• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

John August

  • Arlo Finch
  • Scriptnotes
  • Library
  • Store
  • About

Television

The Clown Stays in the Picture

Episode - 388

Go to Archive

February 19, 2019 QandA, Scriptnotes, Television, Transcribed

John welcomes Matt Selman, executive producer of The Simpsons, for a deep dive look at the three-year process of developing a single episode from initial idea to the finished product. We discuss the role of the writers room, the table read, producer notes, animatics, and the impact computer animation has had on The Simpsons workflow.

Set in the 90’s, “The Clown Stays in the Picture” spoofs high concept comedies, artist narcissism, creative insecurity, and the magic of movie-making.

Links:

* The Simpsons, Season 30, Episode 40:[The Clown Stays in the Picture](https://www.fox.com/watch/515a3ff8368c857c0b7cb240d65473d9/)
* [Duly Noted](https://johnaugust.com/2016/duly-noted-lets-talk-about-episode-259), the official Scriptnotes Aftershow hosted by Matt Selman.
* [The Defender Shield](https://www.defendershield.com/)
* [John’s One Cool Thing](https://twitter.com/claudia_jones/status/1093509939971133441?s=12)
* You can now [order Arlo Finch in the Lake of the Moon](http://www.amazon.com/dp/162672816X/?tag=johnaugustcom-20)
* Submit entries for The Scriptnotes Pitch Session [here](https://johnaugust.com/pitch).
* T-shirts are available [here](https://cottonbureau.com/people/john-august-1)! We’ve got new designs, including [Colored Revisions](https://cottonbureau.com/products/colored-revisions), [Karateka](https://cottonbureau.com/products/karateka), and [Highland2](https://cottonbureau.com/products/highland2).
* [John August](https://twitter.com/johnaugust) on Twitter
* [Craig Mazin](https://twitter.com/clmazin) on Twitter
* [John on Instagram](https://www.instagram.com/johnaugust/?hl=en)
* [Matt Selman](https://twitter.com/mattselman) on Twitter
* [Find past episodes](http://scriptnotes.net/)
* [Scriptnotes Digital Seasons](https://store.johnaugust.com/) are also now available!
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Matthew Chilelli ([send us yours!](http://johnaugust.com/2014/outros-needed))

Email us at ask@johnaugust.com

You can download the episode [here](http://traffic.libsyn.com/scriptnotes/388_TheClownStaysInthePicture.mp3).

**UPDATE 2-22-19:** The transcript of this episode can be found [here](https://johnaugust.com/2019/scriptnotes-ep-388-the-clown-stays-in-the-picture).

Is it the show, or the venue?

January 22, 2019 Television

I remember seeing a billboard for a new TV show called “You” last fall. It was the first I’d heard of it, so I was basing my opinion strictly on the artwork.

you artwork

The title sounded like a romantic comedy, and it starred that guy from Gossip Girl. Yet the slashes through the typeface gave off a serial killer vibe. I then noticed that it was on Lifetime, and it all sort of clicked: maybe it was a romantic murder show.

My hunch was right; that’s basically what You is. I never watched it on Lifetime, and neither did anyone else. It tanked, with around 650,000 viewers per episode. They didn’t order a second season.

And then it [went to Netflix](https://www.nytimes.com/2019/01/21/business/media/netflix-you-ratings.html):

> Last week, Netflix declared “You” had drawn the sort of audience to make it a “huge hit.” The streaming service said that “You” was on track to be watched by 40 million households within its first four weeks on the service.

You can’t directly compare Netflix’s numbers to Nielsen ratings, but it’s not hard to gauge the cultural moment happening on social media. For most viewers, You is a Netflix show, just like Unbreakable Kimmy Schmidt and Queer Eye. And they dig it.

I think the bigger story is that for a lot of people, Netflix *is* television. They don’t think about channels and networks anymore. They just expect all of the shows to be available at every moment. The streamers make this possible, and Netflix is by far the biggest player.

While it’s good news for You, I wonder if it’s bad news for Us as creators. This feels like a tipping point where one outlet is so dominant that not being on its main screen is akin to invisibility, and not being in its catalog is a death sentence. I have friends working on great shows that no one notices because they’re on cable. As writers, we want the most venues possible for our work, and I don’t know how some of these networks are going to survive the transition to streaming.

