which has written a letter to potential birth mothers explaining who they are and why they’re hoping to adopt a child. They’re not strangers. There’s no mystery. And in order to adopt, they all had to go through state screening.

If you called the number on the site, you’d speak to a case worker who would talk you through the process and answer your questions.

And you should ask a lot of questions. Let’s be clear: the agency and the case workers are getting paid by the prospective parents. Strictly speaking, that’s who they’re working for. But you hold all the cards. The agency’s job is to match pregnant women with prospective parents so that everyone has a good experience.

If you get a bad vibe from an agency, keep looking. You have your choice of places.

If you decided to go ahead with the process, you’d read a big pack of letters from prospective parents (all addressed “Dear Birth Mother”) and pick one who seemed like a good fit. Depending on the situation, you might hang out with them for a while before giving birth. Or not. There are a lot of ways it can work, and it mostly depends on how you want it to work.

Adoptions in the U.S. are increasingly open adoptions, which means that there’s no mystery about who the birth parents are. (That’s another thing TV and movies tend to get wrong.)

In addition to private agencies, there are public agencies, plus adoptions arranged through clergy, doctors and other groups. Basically, there are a ton of people who will find a family for this kid if you decide to continue the pregnancy.

I don’t want to sound Pollyanna here, Cindy. Nine months of pregnancy is a big fucking deal. But all the choices in front of you are big choices, so I want to make sure you give them all a fair shake.

Screenwriters: same advice.

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