• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

John August

  • Arlo Finch
  • Scriptnotes
  • Library
  • Store
  • About

Formatting

Fixing double-spaces after periods

June 10, 2005 Formatting

Before I was a screenwriter, I worked in graphic design, with a font collection that was the envy of my dorm floor. So it’s life’s cruel joke that I now make my living in 12-pt. Courier.

Modern typefaces are designed to look best with a single space after the period which ends a sentence. (Or the [full stop](http://en.wikipedia.org/wiki/Full_stop), for the British in the room.) Courier, however, is not such a typeface. As a monospace font, it looks best with two spaces after the period.

When writing a script, it’s pretty easy to type two spaces sometimes, one space other times. Before printing the “final” draft, you could scroll through the whole document, looking for periods with only one space. But it’s much easier to use Find and Replace.

This trick works in pretty much any word processor, including both Final Draft and Movie Magic Screenwriter.

**Converting to two spaces**

1. Choose “Find…”
2. In the Find field, type . followed by two spaces.
3. In the Replace field, type . followed one space.
4. Click Replace All. You should get a dialog box that shows a large number of changes. Yes, you’ve just made every sentence wrong. What’s important is that they’re all wrong in exactly the same way.
5. Back in the Find field, type . followed one space.
6. In the Replace field, type . followed by two spaces.
7. Click Replace All.
8. Look through the script. You should have two spaces after every period. However, you may find that you also have two spaces in case where you shouldn’t (like after “Mr.” or “Dr.”).
9. If so, Find “Mr.” followed by two spaces, and Replace with “Mr.” followed by one space.
10. Repeat as needed with “Dr.” or “Mrs.”

In my opinion, Courier looks best with two spaces after the colon as well. The same technique works.

In programs that allow it, a technically-savvy wordsmith could use [regular expressions](http://en.wikipedia.org/wiki/Regular_expressions) to do all of this in one step, matching the period only in cases where it is followed by exactly one space. But considering this whole process generally takes less than 20 seconds, I’m not sure it’s worth it.

If you find yourself writing a letter or some other document in a non-Courier font, you may want to do just the opposite, converting two spaces to one. That’s a lot easier.

**Converting to one space**

1. Choose “Find…”
2. In the Find field, type . followed by two spaces.
3. In the Replace field, type . followed by one space.
4. Click Replace All.
5. Keep clicking Replace All until there are no more replacements. (It may take a few times through.)
6. Look through the script. You should have one space after every period.

Handling dialogue-like situations

June 9, 2005 Formatting, QandA

questionmarkI’m writing a screenplay where a magical typewriter communicates to people by typing them messages. Nothing verbal. Since this will be a selling script is ok to put in a note saying this, then proceed as…

TYPEWRITER

Hi John, how are you today?

Or is there another way to do this? This type of communication will exist through the entire story.

— Harry
Detroit

Since the typewriting is “speaking” dialogue, your way is fine. If it only happened once or twice in the script, I would be tempted to put the typing in boldface, centered on the page. But that would get really annoying, really quick. For what you’re attempting, faux-dialogue is best.

From FD to MMS

May 24, 2005 Formatting, Rant, Software

Craig Mazin of [Artful Writer](http://artfulwriter.com) has had enough headaches (and heartaches) with Final Draft. He’s switched over to Movie Magic Screenwriter. You can read about his reasons why [here](http://artfulwriter.com/archives/2005/05/dear_final_draf.html), followed by a lot of opinions from fellow screenwriters.

Me, I’m still using Final Draft, though as often as I [complain about it](http://johnaugust.com/archives/2004/survey-up-for-screenwriting-software), I should probably give MMS another look.

Opening titles

May 23, 2005 Formatting, QandA

questionmarkThe script I’m working on has a highly relevant scene (which might
include bits of dialogue) that sets up the main character. I want this
action to occur during the opening credits. How do I indicate this in
proper format?

— Alan McCoy

Most screenplays don’t mention anything about their opening titles, leaving it to the director to figure out where and when and how the names will run. However, if you have a specific story goal you want to achieve with your opening title sequence, you can include it in the script.

The words you’re looking for are “BEGIN MAIN TITLES.”

(“Credits” generally refers to the scrolling list at the end of the movie which lists all of the people who worked on the movie. “Main Titles” (or “Opening Titles”) are the people and/or production companies who have their names prominently displayed at the start of the movie, along with the title of the film.)

You can start the titles at any point within the first 10 pages or so. The scenes that run under these credits should obviously be simple enough that if the viewer is paying attention to the names — “Hey! Clint Howard is in this!” — they won’t miss any crucial piece of story information.

If you choose to use “BEGIN MAIN TITLES,” be sure to include the corresponding “END MAIN TITLES” so the reader won’t be left filling in phantom executive producers until page 45.

But just to reiterate: most screenplays never mention the opening titles. So don’t include them unless they’re serving a specific story purpose.

« Previous Page
Next Page »

Primary Sidebar

Newsletter

Inneresting Logo A Quote-Unquote Newsletter about Writing
Read Now

Explore

Projects

  • Aladdin (1)
  • Arlo Finch (27)
  • Big Fish (88)
  • Birdigo (2)
  • Charlie (39)
  • Charlie's Angels (16)
  • Chosen (2)
  • Corpse Bride (9)
  • Dead Projects (18)
  • Frankenweenie (10)
  • Go (30)
  • Karateka (4)
  • Monsterpocalypse (3)
  • One Hit Kill (6)
  • Ops (6)
  • Preacher (2)
  • Prince of Persia (13)
  • Shazam (6)
  • Snake People (6)
  • Tarzan (5)
  • The Nines (118)
  • The Remnants (12)
  • The Variant (22)

Apps

  • Bronson (14)
  • FDX Reader (11)
  • Fountain (32)
  • Highland (73)
  • Less IMDb (4)
  • Weekend Read (64)

Recommended Reading

  • First Person (88)
  • Geek Alert (151)
  • WGA (162)
  • Workspace (19)

Screenwriting Q&A

  • Adaptation (66)
  • Directors (90)
  • Education (49)
  • Film Industry (491)
  • Formatting (130)
  • Genres (90)
  • Glossary (6)
  • Pitches (29)
  • Producers (59)
  • Psych 101 (119)
  • Rights and Copyright (96)
  • So-Called Experts (47)
  • Story and Plot (170)
  • Television (164)
  • Treatments (21)
  • Words on the page (238)
  • Writing Process (178)

More screenwriting Q&A at screenwriting.io

© 2025 John August — All Rights Reserved.