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Search Results for: notes on notes

Secrets of Highland’s Dark Mode

August 18, 2014 Highland

When you’re writing a script in [Highland](http://quoteunquoteapps.com/highland), you can turn on Dark Mode (⌘D) to flip the colors in the edit view. So instead of this:

screenshot

In Dark Mode, you get this:

screenshot

Dark Mode is useful for writing at nighttime or in darker locations, when you don’t want to be staring at a bright screen. It can also be easier on your eyes.

But you’re not limited to white text on a black background. You can customize the colors to your heart’s content in Preferences.

screenshot

color picker
Under Colors, click on any of the color swatches to bring up the color picker. Here you can set your choices for text, background, scene headings and notes, for both Normal and Dark Mode.

In the color picker, I often click the magnifying glass, which sets the color to anything I can click on screen. It’s a handy way to get exactly the color I want. (In the first version of this post, I called this an eyedropper instead of a magnifying glass, because in most image editing apps, the equivalent tool is an eyedropper. As a UI metaphor, which tool makes more sense? Discuss.)

Most days, this is the color scheme I use in Highland:

screenshot

It’s pretty close to Ethan Schoonover’s [Solarized Dark](http://ethanschoonover.com/solarized) theme, and works particularly well with Highland’s default typeface (Highland Sans).

If you feel like going down the color theme rabbit hole, there are [myriad options](http://eclipsecolorthemes.org) out there, most of which were originally designed for coders. ((In many ways, screenwriting resembles coding; you’re writing the plan for creating something else, using specific and esoteric terminology.)) The magnifying glass is usually the easiest way to try these different configurations. Just click on a theme’s color swatches in the website. ((We’re discussing whether to build editor themes into a future edition of Highland. If you have an opinion, let us know.))

Because Highland will let you pick any colors you want, we have to be smart about what color we use for selecting text. We’re generating the highlight color programmatically, using the following code:

CGFloat selectionAlpha = 0.2;

NSColor *invertedBackgroundColor = [NSColor colorByInvertingColor:backgroundColor];

[self.textView setSelectedTextAttributes:@{NSBackgroundColorAttributeName: [invertedBackgroundColor colorWithAlphaComponent:selectionAlpha], NSForegroundColorAttributeName: invertedBackgroundColor}];

In English, this means we’re setting the background color of the selection to the inverse of the normal background color, with the opacity knocked down to 20%. Meanwhile, the text color is set to the inverted normal background color. As a result, you’ll always be able to read highlighted text, no matter what colors you choose.

If you haven’t tried Dark Mode or customizing colors, give them a shot. They’re both small things, but they make working in Highland just a little more delightful.

As always, you can find Highland in the [Mac App Store](https://itunes.apple.com/us/app/highland/id499329572?mt=12).

Threshers, Mergers and the Top Two Boxes

Episode - 157

Go to Archive

August 12, 2014 Film Industry, Rights and Copyright, Scriptnotes, Transcribed

Craig and John discuss the accusations of plagiarism surrounding True Detective — and what plagiarism even means in the context of filmed entertainment. Movies don’t have footnotes, so how should screenwriters give attribution?

Next it’s time for a look at the major Hollywood studios, and what would happen if any of them were to merge, like Fox and Warners seemed poised to do. Following that, we take a look at the test screening process.

Finally, John wants to talk about the Canadian “about,” which isn’t “aboot,” and is a lot more complicated than you’d think.

Links:

* [Did the writer of True Detective plagiarize Thomas Ligotti and others?](http://lovecraftzine.com/2014/08/04/did-the-writer-of-true-detective-plagiarize-thomas-ligotti-and-others/)
* [Nic Pizzolatto on Thomas Ligotti and the Weird Secrets of True Detective](http://blogs.wsj.com/speakeasy/2014/02/02/writer-nic-pizzolatto-on-thomas-ligotti-and-the-weird-secrets-of-true-detective/)
* [The Problem With Saying True Detective Was “Plagiarized”](http://www.slate.com/blogs/browbeat/2014/08/06/true_detective_plagiarized_no_nic_pizzolatto_did_not_plagiarize_thomas_ligotti.html)
* [Stephen Glass](https://en.wikipedia.org/wiki/Stephen_Glass) on Wikipedia
* Slate on [Why Biden’s plagiarism shouldn’t be forgotten](http://www.slate.com/articles/news_and_politics/history_lesson/2008/08/the_write_stuff.html)
* The New York Times on [How Opal Mehta Got Kissed, Got Wild and Got a Life](http://www.nytimes.com/2006/04/27/books/27cnd-author.html?_r=0)
* [Fox Withdraws Time Warner Bid](http://online.wsj.com/articles/fox-withdraws-time-warner-bid-1407269617)
* Wikipedia on [the Majors](https://en.wikipedia.org/wiki/Major_film_studio)
* Slate on [NRG](http://www.slate.com/articles/arts/the_hollywood_economist/2005/07/hidden_persuaders.html)
* [How Canadians Really Pronounce “About”](http://www.quickanddirtytips.com/education/grammar/how-canadians-really-pronounce-about?page=all)
* [A Gentleman’s Guide to Love and Murder](http://www.agentlemansguidebroadway.com/)
* [One Man, Two Guvnors](http://www.onemantwoguvnors.com/)
* [How Jesus Became God](http://www.amazon.com/dp/0061778184/?tag=johnaugustcom-20) by Bart D. Ehrman
* [The Historical Jesus](http://www.amazon.com/dp/0060616296/?tag=johnaugustcom-20) by John Dominic Crossan
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Scriptnotes listener Rajesh Naroth ([send us yours!](http://johnaugust.com/2014/outros-needed))

