John August

Transcribed

Follies, Kindles and Second-Act Malaise

Episode - 12

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Scriptnotes, Transcribed

Craig and John discuss musicals, split time lines, split personalities and the human brain.

How does your inner-screenwriter affect how you see plays? Why is writing the second act of a screenplay such a slog? And is hearing voices in your head an asset as a writer? All this and more in the twelfth episode of Scriptnotes.

We spend a good chunk of time talking about the iconic musical Follies, and while there are some good screenwriting lessons to learn, no one will judge you if you skip forward to our discussion of brain books (17:30) or second-act malaise (20:30).

If you haven’t Liked us and you like us, consider Liking us: [facebook.com/scriptnotes](http://www.facebook.com/scriptnotes).

LINKS:

* [Herman Miller Embody chair](http://hermanmiller.com/Products/Embody-Chairs) (the one John couldn’t remember)
* [Reprise!](http://www.reprise.org/) at UCLA
* Follies at [the Marquis](http://www.marquistheatre.com/)
* [Follies (Wikipedia)](http://en.wikipedia.org/wiki/Follies)
* [Yvonne De Carlo](http://en.wikipedia.org/wiki/Yvonne_De_Carlo)
* [Kindle](http://www.amazon.com/dp/B0051QVESA/?tag=johnaugustcom-20)
* [Is Everyone Hanging Out Without Me? (And Other Concerns)](http://www.amazon.com/dp/0307886263/?tag=johnaugustcom-20), by Mindy Kaling
* [Thinking, Fast and Slow](http://www.amazon.com/dp/0374275637/?tag=johnaugustcom-20), by Daniel Kahneman
* [The Origin of Consciousness in the Breakdown of the Bicameral Mind](http://www.amazon.com/dp/0618057072/?tag=johnaugustcom-20), by Julian Jaynes
* Intro: [Thundercats](http://www.youtube.com/watch?v=2Qd_IsxgAf8)
* Outro: [Losing My Mind](http://www.youtube.com/watch?v=ZU9CE6N_Dck) sung by Dorothy Collins

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_12.m4a).

UPDATE 11-18-11: The transcript of this episode can be found [here](http://johnaugust.com/2011/scriptnotes-ep-12-follies-kindles-and-second-act-malaise-transcript).

How movie money works

Film Industry, Scriptnotes, Transcribed

When you read articles claiming every Hollywood movie loses money, an obvious question arises: “Why do they keep making them, then?” In this installment, John and Craig explain how the film industry spends and makes money.

It’s a big and complicated topic. You could easily spend a semester studying it — John did — but this overview should give you a sense of how it all works.

The most important thing to understand is that each film is accounted for separately. Studios charge distribution fees that earn money for the company without paying down the investment in each movie. That’s how Theoretical Pictures can turn a profit even when each of the last 20 films it has released shows a loss.

Because we’re throwing a lot of terms around this episode, here’s a handy cheat sheet:

John couldn’t remember the name of it (The Paramount Decree) but it’s worth reading up on the 1948 court decision [barring studios from owning movie theaters](http://en.wikipedia.org/wiki/United_States_v._Paramount_Pictures,_Inc.). Not only is it a fascinating anti-trust case, but it greatly influenced how the modern film industry works.

LINKS:

* Intro: [Mister T cartoon intro](http://www.youtube.com/watch?v=W4WAG0z-hDo)
* Outro: [Fatback Band – (Are You Ready) Do The Bus Stop](http://www.youtube.com/watch?v=PeeOPR8bxac)

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_11.m4a).

UPDATE 11-17-11: The transcript of this episode can be found [here](http://johnaugust.com/2011/scriptnotes-ep-11-how-movie-money-works-transcript).

Good actors and bad writing partners

QandA, Scriptnotes, Transcribed

Craig and John go through the mailbox to answer listener questions. Can great actors save bad writing? What happens when writing partners split up? Are flashbacks always a bad idea? Should a young British comedy writer move to America?

All this, plus discussion of Halloween, Screenwriting.io and dressing up dogs.

We have a Facebook fan page: [facebook.com/scriptnotes](http://www.facebook.com/scriptnotes). Like us, follow us and force your interests into your friends’ feeds.

LINKS:

* [Halloween pop-ups’ key to turning profit is no trick](http://www.washingtonpost.com/business/capitalbusiness/halloween-pop-up-stores-are-taking-over-area-shopping-centers/2011/10/13/gIQAg3AApL_story.html)
* [Jack Chick tracts](http://www.chick.com/default.asp)
* [American Horror Story](http://www.fxnetwork.com/shows/originals/ahs/)
* [I Am Wonder Woman](http://www.amazon.com/dp/0060565179/?tag=johnaugustcom-20) by Nina Jaffe
* Intro: [Wonder Woman Spins, season two](http://www.youtube.com/watch?v=4RzfLXzebs4)
* Outro: [Songs that Answer Questions](http://www.youtube.com/watch?v=pDfiGooHLeU) by the Gaither Vocal Band

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_10.m4a).

UPDATE 11-7-11: The transcript of this episode can be found [here](http://johnaugust.com/2011/scriptnotes-ep-10-good-actors-and-bad-writing-partners-transcript).

Five figure advice

Scriptnotes, Transcribed

Craig and John tackle a listener question about the early stages of a screenwriting career: deciding which meetings to take, which projects to pursue, and how not to go broke in the process.

Once you’ve been hired for your first paid screenwriting job, the temptation is to pop the champagne corks and ditch that studio apartment in Koreatown. While every success is worth celebrating, the transition from “aspiring screenwriter” to “working screenwriter” can be unexpectedly brutal.

Checks come late, notes come often and opportunities can lead you astray.

Back when you were an aspiring screenwriter, anything seemed possible, because it was all make-believe anyway. Why *not* write a 14th-century comedy about strudel-makers?

Now screenwriting is your job, and that means making choices about what kind of career you want, what you’ll write, and how you’ll keep a roof over your head.

LINKS:

* [Austin Film Festival](http://www.austinfilmfestival.com/new/)
* [Nashville Screenwriters Conference](http://www.nashscreen.com/)
* Intro: [The Six Million Dollar Man TV intro](http://www.youtube.com/watch?v=HofoK_QQxGc)
* Outro: [Yellow Rose of Texas, performed by Wayne Shrubsall](http://www.youtube.com/watch?v=VYlPJO6RrSE&feature=related)

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_09.m4a).

UPDATE 10-27-11: The transcript of this episode can be found [here](http://johnaugust.com/2011/scriptnotes-ep-9-five-figure-advice-transcript).