John August

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A Frank Conversation About Screenwriting

Episode - 730

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Scriptnotes, Transcribed

John sits down with the Northwest Screenwriters Guild at an event to promote the Scriptnotes book, and ends up having a poignant conversation about how the career of screenwriting has changed, missteps John made throughout his career, and how his approach to screenwriting has evolved over time.

He also answers questions on kicking bad writing habits, screenwriting careers outside of Hollywood, what to look for in the projects you choose, whether age matters in a screenwriting career, writing your calling card movie, the sidekick problem, and the real story behind the Prince of Persia movie.

In our bonus segment for premium members, John has been hanging out with sketch writers for the last few weeks and is excited to share what he’s learned about writing sketch comedy.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 4-23-26: The transcript for this episode can be found here.

The Live Call-In Show

Episode - 700

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Scriptnotes, Transcribed

To celebrate our 700th episode, John and Craig open the phone lines for a live late-night call-in show (recorded at 10 a.m. on a Wednesday). Through the power of Zoom (and YouTube), listeners ask questions about rewrites in post, avoiding traps as a production designer, changing characters in a rewrite, and advice on leaving the entertainment industry.

We also welcome back familiar faces from Scriptnotes history for a brand-new segment, “People, Places and Things,” where we look at movie stills and ask how we might describe them on the page.

Also for debate, what is the boundary between “spoiler” and “what’s happening in culture”?

In our bonus segment for premium members, we keep the videophone lines open for more listener questions on juggling multiple projects, preparing alt lines for production, and whether studios option projects just to kill them.

You can (and should!) watch the entire episode on our YouTube channel. Just search for Scriptnotes Podcast. While you’re there, give us a Like and a Follow.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 9-10-25: The transcript for this episode can be found here.

The Driver’s Seat

Scriptnotes, Transcribed

John welcomes back Liz Hannah (The Girl From Plainville, The Post) to ask, how do you know if a character can carry a story? They look at ways of identifying your protagonist, defining privileged storytelling power, and the choices to make when figuring out which characters can hold narrative point of view.

We also look a the phenomenon of the “Stranger in the Room,” follow up on writing during crazy times, brain trusts, plays vs movies, the phrase “begs the question,” and the usefulness of sharing your pronouns.

In our bonus segment for premium members, John and Liz explain the difference between East LA, West LA, and why the valley might beat them both.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 3-25-25: The transcript for this episode can be found here.

Learning Comedy

Scriptnotes

John welcomes five-time Emmy-winning writer Ali Barthwell (Last Week Tonight) to ask, can writers learn to be funny? Drawing from her time as a teacher at The Second City, they look at what writers can learn from sketch and improv, and how to reliably find ways to make an audience laugh.

We also celebrate the WGA membership’s ratification of the 2026 MBA, the educational future of the Scriptnotes book, and answer listener questions on the first scene of a comedy and when to stop taking assistant gigs and bet on yourself.

In our bonus segment for premium members, Ali shares how she built a thriving writing career without ever having to live in New York or LA.

Links:

Email us at ask@johnaugust.com

You can download the episode here.