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Geek Alert

Writing in Fountain on the iPad, using Editorial

December 3, 2013 Apps, Fountain, Geek Alert, Highland

[Editorial](https://itunes.apple.com/us/app/editorial/id673907758?mt=8) is one of the slickest text editors for the iPad, and thanks to some clever Python scripting, it can now show [previews of Fountain scripts](http://editorial-app.appspot.com/workflow/5215636485570560/diZz8hHAW1c):

fountain preview

The Fountain preview is not perfect. I noticed parentheticals didn’t find the right margins and other bits of minor weirdness. But this workflow demonstrates one of the big advantages of Fountain’s plain-text heritage: you can adapt existing tools to work with it.

Fountain-centric iPad apps are coming, but until then there are no shortage of great text editors for iOS, so it’s worth experimenting. Anything you write in Fountain can easily be transformed into a PDF by apps like [Highland](http://taps.io/JdQA) or [Slugline](https://itunes.apple.com/us/app/slugline/id553754186?mt=12).

How to convert a PDF to Final Draft

November 15, 2013 Formatting, Fountain, Geek Alert, Highland, How-To, Scriptcast, Software

Screenwriters often find themselves with PDF of a screenplay when what they actually need a Final Draft (.fdx) file that they can edit.

Some common scenarios:

* Your hard drive crashed, and the only copy of your screenplay is an old PDF you sent to a friend.
* You’ve been hired to rewrite a project, but the producers only have a PDF of the script.
* The script only exists on paper. Now it’s been scanned to a PDF — but that still doesn’t get you a script you can edit.

However it happens, it happens a lot. Among my working screenwriter friends, it’s one of the questions I get most.

There are basically three ways to convert from a PDF to Final Draft:

1. Retype it.
2. Copy and Paste and Reformat every line.
3. Use Highland.

**Update:** The folks at Final Draft emailed me to suggest an additional workflow, which I’ll detail after the section on copy-and-paste.

###Retyping it

This is the worst option, but back in the days of paper scripts, it was the only option. It’s as awful as it sounds. If you do it yourself, it’s exhausting. If you pay someone to do it, it’s expensive.

Retyping inevitably introduces mistakes. Spellcheck will catch some typos, but words will get omitted.

The only scenario in which I can envision retyping a script is if it’s so bad you really do want to rewrite it scene by scene. But in these cases, I think you’re better off putting the old script aside and starting at page one.

###Copy and Paste and Reformat every line

PDFs come in two basic types. Some PDFs are essentially photos of pages. You see the text, but it’s really an image. Other PDFs include the text itself. In Acrobat or Preview, you can select the text.

Most PDFs these days have selectable text, so there’s a good chance you’ll be able to copy the text out. If you paste it into Final Draft, you’ll end up with a mess that will take quite a bit of work (and time) to sort out. But it’s doable.

Here’s a [screencast](http://youtu.be/dElQe8_xf9E) to show you this workflow:

As you can see, reformatting a script this way sucks. It’s better than retyping, but there are many ways things can go wrong. Final Draft is not well-suited to this kind of brute force. You will learn to despise the Reformat box.

But if you only have a PC, this may be your best option, because the next solution only exists on the Mac.

###Use Adobe Reader to save as text, then open in Final Draft

After I posted this entry, the folks Final Draft pointed me to an alternate workflow. Here’s what they [recommend](http://kb.finaldraft.com/article.aspx?cid=1001&aid=519):

> If you have a recent version of the Adobe Acrobat Reader you can go to File > Save As > Text and save the document as a text file.

> Import this text file into Final Draft (File > Open) as a script but you may need to do some reformatting.

Here’s a [screencast](https://www.youtube.com/watch?v=opOsTknLZJ4):

In my testing, it’s only a little better than copy-and-paste. Elements were more likely to be recognized correctly, but line breaks and spacing glitches were daunting. The script also swelled from 114 to 343 pages. I had similar results with all the PDFs I tried.

So while it’s generally an improvement over copy-and-paste, you’d still need to spend quite a bit of time getting a useful script out of this workflow

###Use Highland

If you have a Mac, or a friend who has a Mac, this is your best choice. Hell, if you have a mortal enemy who has a Mac, it’s worth kissing up to him for the five minutes this will take.

[Highland](http://highland.quoteunquoteapps.com/screencast-pdf-fdx) is a paid app in the Mac App Store. It’s actually a full-on screenwriting app, but its ability to melt down PDFs was its original claim to fame, and is still unrivaled.

With Highland, you just drag in the PDF. Highland sucks out the text and does all the reformating. From there, you can edit it right there in Highland, or export it to Final Draft.

Here’s a [screencast](http://youtu.be/4ECADQtAvUg) showing the process:

Can Highland convert every PDF to Final Draft? No.

If a PDF is really just a stack of images, there’s no text to suck out. You may come across these kinds of PDFs when dealing with scanned paper scripts. However, many screenwriters report success running PDFs through optical character recognition software like [Prizmo 2](https://itunes.apple.com/us/app/prizmo-2-scanning-ocr-speech/id546392952?mt=12) first. That’s certainly an option.

PDFs created by Fade In don’t convert well. It’s because of the odd PDF-building code Fade In uses. It’s not something Highland is going to be able to fix.

### Built to be used

My company created Highland because I needed it. While it’s not a huge moneymaker, ((Highland revenues could probably support a single coder with a love of ramen noodles and penchant for tent living.)) it serves a crucial need for screenwriters.

We used to offer a free demo version of Highland, but it confused users more than it helped. (Support emails like, “How do I get rid of the watermark that says ‘Highland Demo?'”)

