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Fountain 1.1 — “Use The Force”

January 29, 2014 Apps, Fountain, Highland, Screenwriting Software

We’re about to put out the first revision to [Fountain](http://fountain.io) since we launched it two years ago, and are calling for comment from users and developers.

When we were developing the plain text screenwriting syntax, we tried to balance normal uses and edge cases. Overall, I think we think we got Fountain mostly right. But Stu Maschwitz and I always expected that we’d evolve the specification as we learned more about how people use it on a daily basis.

The theme of the Fountain 1.1 update is “Use The Force.” It’s all about better control over “forcing” elements.

Most times in Fountain, you don’t need to force anything. It just understands what you want. But when you need to, you can force a Scene Heading with a leading period. You can force a Transition using a leading greater-than symbol.

For Fountain 1.1, we’re discussing adding two new forceable elements, and making a change to how Action is forced.

## LYRICS

Highland has been testing a Lyrics variation on Dialogue for a while now, and it works. We think it’s time to make it official.

You create a Lyric by starting with a tilde ~.

~Willy Wonka! Willy Wonka! The amazing chocolatier!

~Willy Wonka! Willy Wonka! Everybody give a cheer!

The parser will remove the ~ and leave it up to the app to style the Lyric appropriately. For screenplays, lyrics are often handled like a dialogue element, but in italics. ((Courier Prime italics are especially nice for lyrics.)) For stage musicals, it’s often uppercase and placed on the left margin.

Lyrics are always forced. There is no “automatic” way to get them.

## CHARACTER

The ability to force a Character element will be helpful for names that require lower-case letters, and for non-Roman languages, where a character might be named something like 黒澤.

To force a Character element, precede a line with the “at” symbol: @

@McCLANE

Yippie ki-yay! I got my lower-case C back!

The parser will remove the @ and interpret McCLANE as Character, preserving its mixed case.

Speaking of lowercase, one other change is that Character Extensions, the parenthetical notations that are on the same line as a Character element, are no longer required to be uppercase:

HANS (on the radio)
What was it you said?

The parser interprets HANS (on the radio) as a Character element.

## ACTION

Figuring out how to handle forced action required the most discussion.

Fountain interprets an uppercase line followed by a second line as a Character. Most of the time, that’s what you want:

MARY

Hi, Tom.

But sometimes you really want two lines of action, with no blank line between them. You’re going to for a style — but Fountain doesn’t know that. So instead you get:

BOOM

BOOM BOOM. Closer.

In Fountain 1.0, we allowed the user to force Action elements with two trailing spaces.

BOOM{two spaces}

BOOM BOOM. Closer.

This has turned out to be problematic in practice. The spaces are invisible, and can be introduced by accident as you write. Highland and Slugline users got confused. Hell, I got confused, and I co-created the syntax.

MARY{two spaces I didn’t realize were there}

Wait! Why isn’t my character name where it should be? Why isn’t my dialogue being handled like dialogue? Nima!

Furthermore, not all Fountain apps supported the spaces consistently.

In the end, we’d like more transparency and less invisibility. Using spaces to force Action should be deprecated.

In Fountain 1.1, we propose that users force Action by preceding a line with an exclamation point:

!BOOM
BOOM BOOM. Closer.

The parser removes the ! and interprets BOOM as Action.

BOOM  

BOOM BOOM. Closer.

Since forcing action is rare, and the other changes are purely additive (and evident to the naked eye), we don’t anticipate huge issues for most users.

Unless we hear a hue and cry about these changes, we anticipate making them official next week. Apps can start supporting this syntax shortly thereafter.

But we’re not stopping there. Upcoming goals for Fountain include:

1. Better consistency among apps when parsing Fountain. We keep finding edge cases, and want to make sure they are handled the same way regardless of which app you’re using.
2. New syntax for marking changes or highlighting elements in finished documents.
3. Continued development of screenplay-like formats, including three-camera and stageplays.

If you have notes or suggestions, I’d invite you to join the discussion on the [Take Fountain](https://app.glassboard.com/web/app/boards/dff2b3bf-5f61-4ab6-8a64-16c71dd57160) Glassboard. Registration is free and open to everyone.

