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Don’t use “thought” verbs

December 30, 2014 Words on the page

I love Chuck Palahniuk’s [advice to writers](http://litreactor.com/essays/chuck-palahniuk/nuts-and-bolts-“thought”-verbs):

> From this point forward – at least for the next half year – you may not use “thought” verbs. These include: Thinks, Knows, Understands, Realizes, Believes, Wants, Remembers, Imagines, Desires, and a hundred others you love to use.

Palahniuk argues that every time you use one of these verbs, you’re robbing yourself of the chance to describe something fully — to show rather than tell.

> For example: Waiting for the bus, Mark started to worry about how long the trip would take..”

> A better break-down might be: “The schedule said the bus would come by at noon, but Mark’s watch said it was already 11:57. You could see all the way down the road, as far as the Mall, and not see a bus. No doubt, the driver was parked at the turn-around, the far end of the line, taking a nap. The driver was kicked back, asleep, and Mark was going to be late. Or worse, the driver was drinking, and he’d pull up drunk and charge Mark seventy-five cents for death in a fiery traffic accident…”

In screenwriting, we’re already forced to do a lot of this self-restriction, since we can’t directly state characters’ inner lives. And Palahniuk’s absolutism isn’t always suited for screenplays; there will be times when a parenthetical (realizing) is exactly what you need.

Still: it’s great advice.

Left or Right

December 19, 2014 Directors, Story and Plot

This link has been sitting in my queue for months, but it’s still worth sharing. Tony Zhou looks at how character choice is framed as [going left or right](https://www.youtube.com/watch?v=X05TDsoSg2Y).

You see this technique in movies going back to the dawn of cinema, but no recent movie has used it as fully as Snowpiercer, in which the entire film moves on a linear track.

On the page, you’ll rarely call out “right” or “left.” But that sense of forcing characters to choose between two visual possibilities is a fundamental and frequently-useful paradigm.

Shipping 8,000 Kickstarter rewards in one minute

December 16, 2014 Projects, Writer Emergency Pack

Last week, we shipped out 8,000 [Writer Emergency Packs](http://writeremergency.com) to our Kickstarter backers. The bulk of the packing happened in three days, so I set up a time-lapse camera to document the process.

Here’s [the finished video](http://youtu.be/FSYTA4bLo24).

You can read the full update about how we did it in the [Kickstarter update](https://www.kickstarter.com/projects/913409803/writer-emergency-pack-helping-writers-get-unstuck/posts/1086118).

Mapping and scribbling

December 1, 2014 News

As part of their Creative Spark series, The Academy shot a video with me talking about my [creative process](https://www.youtube.com/watch?v=EbngAEH5Lis&list=PLsruNZel-SDQj6OIG7M8uFzSGX6SMa3iS).

Man, I talk with my hands a lot. But overall, I’m happy with how the video turned out.

The [whole series](https://www.youtube.com/playlist?list=PLsruNZel-SDQj6OIG7M8uFzSGX6SMa3iS) is terrific. As an Academy member, I love this increased focus on showing the process of filmmaking, and the faces that go with the names.

My hope is that videos like these not only inspire new filmmakers, but also help film fans appreciate how many talented craftspeople work to make their favorite films come to life.

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