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Los Angeles

Los Angeles myths

February 6, 2009 Los Angeles

[This article](http://freakonomics.blogs.nytimes.com/2009/02/05/los-angeles-transportation-facts-and-fiction/) by Eric Morris in today’s Freakonomics blog addresses some common myths and assumptions about Los Angeles that I often see brought up by writers who say they could never live here:

> Exactly one of the following statements about transportation in Los Angeles is indisputably true. Two are (at best) half-truths, and the rest are flat-out myths. Can you figure out which of the following is accurate?

> 1. Los Angeles’s air is choked with smog.

> 2. Los Angeles has developed in a low-density, sprawling pattern.

> 3. Angelenos spend more time stuck in traffic than any other drivers in the nation.

> 4. Thanks to the great distances between far-flung destinations, and perhaps to Angelenos’ famed “love affair” with the car, Angelenos drive considerably more miles than most Americans.

> 5. Los Angeles is dominated by an overbuilt freeway system that promotes autodependence.

> 6. Los Angeles’s mass transit system is underdeveloped and inadequate.

He hasn’t provided the answers (yet), but here are my opinions and guesses, without any Googling or other fact-finding missions:

1. False. Talking with friends who grew up here, the air quality was apparently horrible up through the mid-1980s, with “smog alert” days common. But thanks to nation-leading emissions standards, it’s improved dramatically. The air is cleaner than what I grew up with in Boulder, Colorado.

2. Half-true. Los Angeles is huge — and that’s not counting all the smaller cities that cling to it. But you’re not required to go everywhere — most of what you want is quite close. I drive less than 5000 miles per year. And while the city is not as high-density as New York City, it’s a lot denser than most people realize. Most of the new construction you see in the city is now “urban in-fill,” which increases the density.

3. Likely true, because it’s the only claim that could be “indisputable.”

4. False. Commutes in Los Angeles aren’t particularly long; they can just take a long time. I predict Los Angelenos drive significantly less than motorists in, say, Denver.

5. False. A lot of loaded words here — “dominated,” “overbuilt,” “autodependence” — none of which are defined. ((Though I like the term “autodependence,” which sounds like a reflexive psychological condition.)) Los Angeles has a lot of freeways. At two in the morning, it’s amazing how quickly you can get from point A to point B. Most other times, I avoid them.

6. Half-true. “Underdeveloped” and “inadequate” feel like subjective measurements, so you need something to compare them against. In my experience, New York, Washington D.C., London and Tokyo have better mass transit systems, making it much easier to get where you need to go. But compared to most U.S. cities, I suspect Los Angeles has significantly higher usage of public transportation.

The Visitor

January 9, 2009 Los Angeles, Meta, Projects, The Nines, Video

On Wednesday morning, we came into the kitchen to find an orange slice on the stove and a tomato that seemed to have exploded. This was obviously troubling.

My initial thought was that one of us had sleepwalked, and acted out some rage issue against fruit. I realize this is a strange explanation to reach for first — maybe I’m the culprit! — but it may explain why I’m a screenwriter.

The much more reasonable instinct would be to assume we had some sort of visitor. A mouse, a rat, a squirrel. Or possibly a raccoon — our housesitter had mentioned seeing one over the holiday. We set a peanut butter-baited mousetrap on the counter, and sure enough, at 4:50 a.m. Thursday I heard it snap. There was no critter under the bar, however.

I know through friends that a raccoon has to be handled differently than a mere mouse or rat, so I was determined to figure out which kind of varmint we had. I set my MacBook’s built-in camera to shoot one frame of video per second, and left the lights dimmed in the kitchen. I also re-baited the trap, this time with hummus.

This morning, I came downstairs and saw with disappointment that the trap hadn’t popped. But scrubbing through the video, I got my answer.
rat

Fans of The Nines may recognize the kitchen, and the accuracy of Margaret’s “they live in the palm trees” line.

