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Netflix Killed the Video Store

Episode - 364

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August 21, 2018 Film Industry, Follow Up, Indie, Los Angeles, QandA, Resources, Rights and Copyright, Scriptnotes, Video

John welcomes Kate Hagen to talk about missing movies and the role that video stores play in archiving film history, preserving access to all movies and creating a sense of community. They discuss some of the barriers to films getting digital distribution, from limited music licenses to struggles with chain-of-title when companies fail.

We also discuss what it is to be a script reader, write coverage and clash with a boss’ taste. And we follow up on Moviepass and its legacy.

Links:

* Thanks for joining us, [Kate Hagen](https://blog.blcklst.com/@thathagengrrl)!
* [In Search of the Last Great Video Store](https://blog.blcklst.com/in-search-of-the-last-great-video-store-efcc393f2982) by Kate Hagen
* [The Black List](https://blcklst.com/register/highlights.html#industry)
* [Netflix’s DVD service](https://dvd.netflix.com/MemberHome)
* [Fresh Horses](https://www.youtube.com/watch?v=SF2wY3uJdng) was one of those missing movies.
* [The Fall of MoviePass](https://variety.com/2018/film/news/moviepass-ending-subscription-service-1202891561/) and its [reverse stock split](https://deadline.com/2018/07/moviepass-parents-stock-plummets-44-after-reverse-split-takes-effect-1202433444/)
* Kate recommends [Ladies & Gentlemen, The Fabulous Stains](https://www.youtube.com/watch?v=06kCwPpyjCk), [Mikey and Nicky](https://www.youtube.com/watch?v=P_qMg8ZG0ic) and [FilmStruck](https://www.filmstruck.com/us/?utm_source=adwords&utm_medium=cpc&utm_campaign=MIDF&utm_term=filmstruck&utm_content=A200_A203_A015526&c=A200_A203_A015526&pid=adwords&cid=ppc_adwords_A200_A203_A015526&creator=Fetch&gclid=EAIaIQobChMIv_z-toj93AIVl6DsCh1Y0QjEEAAYASAAEgLAkfD_BwE) to watch classic movies.
* [My Life as a Goddess](https://www.amazon.com/dp/B075RNFTTW/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1) by Guy Branum
* [Tees-En-Scène](http://www.teesenscene.com) sells shirts that highlight and support female writer/directors.
* [The USB drives!](https://store.johnaugust.com/collections/frontpage/products/scriptnotes-300-episode-usb-flash-drive)
* [John August](https://twitter.com/johnaugust) on Twitter
* [Craig Mazin](https://twitter.com/clmazin) on Twitter
* [Kate Hagen](https://twitter.com/thathagengrrl) on Twitter
* [John on Instagram](https://www.instagram.com/johnaugust/?hl=en)
* [Find past episodes](http://scriptnotes.net/)
* [Scriptnotes Digital Seasons](https://store.johnaugust.com/) are also now available!
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Luke Davis ([send us yours!](http://johnaugust.com/2014/outros-needed))

Email us at ask@johnaugust.com

You can download the episode [here](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_364.mp3).

**UPDATE 8-28-18:** The transcript of this episode can be found [here](http://johnaugust.com/2018/scriptnotes-ep-364-netflix-killed-the-video-store-transcript).

Highland 2.1 adds a lot of new functionality

August 17, 2018 Apps, Highland

Highland 2.1 showed up on the [Mac App Store](https://itunes.apple.com/us/app/highland-2/id1171820258?mt=12) this afternoon. While it’s a “point one” release, it’s actually our tenth update since Highland 2 debuted in May.

The biggest change you’ll notice in 2.1 is our reorganized Preferences window, which now features four tabs.

general preferences

In General preferences, you can choose to exclude notes, synopses and boneyards from word counts in Statistics or the status bar.

documents prefs

In Document preferences, you can opt to have scene headers underlined.

Scene heading styles are a matter of personal taste. These days, most of my scripts are using single-spaced bold headings, but there’s no one right way.

