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Archives for 2012

Death and feedback

Episode - 40

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June 5, 2012 Scriptnotes, Transcribed

Craig and John talk about Craig’s decision to abandon his once-bustling blog, while John weighs the pros and cons of comments and community.

How important is feedback? The Scriptnotes podcast gets overwhelmingly positive reviews — 99% are five stars — but how much of that is helpful or constructive?

We also go into follow-up about The Death of Screenwriting (as a career) and announce the first-ever Scriptnotes Live podcast, coming this October at the Austin Film Festival.

LINKS:

  • The Artful Writer (Craig’s blog)
  • UC Verde Buffalo Grass
  • INTRO: I Learned It By Watching You
  • OUTRO: Black Sally by Funkoars feat. Maurice Greer

You can download the episode here: AAC.

UPDATE 6-7-12: The transcript of this episode can be found here.

Highland update fixes .fdx, adds Snow Leopard support

June 4, 2012 Apps, Highland, News

highland logoThe new beta of Highland — released last night — tackles three major issues.

The first fix is exporting to Final Draft (.fdx). If you encountered a file that opened as bunch of (cont’d)’s, give it another try.

The second major addition: legacy support for Snow Leopard (OS 10.6). In order to make it work, we had to temporarily disable two features: printing and the quick-reference sheet. They’ll be back. We just wanted to get the beta into testers’ hands ASAP.

The third issue is extended Unicode support for larger character sets, including accents and diacritical marks. We want Highland to work on screenplays written in a range of languages, but our sample size is small. So as with any issue, if you find Highland is struggling with a given script, please send a report card.

If you already have the Highland beta installed, it will auto-update. If not, you can download it from the site.

House-sitting for ghosts

June 1, 2012 Los Angeles, Random Advice

House-sitting is an ideal job for the underemployed writer. But Megan L. Wood recounts how one assignment went wrong:

The owner of the house, let’s call her Emily, was flying with her husband via private jet to their other castle in Colorado. All I had to do was feed the cats, soak in the tub, and not steal anything. Emily showed me around her “house” taking the time to explain how her espresso machine worked and insisting I look through her box of clothes headed to Goodwill. I saw a Diane Von Furstenberg label and almost passed out. ‘Leave!’ I kept thinking, anxious to turn on the flatscreen and drink cappuccino while trying on my new designer clothes. I planned on sitting on the magnificent wraparound front porch so passerby’s could admire what a baller I’d become.

As Emily turned to go she nonchalantly mentioned one final thing. “We have a ghost. She’s a little girl. I call her Rachel.” Then the bitch left me all alone in a three story Victorian mansion for two nights with a child ghost.

Reading Megan’s account, I found myself nodding along.

My last house-sitting gig was in 1995, taking care of Vincent Price’s old house in the hills. I lasted one sleepless night. Despite the promise of easy escape — the master bedroom had sliding glass doors to the patio — the accumulated creaks and bumps and footsteps in the dark were too much for my fertile imagination.

Here’s the thing: I don’t believe in ghosts. At all. But I’m not so adamant in my convictions that I’m willing to be the cocky skeptic who gets dragged across the ceiling by a vengeful spirit.

And let’s not forget — those noises could just be an ordinary psycho with a knife who has been hiding in the house since sunset. Because that happens in the Hollywood Hills all the time.

Or, at least once. So that’s reason enough to get out of that house.

Amazon Studios and the free option

June 1, 2012 Film Industry, Follow Up

The new-and-improved Amazon Studios liked Chip Street’s screenplay Faeries enough that they wanted to feature it on their “consider list.”

But that good news came with a catch:

To make it happen, all we need to do is click a button, and MAKE OUR SCRIPT A PUBLIC SUBMISSION – starting that 45 day option clock ticking.

Now, we could choose to make the script public and displayed on the consider list, and set the collaboration feature to ‘closed’. So nobody can write new version for Amazon to own rights to. But remember, the ‘closed’ setting only applies to written versions. Filmmakers COULD still make video content based on our script. And Amazon would own the rights to those videos. FOREVER. And they can distribute those videos as they please – on YouTube, or on their subscription based VOD platform, and collect ad revenue from associated ad content. Forever. For free. Did we say free? Free. Did we say forever? Forever.

What this amounts to is that while they didn’t want to pay for an option, they did want us to give them a free option for 45 days. And all that that implies. Exactly what we were trying to avoid by going with a private submission in the first place.

As Craig and I have discussed on the podcast, the new rules at Amazon Studios certainly seem like a step in the right direction. But if I were in Chip’s shoes, I’d have the same hesitation.

If you’re interested in the vagaries of the new Amazon Studios, his post is a must-read, with lots of good links and insights.

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