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Archives for 2013

Frankenweenie and autism

December 5, 2013 Frankenweenie, Projects

Antonia Lidder recounts her experience with Frankenweenie, and its impact on her son [diagnosed with autism](http://picturehouseblog.co.uk/2013/12/05/frankenweenie-sparking-connections/):

> In spring 2012, when he had a vocabulary of approximately 15 words, Gabriel clearly said ‘Sparky’. We were excited that he’d said a word and was undoubtedly trying to communicate with us, yet we had no idea what ‘sparky’ was. We searched our memories and came up blank. Then one day I recalled, ‘Last month we did see a trailer for a Tim Burton film – there was a dog in it called Sparky, but it’s only mentioned a couple of times, and it was so fast, and we’ve only seen it once…’

> ‘Nah,’ my husband said, ‘can’t be.’

> How much we have learnt since.

For some kids with autism, seeing a movie in a theater eliminates many of the distractions of ordinary life — eye contact, social cues, needing to keep up a conversation. In the darkness, they can focus on the movie in front of them. The movie theater is one of the last places you can fully lose yourself in a story.

Frankenweenie is deliberately simple, both visually and narrativley. It’s black-and-white, with no fast cutting. It’s the story of a boy and his dog and the adults around them.

My hunch is that kids with autism identify with both Sparky and Victor. Sparky is mute but curious, steadfast but easily frightened. Victor is reclusive and odd, but his oddness isn’t threatening. He’s special and his parents love him for it.

For Lidder, the film opened the floodgates:

> FRANKENWEENIE sparked a magical trajectory for us, showing us the actual potential in our beautiful boy, rather than the deficiency that others perceive in him because he can’t express himself in recognised, neurotypical ways. It also has given us so many moments of unbridled joy and discovery that I don’t have the words to convey their significance in our lives.

> Ultimately, FRANKENWEENIE is the tale of a boy who is different, isolated and misunderstood. The boy loses himself in film, and the adults find themselves as he shows them what love really is. In this way, and every other way, FRANKENWEENIE is the film of our lives.

My thanks to Picturehouse for sponsoring these special autism-friendly screenings, and for sharing this story.

Writing in Fountain on the iPad, using Editorial

December 3, 2013 Apps, Fountain, Geek Alert, Highland

[Editorial](https://itunes.apple.com/us/app/editorial/id673907758?mt=8) is one of the slickest text editors for the iPad, and thanks to some clever Python scripting, it can now show [previews of Fountain scripts](http://editorial-app.appspot.com/workflow/5215636485570560/diZz8hHAW1c):

fountain preview

The Fountain preview is not perfect. I noticed parentheticals didn’t find the right margins and other bits of minor weirdness. But this workflow demonstrates one of the big advantages of Fountain’s plain-text heritage: you can adapt existing tools to work with it.

Fountain-centric iPad apps are coming, but until then there are no shortage of great text editors for iOS, so it’s worth experimenting. Anything you write in Fountain can easily be transformed into a PDF by apps like [Highland](http://taps.io/JdQA) or [Slugline](https://itunes.apple.com/us/app/slugline/id553754186?mt=12).

Let’s talk about coverage

Episode - 120

Go to Archive

December 3, 2013 Film Industry, Scriptnotes, Story and Plot, Transcribed, WGA

Craig and John talk readers and coverage, centering their discussion on profound_whatever’s infographic charting 300 submissions and the lessons screenwriters can take from it.

After that, we talk about the recent DGA deal with the AMPTP, and the degree to which it might predict the upcoming WGA negotiations.

Finally, we discuss getting high and are generally buzz-kills. Sorry.

LINKS:

* profound_whatever’s [post on r/screenwriting](http://www.reddit.com/r/Screenwriting/comments/1r5y6l/ive_covered_300_spec_scripts_for_5_different/) and its [accompanying infographic](http://i.imgur.com/T22gGBO.png)
* Deus ex machina [on Wikipedia](https://en.wikipedia.org/wiki/Deus_ex_machina)
* [Directors Guild of America Board OKs New Contract, Triggering Member Vote](http://variety.com/2013/film/news/directors-guild-of-america-board-oks-new-contract-triggering-member-vote-1200874949/) from Variety
* [WGA Announces Contract Negotiating Committee](http://www.hollywoodreporter.com/news/wga-announces-contract-negotiating-committee-655750) from The Hollywood Reporter
* [Writers in Treatment](http://www.writersintreatment.org/)
* [Screenflow](http://www.telestream.net/screenflow/) for Mac, and John’s video and post on [why he likes writing in Fountain](http://johnaugust.com/2013/why-i-like-writing-in-fountain)
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Scriptnotes listener Matthew Chilelli

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_120.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_120.mp3).

**UPDATE** 12-5-13: The transcript of this episode can be found [here](http://johnaugust.com/2013/scriptnotes-ep-120-lets-talk-about-coverage-transcript).

Shift-return, Highland’s little helper

December 2, 2013 Highland

This weekend, Neil Cross (creator of [Luther](http://www.imdb.com/title/tt1474684/)) emailed me with a feature request:

> I love Fountain in general and Highland in particular. I’d live there all-but permanently, but for one issue: I’m a very fast but very poor two-fingered typist. One of my worst habits is accidentally hitting the CAPS LOCK key — so I disable it.

> I wonder if there’s any chance the Fountain syntax could incorporate a FORCE CHARACTER instruction, the way it currently incorporates FORCE SCENE HEADING?

> I can’t be the only clumsy typist in the world for whom this would be a godsend.

I started to brainstorm syntax changes and work-arounds, until I realized we’d already built a solution into Highland: shift-return.

highland-shift-return

At the end of a line, if you hit shift-return rather than just return, you’ll make the entire line uppercase. It’s useful for character names, scene headings and transitions.

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