We debated whether this pane should be “Document” or “Fountain” or “Screenplay.” We ended up going with Document with the expectation that there will likely be more document-focused settings to come, including ones that apply to Markdown.

international prefs

This is big news for screenwriters working in languages other than English. By default, Highland (and other Fountain-based apps) look for certain terms that have special meaning, including INT. and EXT. for scene headings and TO: for transitions. But of course, these are only conventions in English.

With Highland 2.1, writers can add to and amend these lists of terms, including times of day and MORE/CONT’D.

backup prefs

It’s always a good idea to backup your files in multiple locations and multiple ways. For me, the combination is Dropbox plus Time Machine.

In Highland 2.1, we added the ability to regularly back up your current documents in plain text. You can choose a backup folder — I created one on Dropbox — and rest assured that no matter what, there’s always a basic text version of your document stored somewhere.

It’s not an alternative to a consistent, system-wide backup plan, but it can provide a little extra peace of mind.

## Small bit of usefulness

While doing proofreading edits for the second Arlo Finch, I found myself needing to search for specific words a lot. Highland 2 uses the standard macOS Find and Replace system. It’s powerful, but it’s a little cumbersome for what I wanted. So we added **Quick Find**, which keeps your eyes on the screen and fingers on the keyboard.

quick find

We also added a similar **Jump To…** for quickly hopping around your document’s headers and markers.

Markers can also now be named. Just add a colon and a label: {{%m:label}} You’ll see more functionality with markers coming in future builds.

A few other bits of functionality were introduced in previous builds, some of which you might have missed.

{{SERIES}} inserts auto-incrementing numbers. This was really helpful for Arlo Finch, because I could write headers as

markup for SERIES directive

and have it automatically generate the chapter numbers.

screenshot of chapter in pdf

You can use {{SERIES}} for anything. For comic books, it’s a useful way to number panels.

{{TIMESTAMP}} inserts the date a document is previewed or printed (including in Fountain title pages). You can [customize the formatting](http://nsdateformatter.com).

We’ve also made two more templates available in the free Highland Basic version: Stage Play and MLA Report.

And if you’re a screenwriter, you owe it to yourself to download our free 40-page booklet on [Switching from Final Draft to Highland 2](https://quoteunquoteapps.com/highland-2/fd-to-h2-guide). It will quickly get you over any fears of leaving Final Draft, and show you some powerful techniques for getting the most out of Highland.

You can find Highland 2.1 on the [Mac App Store](https://itunes.apple.com/us/app/highland-2/id1171820258?mt=12). If you’re enjoying the app, please consider leaving us a review!

Best Popular Screenwriting Podcast

August 14, 2018 Arlo Finch, Film Industry, Follow Up, Producers, Rights and Copyright, Scriptnotes, Transcribed, Videogames, WGA

John and Craig pack this business-centric episode with big picture conversations about guild negotiations, changes to the Oscars, the Disney/Fox merger, the Paramount Consent Decree, and the tragedy that is being unable to stream The Flamingo Kid.

Links:

* Scriptnotes is now on [Spotify](https://open.spotify.com/show/6ohMdZ91g1sXIYz8ylNgD9)!
* The [Austin Film Festival](https://austinfilmfestival.com) is coming up on October 25th!
* [Changes are coming to the Oscars](https://www.npr.org/2018/08/08/636743517/changes-are-coming-to-the-oscars-heres-what-we-know), including a new category for “Outstanding Achievement in Popular Film.”
* [IATSE](https://en.wikipedia.org/wiki/International_Alliance_of_Theatrical_Stage_Employees) is [not backing](https://deadline.com/2018/07/editors-guilds-rejects-iatse-film-tv-contract-1202435757/) its Editors Guild in asking for a reasonable turnaround and pension support.
* [The Department of Justice will review the Paramount Consent Decree](https://deadline.com/2018/08/doj-to-review-paramount-consent-decrees-governing-how-studios-distribute-movies-to-theaters-1202439066/).
* [In Search of the Last Great Video Store](https://blog.blcklst.com/in-search-of-the-last-great-video-store-efcc393f2982) by Kate Hagen for the Black List blog.
* Add to [this form](https://docs.google.com/forms/d/e/1FAIpQLSdt2TnjvPuS5OWBrTwgWSnBp-18yGfuI1jc1ASlrkHa_Wh8vQ/viewform) if you find a movie that isn’t streamable.
* [Antihero](https://itunes.apple.com/us/app/antihero-digital-board-game/id1265355382?mt=80) game for iOS.
* Mark Halpin’s [puzzles](http://www.markhalpin.com/puzzles/puzzles.html) for The Nation
* [The USB drives!](https://store.johnaugust.com/collections/frontpage/products/scriptnotes-300-episode-usb-flash-drive)
* [John August](https://twitter.com/johnaugust) on Twitter
* [Craig Mazin](https://twitter.com/clmazin) on Twitter
* [John on Instagram](https://www.instagram.com/johnaugust/?hl=en)
* [Find past episodes](http://scriptnotes.net/)
* [Scriptnotes Digital Seasons](https://store.johnaugust.com/) are also now available!
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Luke Davis ([send us yours!](http://johnaugust.com/2014/outros-needed))