Highland wins 2013 Macworld Eddy

December 16, 2013 Apps, Highland

The editors of Macworld named Highland one of the [best products of 2013](http://www.macworld.com/article/2071020/macworld-editors-choice-awards-the-best-products-of-2013.html?page=2):

> Writing is hard. Writing a script or screenplay can be harder. That’s why we like Highland, Quote-Unquote Apps’ minimalistic $20 screenwriting tool. Highland offers writers a clean, unadorned space to work on their screenplay.

> All Highland files are saved as plain text, allowing you to open them in just about any program on your Mac, PC, or iOS device. You can even import your PDFs and Final Draft files into the app for easy editing, and then export them back into their original formats for further work.

> Certainly for those in the film industry, this app is more than worth its price.

Many thanks to the editors of Macworld, and big congratulations to the Quote-Unquote apps team for their hard work on Highland.

Nima Yousefi has built and rebuilt Highland’s parsing engine a dozen times, taking it from impressive to magical to so-good-you-forget-it’s-difficult. (The next build is even better.)

Ryan Nelson has designed and tweaked our graphics down to the pixel. Minimalism is hard, because there’s nothing to hide behind.

Stuart Friedel keeps tabs on sales figures and industry chatter. He and I use the app daily, so it’s often our observations and annoyances that set the agenda.

I was excited to see so many other apps I love on the list of Eddy winners, incluing 1Password, Badland, Bartender, Capo, Drafts 3, Fantastical 2 for iPhone, Gone Home (Craig’s One Cool Thing), IFTTT, Launch Center Pro, and nvAlt.

For 2014, we’ll be keeping up development of Highland while introducing a new app that works related magic for folks who deal with screenplays.

In the meantime, you can [check out Highland](http://highland.quoteunquoteapps.com/blog-eddy) on the Mac App Store.

The Scriptnotes App

December 12, 2013 Apps, News

scriptnotes app iconScriptnotes now has an app for [iOS](https://itunes.apple.com/us/app/scriptnotes/id739117984?ls=1&mt=8) and [Android](https://play.google.com/store/apps/details?id=com.johnaugust.android.scriptnotes). It’s free for both platforms.

You don’t need to use the app. In fact, most listeners will probably be better off sticking with their current setup if it meets their needs. We’re [still on iTunes](https://itunes.apple.com/us/podcast/scriptnotes-podcast/id462495496?mt=2), just like we’ve always been.

Or if you’re not happy with your current podcast app, keep looking, because there are many good choices out there. (Personally, I’m a fan of [Instacast](https://itunes.apple.com/us/app/instacast-4-podcast-client/id577056377?mt=8) for the iPhone.) As a podcast app, Scriptnotes only does one thing, and it only does it acceptably well.

So if I’m not recommending the Scriptnotes app, why does it exist?

For the back catalog.

There are now 121 episodes of Scriptnotes, and listeners often want to go back and hear those old episodes. We sell a [USB drive](http://store.johnaugust.com/collections/frontpage/products/scriptnotes-100-episode-usb-flash-drive) of the first 100, and offer a [subscription-based archive](http://scriptnotes.net) of all the episodes, but neither of those solutions is helpful when you just want to hear a given episode on your phone.

The Scriptnotes app hooks into the full archive, so if you’re a subscriber, you can listen to any episode whenever or wherever you want.

Since launch, we’ve actually gotten very few questions about the app, but here are some answers to theoretical questions someone might ask.

**What’s the deal with subscriptions?**

Scriptnotes has always been free and always will be. We make the most recent 20 episodes available through iTunes. Older episodes are available in the archives, either through the new app or at [Scriptnotes.net](http://scriptnotes.net) as part of a monthly subscription ($1.99/month).

Think of it as the Netflix pricing model. For that $1.99/month, you can download as many episodes as you want.

**Are you making money off this?**

As Craig loves to point out, Scriptnotes is a money-losing venture. Between editing, transcripts and hosting costs, there are more expenses than t-shirts and monthly subscriptions could cover.

But that’s okay. We’ve turned down advertising and other opportunities because neither of us want Scriptnotes to be a business. Craig and I do the show because we like it.

**Could someone subscribe, download all the episodes, then cancel?**

Absolutely. To me, the handy thing about the monthly subscription is being able to listen to any episode at any time, but it’s totally up to you.

**How do I cancel a subscription?**

In the [Libsyn account page](https://my.libsyn.com/manage), click “Change Subscription.” On the next page, you’ll see a button to cancel.

