John August

Transcribed

Hollywood Got Old

Episode - 664

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Scriptnotes, Transcribed

John and Craig look at how writers (and other humans) handle the anxiety of uncertainty, from election nights to green lights. We’ll talk through strategies for navigating situations where your circle of concern doesn’t match your circle of control.

Then we travel back to the 1980s and 90s, when many studios were run by ambitious strivers in their late 20s and early 30s. As the decades have passed, the players in these positions have held onto their posts, leaving the next generation stuck mid-ladder. We discuss what impact the aging of Hollywood has had on its output, and where the new guard might find an opening.

We also ask, is development wage theft? And answer listener questions on reusing material written for a different project, and the cost-plus model of production.

And in our bonus topic for premium members, what aspects of pandemic life have we incorporated into our daily routines?

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 11-21-24: The transcript for this episode can be found here.

Live in Austin 2024

Scriptnotes, Transcribed

John and Craig make their triumphant return to the Austin Film Festival for a wild night full of Emmy winning writers. They welcome Shōgun co-creators Rachel Kondo & Justin Marks to look at their process for structuring a series-long adaptation, keeping translations eloquent and accurate, and writing together as a married couple.

We then welcome Susan Soon He Stanton (Succession, Dead Ringers) and Megan Amram (The Good Place, Pitch Perfect: Bumper in Berlin) to discuss staffing on shows and crafting jokes. We also invite two audience members to play a new game: IMDB Sweeney Todd.

In our bonus segment for premium members, the panel answers audience questions on adaptations, a crossover with Succession and The Good Place, entering Hollywood from outside the U.S., and navigating Hollywood’s current contraction.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 11-21-24: The transcript for this episode can be found here.

Screenwriting is a Poorly Defined Problem

Scriptnotes, Three Page Challenge, Transcribed

Why is screenwriting so difficult, even for the smartest people? John and Craig look at the relationship between intelligence and wisdom, the kinds of problems writers attempt to solve, and the unmeasurable skills that screenwriters need to succeed.

Then it’s another round of the Three Page Challenge, where they give their honest feedback on three listener-submitted scripts. We also follow up on Moneyball, green envelopes, shorts, script coordinating, and what Craig means by writers being “calculating.”

In our bonus segment for premium members, how do you talk about movies and TV shows without spoiling them? John and Craig reason out how to dance around the twist that the two leads are actually the same perso– oh, shoot!

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 11-20-24: The transcript for this episode can be found here.

Moneyball

Scriptnotes, Transcribed

John and Craig welcome back Taffy Brodesser-Akner (Fleishman is in Trouble) for a deep dive on 2011’s sports drama Moneyball.

What makes Moneyball work? Is it a traditional underdog movie, or does it break all the rules? Is Billy Beane a hero or a villain? What advantages do sports movies give you, and how much do you have to explain to your audience? How are movies like this developed? And how can you not be romantic about baseball?

In our bonus segment for premium members, John, Craig and Taffy dig further into the ways money is used to determine a person’s value.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 11-19-24: The transcript for this episode can be found here.