**UPDATE:** Conventional rat trap worked. It snapped four minutes after leaving the room. Cleanup was bloodless, but still more unsettling than I anticipated. Rat Guy comes Monday to figure out how it got in.

**FURTHER UPDATE:** [Here](http://johnaugust.com/archives/2009/the-rat-is-dead).

Vote.

November 3, 2008 Los Angeles, News

There’s a strong likelihood that the networks (and the internet) will announce the presidential winner before the polls close in California. But if you’re headed to vote after work — or if you’re waiting in lines for hours — I’d urge you not to head home just because the big race has been decided. In every state, in every county, there are important choices on the ballot.

No on 8In California, my obvious interest is seeing Proposition 8 defeated. It’s an attack on fundamental rights and my family’s future. But there are several other issues — transportation, taxes and privacy — that are worth every California voter’s time.

I’m [headed to Paris](http://johnaugust.com/archives/2008/going-to-france) first thing on Wednesday, so there’s every likelihood I won’t know the outcome of some measures when I get on the flight. But here’s hoping for good news when I land.

Moving to LA (via NYC)

September 10, 2007 Film Industry, First Person, Los Angeles

At the Nuart last weekend for The Nines, Kris Galuska re-introduced himself. He’s a writer I had met at the Austin Film Festival last year. On a short elevator ride, I had tried to convince him that he really needed to move to Los Angeles if he was serious about working as a screenwriter. Apparently, it worked.

At the screening, he started to fill me in on the last twelve months, but I was sure that his experiences would be especially valuable to readers, just as [Adam Davis’s recent essay](http://johnaugust.com/archives/2007/starting-out-in-hollywood) had been. So I urged him to write it up. Once again, Kris took me up on my suggestion.

—

first personI started writing as a way to pass the time during my first summer away at college. What began as a diversion soon became my obsession. A year or so later, that obsession led me to the amazing, uniquely writer oriented, Austin Film Festival. I chose a panel on pitching and was delighted to see that the writer of Big Fish (one of my favorite movies) was on the panel. Though, I have to admit, I knew nothing more about John August than what was written in his short bio in the festival program. As the panel began I was blown away by John’s ability to give honest and immediately useful advice. He was able to knock down many of the walls around the industry that countless books and “insiders”? had constructed in my mind. I changed my plans so I could attend the rest of the panels John was participating in. Eventually I got up the courage to step up and introduce myself.

I blurted out my name nervously and proceed to elaborate on my dreams of writing and the epic fantasy, action adventure, and science fiction movies I would help create. I wanted to make movies that entertained first and had a message second. I wanted to bring back the good name of the blockbuster and the popcorn flick. I pleaded with him for wisdom and any advice on how I could start my career and become the writer I dreamed I could be.

John’s answer was not a surprise, but it was an answer I dreaded. He told me to move to LA. To move away from the cheap apartments and light traffic of Texas and brave the ever growing expanse of Los Angeles. I left the festival and debated the decision until there were only three days left on my lease, and I would be forced to move out. My parents wanted me to work in New York, so that I could live close to them. I could even live in their house in Jersey until I found a place. NY had always held a certain lofty position in my head as a city made for writers, but I knew that John was right. The subject matter and the style of my writing was more in tune with the studios in California.

Unfortunately, as has been the case far too often, my expanding stomach led me to a different answer. It came in the form of two fortune cookies at a cheap, all I could shove down my face, Chinese buffet. The first said, “Spend this year with your family.”? The second continued, “Don’t be afraid to act now.”? Well who was I to argue with the wisdom of prepackaged, American made, Asian cookies? I packed what fit in my boxy little Scion and left for NY.

I don’t regret the six months I worked in Manhattan. NY is without a doubt a city every writer should spend some time in. You can’t walk down the street without a thousand stories striking your imagination. I worked each day with a constant monolog running through my mind – describing the people, the sights, the smells. Ah the smells”¦ like an expert wine taster you develop the ability to name the location and ingredients of the putrid perfume of alcohol and urine that give each corner of Midtown its distinct flavor.