**What’s the deal with bonus material?**

To me, Scriptnotes is me and Craig together, talking about screenwriting stuff. Sometimes we have special guests, but it’s always the two of us.

Occasionally we have audio that is in the same vein as Scriptnotes but not really an episode. A good example is a [recent conversation](http://scriptnotes.net/bonus-big-fish-from-book-to-screen-to-musical) Daniel Wallace and I recorded at the Austin Film Festival. We put that up as bonus content for subscribers because while it’s interesting and on-topic, it’s not really a Scriptnotes episode.

Basically:

Me and Craig = Scriptnotes episode
Me or Craig = possible bonus content

Will there be a lot of bonus material? I doubt it. I wouldn’t subscribe just for the bonus material. But if you have ideas for something you think would be great for a bonus thing, certainly tell us.

**The app feels really iOS 6.**

scriptnotes app screenshot

That’s not a question, but yeah.

We’re releasing the Scriptnotes app under our Quote-Unquote Apps banner, ((We put the app out under our label so we could track download numbers. As of yesterday, we had 359 downloads for iOS.)) but it’s actually our host Libsyn’s app. They did all the coding — Ryan just sent our background artwork.

You may notice it looks almost exactly like Marc Maron’s [WTF app](https://itunes.apple.com/us/app/wtf-with-marc-maron/id382646636?mt=8) or Jay Mohr’s [Mohr Stories](https://itunes.apple.com/us/app/mohr-stories-fakemustache.com/id393529844?mt=8) app. That’s because it’s exactly the same app, just with different background images.

It’s not just dated — some of the functionality is also a bit hidden. For example, you can download episodes for offline listening by tapping the star next to the title. If you’re getting ready for a plane trip, this is a handy way to bank a few episodes for listening.

I suspect the app will eventually get updated with new graphics and such, but I don’t know a timetable.

**How do I report a problem with the app?**

On the main screen, tap Contact, then Troubleshooting. From there, you can Send a Diagnostic Report that generates an email to the Libsyn team. You can also just email consumer@libsynsupport.com.

My Girlfriend’s Boyfriend’s Screenwriter

Episode - 121

Go to Archive

December 10, 2013 Adaptation, Apps, Scriptnotes, Transcribed, Writing Process

Writer/director/actor/comedian Mike Birbiglia joins John and Craig to talk about writing for yourself, and how his one-man shows have translated into his films Sleepwalk With Me and My Girlfriend’s Boyfriend. We talk movies and television, stand-up and screenplays, and the upside of failure.

In other news, there’s now an official app for Scriptnotes, available for iOS and Android. If you like your current setup, keep doing what you’re doing, because nothing has changed. The last 20 episodes will always be free. The app allows you listen to the back 100 episodes for a monthly subscription.

LINKS

* Write in and [tell us if we’re wrong](mailto:ask@johnaugust.com)
* [Mike Birbiglia](http://birbigs.com/), and on [Wikipedia](https://en.wikipedia.org/wiki/Mike_Birbiglia), [IMDb](http://www.imdb.com/name/nm1898126/), [Twitter](https://twitter.com/birbigs) and [iTunes](https://itunes.apple.com/us/artist/mike-birbiglia/id25234092)
* The Tricky Part [write up in The New York Times](http://www.nytimes.com/2013/10/20/nyregion/a-map-of-the-soul-combines-two-one-man-shows.html?_r=0), and in book form [on Amazon](http://www.amazon.com/dp/0307276538/?tag=johnaugustcom-20)
* Use [BroadwayBox.com](http://www.broadwaybox.com/) to find discounted shows in New York
* Download the Scriptnotes app now for [iOS](https://itunes.apple.com/us/app/scriptnotes/id739117984?mt=8) and [Android](https://play.google.com/store/apps/details?id=com.johnaugust.android.scriptnotes) devices
* [The Fault in Our Stars](http://www.amazon.com/dp/0525478817/?tag=johnaugustcom-20) by John Green
* [Singtrix](http://www.singtrix.com/) home karaoke
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Scriptnotes listener Cole Parzenn

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_121.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_121.mp3).

**UPDATE** 12-12-13: The transcript of this episode can be found [here](http://johnaugust.com/2013/scriptnotes-ep-121-my-girlfriends-boyfriends-screenwriter-transcript).

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