Ultimately, I did watch the pilot for You, on Netflix. It’s really well done.

Professional Realism

January 8, 2019 Arlo Finch, Books, Directors, Film Industry, Genres, How-To, Pitches, Producers, QandA, Scriptnotes, Story and Plot, Television, Transcribed, WGA, Words on the page, Writing Process

John welcomes Derek Haas (Chicago Fire, 3:10 to Yuma, 2 Fast 2 Furious) to talk about writing accurate portrayals of different jobs, and when to sacrifice reality for storytelling. They also share their time-management strategies in honor of those New Year resolutions to get writing done.

We also answer listener questions about the necessity of entertainment lawyers, how to keep your energy high pitch after pitch, Story By credits, and how to stay alive after that first staff writing job ends.

Links:

* Thank you, [Derek Haas](https://en.wikipedia.org/wiki/Derek_Haas)!
* Join us for the WGA’s [Princess Bride screening](https://www.wga.org/news-events/events/guild-screenings) on January 27th. Seating opens up to non-WGA members 15 minutes before showtime.
* [How Hollywood Gets the Publishing Industry Wrong](https://www.nytimes.com/2019/01/01/books/review/hollywood-publishing-industry-younger.html) by Sloane Crosley, author of [I Was Told There’d Be Cake](http://www.amazon.com/dp/159448306X/?tag=johnaugustcom-20), for The New York Times
* Is Grover swearing in [this video](https://twitter.com/EvanEdinger/status/1078358697921966081)? This is [Christian DiCanio’s blog post](https://christiandicanio.blogspot.com/2018/12/is-grover-swearing-no-its-in-your-ears.html) about it.
* David Kwong’s [The Enigmatist](https://enigmatistshow.com/)
* Holding down the spacebar on a text so you can move the cursor more accurately on an iPhone.
* T-shirts are available [here](https://cottonbureau.com/people/john-august-1)! We’ve got new designs, including [Colored Revisions](https://cottonbureau.com/products/colored-revisions), [Karateka](https://cottonbureau.com/products/karateka), and [Highland2](https://cottonbureau.com/products/highland2).
* [John August](https://twitter.com/johnaugust) on Twitter
* [Craig Mazin](https://twitter.com/clmazin) on Twitter
* [Derek Haas](https://twitter.com/derekhaas) on Twitter
* [John on Instagram](https://www.instagram.com/johnaugust/?hl=en)
* [Find past episodes](http://scriptnotes.net/)
* [Scriptnotes Digital Seasons](https://store.johnaugust.com/) are also now available!
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by James Llonch and Jim Bond ([send us yours!](http://johnaugust.com/2014/outros-needed))

Email us at ask@johnaugust.com

You can download the episode [here](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_382.mp3).

**UPDATE 2-12-19:** The transcript of this episode can be found [here](https://johnaugust.com/2019/scriptnotes-ep-382-professional-realism-transcript).

Holiday Live Show 2018

December 18, 2018 Film Industry, Follow Up, QandA, Scriptnotes, Story and Plot, Television, Transcribed, WGA, Writing Process

John and Craig welcome Pamela Ribon (Ralph Breaks the Internet, Smurfs: The Lost Village), Phil Lord and Chris Miller (Into the Spiderverse, The Lego Movie), Zoanne Clack (Grey’s Anatomy) and Cherry Chevapravatdumrong (Family Guy, The Orville) to discuss writing animated features, breaking into television, and how to disappoint your parents.

We also rescue another genre, the big-screen holiday comedy, by playing a game about movies of Christmas past. Then we answer audience questions about useful notes and being the only woman in the room.

Thank you to the Writers Guild Foundation and the LA Film School for hosting us!