Despite the unappealing smells and the layer of exhaust that forms a visible cloud of carcinogens in the belly of the Port Authority buss terminal, New York is still a charming, surreal city that I’ll remember fondly. Even though the city overflowed with creative energy, I knew I was not where I was meant to be. I met many artist, musician, and documentary film makers, and they were all passionate and creative people, but every person I met that was doing what I wanted to do ““ write and make movies ““ was visiting from Los Angeles. So, after a month of planning, I quit my job, repacked my motorized shoebox, and made my way from one coast to the other.

I’ve only been in LA for three months now, but I already know I made the right decision. In three months I’ve worked on the set of a commercial and a feature film. I had an internship at the production company responsible for amazing movies such as Kill Bill and Good Will Hunting, and recently I got an assistant job at a small talent agency. Though none of these experiences have been writing relate, they have given me insight, contacts, and a feeling of participation in an industry that was once impregnable.

The best part of living in LA is the realization that anything can happen. You never know who will have a contact that can push you that one step closer. While working as a boom operator on an independent feature, I made small talk with one of the actresses between takes. I explained how I really wanted to write, and I pitched her some of my screenplays. By the end of the day she gave me her card and asked me to send her a copy of “my quirky little thriller,”? as I like to call it, Sex and Pudding. It turned out that she was part of a new independent production company, and they were looking for scripts to pitch to investors. Less then a week later I received a call from her producer. We are now working together to get the project financed.

There is the strong possibility that the movie will not get made. If A-list producers and writers struggle to get their movies in front of an audience, how can an unknown writer with and unknown production company do any better. It is this impossibility that makes movies magic. Whether the movie gets made soon or not, I’ve already got the high from that first phone call. That first call when the producer said she loved my screenplay. It wasn’t a compliment from my mother or a friend or a competition I paid to enter. It was a compliment from another creative person that was willing to risk their time and energy in my story.

I have by no means “made it”? as a writer, so my advice is limited to my experiences so far, but maybe these three suggestions can help others about to make the trek to the magical land of sun, stars, and smog.

1. Change your cell phone to a Los Angeles number as soon as you get out here — preferably with a 323 or an 818 area code. I spent the first month and a half living on Craig’s list, mandy, and other similar sites. I couldn’t even get an e-mail rejection. The day I changed my number I got three calls for gigs.

2. Befriend the assistants and others just above you. Now if you have Jerry Bruckheimer eagerly listening to your pitch of “Lord of the Rings meets The Matrix, but with talking animals”? than by all means use that opportunity, but don’t waist your time stalking celebrities and producers, begging them to read your work. Get their assistant’s assistant to read it, and you’ll have a better shot.

3. Don’t be afraid to pitch and talk to others about your script. I’ve met a lot of people that are afraid of getting their ideas stolen, but if no one ever hears about your project it will never get made. As I discovered, you never know who can help get your script to the right people. Even if nothing happens you’ll get practice pitching which can never hurt.

Looking back it is clear to me why it took me so long to finally make the move to Los Angeles. I was afraid. Not afraid of the move or of leaving my friends and family, I was afraid of loosing my excuse. The excuse that I needed to be in LA that it was my location not my writing that was the problem. If I moved to LA the only thing holding me back would be my own skills and ambition, and that terrified me. I’ve learned in my short life that the thing your most afraid to do is probably the thing you should be doing.

I’m not going to say that everyone of you that wants to be a screenwriter needs to pack up and move to Hollywood. Many great writers and directors have proven that with enough drive and passion you can make a movie anywhere, but for me it was the change… the step I needed to really push me forward. Don’t let fear hold you back. Yes, it is risky to uproot your life to fight for a dream, but risks are what make our lives adventures worth having stories about. Live your life so you have stories to tell, even if they’re made up along the way.

—-

Questions, suggestions or encouragement for Kris? Leave them in the comments below.

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