Email us at ask@johnaugust.com

You can download the episode [here](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_363.mp3).

**UPDATE 8-22-18:** The transcript of this episode can be found [here](http://johnaugust.com/2018/scriptnotes-ep-363-best-popular-screenwriting-podcast-transcript).

My abortion story

August 7, 2018 Citizenship, First Person

Last week, Slate ran a feature in which six women [talked about their abortions](https://slate.com/human-interest/2018/07/the-abortions-we-dont-talk-about-six-slate-women-tell-their-stories.html):

> We might better understand what abortion is, and what that right means, if we talked about it more. And so we asked the people who write and podcast for Slate if any of them have abortion stories they’d be comfortable sharing.

It’s a great piece. You should read it, listen to it, and share it widely.

Like every other cisgendered man on Earth, I’ve never had an abortion. I believe it’s not my place to tell a woman what to do with her body.

And as a gay guy, I never expected abortion to play any role in my life. But it did.

So in the spirit of talking openly about the subject, I’ve decided to share my experience of an unplanned pregnancy, and how it demonstrated why restricting abortion may constitute a moral crime.

—

My abortion story starts ten years ago in the suburbs of San Diego, where a young woman finds herself pregnant.

Katie is 17, living at home, about to graduate high school. Her grades are good but not exceptional. She plans to go to community college while keeping her job at the mall. ((I’ve changed Katie’s name, but none of the other details.))

It takes Katie a while to realize she might be pregnant, and longer still to tell anyone. She’s scared and in denial.

Part of the problem is the guy. He’s a classmate. They’d hooked up after a party, but were never dating. She doesn’t know how she feels about him.

Part of the problem is her parents. She is their only child, the light of their life. She knows they’ll be disappointed in her.

So she doesn’t say anything for months, even as the pregnancy becomes harder and harder to ignore. She finally tells a friend at work. They sit in her car discussing all the options.

You probably think you know what happens next.

You’re wrong.

Katie tells her parents. As she predicted, they are upset, and scared, but also supportive.

They talk it over, and together decide to contact an adoption agency.

After a phone interview, Katie gets a folder of “Dear Birth Mother” letters from families looking to adopt a child. Here’s how it works: After reading through the letters, she can choose a family to meet and decide if they are the right home for her kid. It’s all up to her.

Suddenly this pregnancy, which had seemed like a curse, feels like an opportunity. She can give a family what they want most. The dread has been lifted from her, replaced with a sense of hope and responsibility.

After sorting the letters into piles, weighing pros and cons of each family, she makes a choice.

She chooses us.

That’s how I enter this story.

At this point, we already have one kid: a daughter who is nearly three. This is one reason Katie picks us; Katie had always wanted a big sister. Her child will have one.

Plus, we live close enough that Katie can visit. She isn’t sure how much she wants to be part of the kid’s life — it is hard to think that far ahead — but she is excited to have the option.

Before we drive down to meet Katie, the agency schedules an ultrasound to check on the progress of the pregnancy. It’s her first checkup.

That’s when the story takes a second turn.

The ultrasound reveals feet and hands and a heart, but no brain. It’s missing. At top of the spine is a shape like a deflated basketball.