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_157.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_157.mp3).

**UPDATE 8-15-14:** The transcript of this episode can be found [here](http://johnaugust.com/2014/scriptnotes-ep-157-threshers-mergers-and-the-top-two-boxes-transcript).

Summer Re-run: Psychotherapy for Screenwriters

August 5, 2014 Follow Up, Psych 101, Scriptnotes, Transcribed, Writing Process

John and Craig revisit one of their favorite episodes, in which they sit down with screenwriter-turned-psychotherapist Dennis Palumbo to discuss writer’s block, procrastination, partnerships and more. It’s a can’t-miss episode for aspiring writers and professionals alike.

LINKS:

* [Dennis Palumbo](http://dennispalumbo.com/), author and psychotherapist
* Dennis’s book [Night Terrors: A Daniel Rinaldi Mystery](http://www.amazon.com/gp/product/B00CKUTZGS/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B003O34OL6&linkCode=as2&tag=johnaugustcom-20) on Amazon
* [Impostor Syndrome](http://en.wikipedia.org/wiki/Impostor_syndrome) on Wikipedia
* [The Imposter](https://en.wikipedia.org/wiki/The_Imposter_(2012_film))
* [Paper Karma](https://www.paperkarma.com/) helps you control your mailbox
* [The Secret in Their Eyes](http://www.sonyclassics.com/thesecretintheireyes/)

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_156.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_156.mp3).

The transcript of the original episode can be found [here](http://johnaugust.com/2013/scriptnotes-ep-99-psychotherapy-for-screenwriters-transcript).

Two Writers, One Script

July 29, 2014 Film Industry, Follow Up, QandA, Scriptnotes, So-Called Experts, Transcribed, Writing Process

John and Craig look at the trend towards hiring two writers to work on separate drafts of the same project. Is it better to have writers in parallel than serially? Or does it end up with studios ordering off a Chinese menu: this scene, that character, that other set piece?

Both Craig and John just started new first drafts, so we talk about the difference between the Map and the Territory, and how outlines can’t always anticipate the discoveries made while writing.

Finally, we answer a bunch of listener questions ranging from the Peter Stark Program to loving your day job.

Links:

* John Gary on [spec sales, lightning strikes, and making the NFL](https://twitter.com/johngary/status/491658703821475840)
* [Hot Hollywood Trend: Two Scripts, One Movie](http://www.hollywoodreporter.com/news/hot-hollywood-trend-two-scripts-720224)
* [On Writing: A Memoir of the Craft, by Stephen King](http://www.amazon.com/dp/1439156816/?tag=johnaugustcom-20) and [Making Movies, by Sidney Lumet](http://www.amazon.com/dp/0679756604/?tag=johnaugustcom-20)
* [Screenplay, by Syd Field](http://www.amazon.com/dp/0385339038/?tag=johnaugustcom-20), [The War of Art, by Steven Pressfield](http://www.amazon.com/dp/1936891026/?tag=johnaugustcom-20), [Sex, Lies and Videotape, by Steven Soderbergh](http://www.amazon.com/dp/0571202896/?tag=johnaugustcom-20), and [The First Time I Got Paid For It](http://www.amazon.com/dp/0306810972/?tag=johnaugustcom-20)
* [The Peter Stark Program](http://cinema.usc.edu/producing/)
* [The Total Film-Maker, by Jerry Lewis](http://cinearchive.org/post/72674722317/the-total-film-maker-jerry-lewis-book-on) on cinearchive.org
* [What Writers Can Learn From Goodnight Moon](http://opinionator.blogs.nytimes.com/2014/07/19/what-writers-can-learn-from-good-night-moon/?_php=true&_type=blogs&_r=0) by Aimee Bender
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Scriptnotes listener Sir Funkytown ([send us yours!](http://johnaugust.com/2014/outros-needed))

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_155.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_155.mp3).

**UPDATE 8-4-14:** The transcript of this episode can be found [here](http://johnaugust.com/2014/scriptnotes-ep-155-two-writers-one-script-transcript).

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