Also, the demo version was always lagging behind. We update Highland frequently, often twice a month. Maintaining both the paid and demo versions was slowing down development, and the feature sets kept getting out of sync. It’s not easy or rewarding to build deliberately crippled versions of your apps.

So rather than a demo version, I’m planning more screencasts like these to show features and workflows. In the meantime, if you find yourself with a PDF to convert, head over to the Mac App Store and [grab Highland](http://highland.quoteunquoteapps.com/screencast-pdf-fdx). For $30, it will save you untold hours of frustration.

Puppet person needed

November 14, 2013 Geek Alert, Projects

For an upcoming project, I’m looking to hire a puppet designer.

My producer and I are talking with several name-brand puppetry houses, but since I’ve often had great luck finding talented folk among my readership, ((This blog is how I found Ryan Nelson (my Director of Digital Things), Nima Yousefi (our coder), Stu Maschwitz (Fountain) and Alan Dague-Greene (Courier Prime).)) I thought I’d put out the call. You might be the right person, or know the right person.

For this live-action film project, I need a puppet that interacts with human characters. It’s not a hand-in-foam puppet, but something more like a marionette. Imagine Pinnochio without his strings.

My hunch is that it’s a rod puppet, and we’d be painting out the rods in post. But it might be a marionette (think Team America). It might be a combination of real puppet and CG and stop-motion. Regardless of technique, the goal is to make something that feels very real and grounded in its environment.

I don’t want a puppet-y puppet. I want a 15-inch tall character.

If you’ve seen the stage version of War Horse, that’s another good example of what I’m going for. Imagine Joey, but with the puppeteers digitally removed.

war horse

I’m hoping to shoot this project in LA, and would prefer to work with a local designer. But I’ll consider folks from all over. My ideal collaborator would have sketches, reels and references that convince me we could make something really cool together.

If you think you might be right person, email me at ask@johnaugust.com. If you think you might know the right person, you can also tweet me a link @johnaugust.

Shirts back in the Store

November 7, 2013 Follow Up, Geek Alert, News

Back in June, we sold the first-ever [Scriptnotes t-shirts](http://johnaugust.com/2013/t-shirts-and-transcripts). We took pre-orders, printed them, and sent them out all in a batch.

In that process, we learned a lot about the making and shipping of physical goods — how online shopping carts work, how to calculate sales tax, optimizing postage. We’re geeks. We like that stuff. Plus it’s been fun seeing Scriptnotes t-shirts out in the wild.

So we’re doing it again.

Through Friday, November 15th, we’ll be taking orders for a new batch of shirts. They’ll ship starting December 2nd, in time for the holidays.

Like last time, we’ll only print what people order, so if you want a shirt, you need to [order now](http://store.johnaugust.com).

The first batch of Scriptnotes shirts were available in umbrage orange and rational blue. The new Scriptnotes t-shirt is available in any color you want so long as it’s black. ((I always assumed this Henry Ford quote was apocryphal, but apparently it’s real. The original wording was, “Any customer can have a car painted any colour that he wants so long as it is black.”)) For this shirt, we offer both unisex and women’s cuts.

scriptnotes black

I’m really happy with how the logo turned out. It’s faint, and seems to be gently glowing from inside the shirt.

Scriptnotes is not our only labor of love, so we decided to make some more shirts while we were at it.

First up is Fountain. How do you show a revolutionary [plain text screenplay markup syntax](http://fountain.io) on a t-shirt? Ryan Nelson and I went through a bunch of variations with document icons and street maps, but none of them felt right.

Ultimately, it was the color that set the tone. Olive green felt appropriately basic. Paired with white type (Highway Gothic) and a Fountain flag, this shirt feels like what you’d wear at boot camp. We’re recruiting a Fountain army, and this is the uniform.

fountain shirt

Courier Prime is a [beautiful font](http://quoteunquoteapps.com/courierprime/) designed by Alan Dague-Greene. Since it’s a text face, you aren’t supposed to notice the individual glyphs — it’s for reading, not showing off — but I wanted to highlight just how smart the whole character set is. What makes Courier Prime special — apart from its bolder bolds and crisper serifs — are the true italics, modeled after the “informal” script of old typewriters. Here you get to see the full alphabet at once. ((If you’re ever in doubt which Courier you’re seeing, check the lowercase y. In Courier Prime, the tail of the y never flattens out to a line.))

courier-prime

Right after Courier Prime came out, we made a few shirts with a similar design, but printed them on a heather gray. If you’re not familiar t-shirt lingo (I wasn’t), “heather” means that the fabric has a speckled quality, woven of threads in a range of colors to give it depth. For Courier Prime, that made it far too hard to see the details.

This time, we’re printing white on solid midnight navy, so you can see everything.

Our fourth shirt is actually the very first shirt we printed: Classic Karateka.

karateka shirt

We made one hundred of these shirts to celebrate the launch of Jordan Mechner’s game on iOS. Only friends and team members got the first batch, but when we put up the few remaining shirts last month, they sold out in minutes. So we’re doing one last run.

Our final shirt isn’t about a product, but rather an idea. Longtime readers and listeners know I’m not just a fan of technology and gadgets, but the underlying science behind them. We live in a culture that has been completely transformed scientific innovation, yet at the same rejects scientific realities.

I vented some of my frustration through the frustrated science teacher (Mr. Rzykruski) in Frankenweenie. For this last shirt, I’m paraphrasing myself and his answer to the question of why no one likes scientists.

The adult shirts are silver (very light gray):

science adult

For the kids shirts, we went black:

All the t-shirts were designed in-house by Ryan Nelson, and printed locally in LA.

Once again, we’re only printing what people order, so if you want a shirt, [visit the store](http://store.johnaugust.com) before next Friday.

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