These types of neural tube defects are rare, but not as rare as you’d think. They happen in roughly 1 out of 1,000 pregnancies. They show up in an ultrasound. The back of the head doesn’t form properly, leaving the stem exposed.

There isn’t going to be a baby to adopt, because what is growing can’t survive. It will likely be stillborn, but even if it is isn’t, it will never be conscious.

Katie is devastated. She has just come to accept she is going to have a baby, and now she isn’t.

Her decision is straightforward. She terminates the pregnancy. That’s what the vast majority of women do when receiving this diagnosis.

We never end up meeting Katie. We send our condolences, and wish her and her family the best. She goes back to her life, and we go back to ours.

Very few of our friends know there was even the possibility of a second kid. Neither do our parents. It never comes up. But recently, I’ve been thinking about it a lot.

## This could have been much, much worse

The procedure Katie had is an abortion.

It would be illegal under many of the laws proposed across the country — laws waiting to be enacted if Roe vs. Wade is weakened or overturned.

The most far-reaching of these bans are called [“heartbeat bills”](https://en.wikipedia.org/wiki/Fetal_heartbeat_bill) because they prohibit abortion beginning at the moment a fetal heartbeat can be detected, roughly six weeks.

Other abortion bans start at 20 weeks. Ohio’s Republican governor John Kasich signed one of these bills, calling it the “best, most legally sound and sustainable approach to protecting the sanctity of human life.”

But not if you’re Katie.

Katie had passed 20 weeks when she discovered what was growing inside her was certain to die. Doctors couldn’t tell her when. It could happen at any moment, or during birth, or immediately afterwards.

Under Ohio’s law, Katie couldn’t terminate the pregnancy. Like most of these laws, Ohio’s doesn’t make exceptions for fetal anomalies.

To be sure, some women in Katie’s situation do continue their pregnancies, bracing themselves for the grim outcome. If you Google their stories, you’ll see phrases like —

*I had two options…*
*We prayed on it and ultimately decided…*
*For us, the choice was clear.*

According to the Ohio legislature, these women shouldn’t have a choice. They shouldn’t pray over it. They should wait until they spontaneously miscarry, or until their due date arrives at which point labor can be induced. (Odd science fact: Natural labor is triggered by hormones in babies’ brains. No brain, no hormones.)

The end result will be a dead body without a brain, the same as if the abortion had taken place months earlier.

To me, forcing a woman to continue a doomed pregnancy is a moral crime.

It means forcing a woman to go through months of emotional and physical distress, along with potentially serious medical complications. It means forcing a woman to suspend her plans for no one’s benefit. It means her life is worth less than a collection of cells that will never be conscious.

I suspect that most legislators are not thinking about neural tube defects when they pass these bills. Nor do I believe that governors intend to inflict suffering when they sign them.

I don’t think these people are evil. But laws passed without careful consideration can do real evil.

It’s the responsibility of our courts, elected officials and citizens to tell them that. That’s why I’m sharing this story now. That’s why I encourage more people to talk about their experience with abortion, either publicly or with friends and family.

And as new abortion restrictions are proposed, I’d urge you to be skeptical of anyone proffering “reasonable compromises.”

They’ll say 20 weeks is the threshold of viability. But it’s not. Katie’s pregnancy was never going to be viable, if you define viability in any sensible way.

They’ll say that the woman needs to wait a few days, or see the ultrasound, or hear the heartbeat. But she’s not the one who needs to stop and look and listen.

Ultimately, the heartbeat that needs attention is the woman’s. She’s the one who is unambiguously alive. She has a past, a future and a family.

—

Katie will be 27 now. We haven’t had any contact with her. Wherever she is, I hope she’s well and happy.

I have to imagine this was a terrible experience for her. But I’m thankful it wasn’t worse. She didn’t have to spend months answering questions about her doomed pregnancy, knowing that at any moment she could miscarry. She didn’t have to go through the pain of delivery to give birth to a dead child.

Because abortion was legal, a young woman’s suffering was lessened. That’s something worth defending.

You can download the audio [here](http://traffic.libsyn.com/scriptnotes/scriptnotes_extra_my_abortion_story.mp3).

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