Links:

* Thank you, [Writers Guild Foundation](https://www.wgfoundation.org/) for making this event happen!
* And thank you to our incredible guests: [Pamela Ribon](https://www.imdb.com/name/nm0962596/), [Phil Lord](https://www.imdb.com/name/nm0520488/?ref_=fn_al_nm_1) and [Chris Miller](https://www.imdb.com/name/nm0588087/?ref_=fn_al_nm_1), [Zoanne Clack](https://www.imdb.com/name/nm1333505/?ref_=fn_al_nm_1) and [Cherry Chevapravatdumrong](https://www.imdb.com/name/nm2213739/?ref_=nv_sr_1)!
* Featured movies in the Santa Claus Is Bumming Me Down game are [Four Christmases](https://en.wikipedia.org/wiki/Four_Christmases), [Jingle All The Way](https://en.wikipedia.org/wiki/Jingle_All_the_Way), [Deck the Halls](https://en.wikipedia.org/wiki/Deck_the_Halls_(2006_film)), [Fred Claus](https://en.wikipedia.org/wiki/Fred_Claus), [Jack Frost](https://en.wikipedia.org/wiki/Jack_Frost_(1998_film)), [Surviving Christmas](https://en.wikipedia.org/wiki/Surviving_Christmas) and [The Santa Clause 3: The Escape Clause](https://en.wikipedia.org/wiki/The_Santa_Clause_3:_The_Escape_Clause).
* T-shirts are available [here](https://cottonbureau.com/people/john-august-1)! We’ve got new designs, including [Colored Revisions](https://cottonbureau.com/products/colored-revisions), [Karateka](https://cottonbureau.com/products/karateka), and [Highland2](https://cottonbureau.com/products/highland2).
* [John August](https://twitter.com/johnaugust) on Twitter
* [Craig Mazin](https://twitter.com/clmazin) on Twitter
* [Pamela Ribon](https://twitter.com/pamelaribon) on Twitter
* [Phil Lord](https://twitter.com/philiplord) on Twitter
* [Chris Miller](https://twitter.com/chrizmillr) on Twitter
* [Zoanne Clack](https://twitter.com/zoanneclack) on Twitter
* [Cherry Chevapravatdumrong](https://twitter.com/cherrycheva) on Twitter
* [John on Instagram](https://www.instagram.com/johnaugust/?hl=en)
* [Find past episodes](http://scriptnotes.net/)
* [Scriptnotes Digital Seasons](https://store.johnaugust.com/) are also now available!
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Fred Tepper ([send us yours!](http://johnaugust.com/2014/outros-needed))

Email us at ask@johnaugust.com

You can download the episode [here](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_379.mp3).

**UPDATE 2-22-23:** The transcript of this episode can be found [here](https://johnaugust.com/2019/scriptnotes-ep-379-holiday-live-show-2018-transcript).

« Previous Page
Next Page »

Primary Sidebar

Newsletter

Inneresting Logo A Quote-Unquote Newsletter about Writing
Read Now

Explore

Projects

  • Aladdin (1)
  • Arlo Finch (27)
  • Big Fish (88)
  • Birdigo (2)
  • Charlie (39)
  • Charlie's Angels (16)
  • Chosen (2)
  • Corpse Bride (9)
  • Dead Projects (18)
  • Frankenweenie (10)
  • Go (30)
  • Karateka (4)
  • Monsterpocalypse (3)
  • One Hit Kill (6)
  • Ops (6)
  • Preacher (2)
  • Prince of Persia (13)
  • Shazam (6)
  • Snake People (6)
  • Tarzan (5)
  • The Nines (118)
  • The Remnants (12)
  • The Variant (22)

Apps

  • Bronson (14)
  • FDX Reader (11)
  • Fountain (32)
  • Highland (73)
  • Less IMDb (4)
  • Weekend Read (64)

Recommended Reading

  • First Person (88)
  • Geek Alert (151)
  • WGA (162)
  • Workspace (19)

Screenwriting Q&A

  • Adaptation (66)
  • Directors (90)
  • Education (49)
  • Film Industry (492)
  • Formatting (130)
  • Genres (90)
  • Glossary (6)
  • Pitches (29)
  • Producers (59)
  • Psych 101 (119)
  • Rights and Copyright (96)
  • So-Called Experts (47)
  • Story and Plot (170)
  • Television (165)
  • Treatments (21)
  • Words on the page (238)
  • Writing Process (178)

More screenwriting Q&A at screenwriting.io

© 2025 John August — All Rights Reserved.