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Los Angeles

20 Questions with John and Craig

Episode - 38

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May 22, 2012 Film Industry, Los Angeles, QandA, Scriptnotes, WGA

John and Craig open the listener mailbag and sprint through twenty questions in just under an hour.

➤ When John sets a timer for himself, what is his work/break interval sweet spot? (1:12)

➤ How do you break up with your manager? (2:16)

➤ Are there any tricks for organizing files when writing out of order? (3:42)

➤ Why join the WGA? (5:35)

➤ What “lingo” do Craig and John use in story meetings? (13:48)

➤ Will a writer be held back by English being her second language? (17:33)

➤ Is it better to release a short through festivals or by putting it online in parts? (19:37)

➤ Do John and Craig have tips for juggling multiple writing jobs? (21:17)

➤ What is a safe LA neighborhood with good schools for a writer/father who is making the move? (25:56)

➤ Do Craig and John’s finished movies look like they imagined while they were writing them? (30:23)

➤ Is it a smart idea for a 23-year-old aspiring screenwriter to pick up and move to LA? (34:05)

➤ If a character’s race is not specifically mentioned, why is he or she assumed white? (34:57)

➤ Is it okay to refer to specific actors while pitching? What about in the script itself? (39:12)

➤ How did John and Craig meet and decided to collaborate on Scriptnotes? (41:18)

➤ Are screenwriting contests or studio writers’ programs the right step for a 30-year-old mother of one living in Ohio? (42:34)

➤ Why would anyone would want to become a screenwriter in today’s studio climate? (46:38)

➤ If your spec pilot begs to be a premise pilot, is it better to use a non-pilot episode as your sample? (49:15)

➤ Why does page length change when converting files from Movie Magic to Final Draft? Which page count is correct? (51:29)

➤ If your historical epic has a lot of required backstory, is it okay to meet the protagonist on page 30? (53:41)

➤ Is there shame in running with an idea someone else freely posted online? (55:23)

All this and just slightly more on episode 38 of Scriptnotes.

LINKS:

* [The Pomodoro Technique](http://www.pomodorotechnique.com/)
* Craig’s [Done Deal Pro forums post](http://messageboard.donedealpro.com/boards/showthread.php?t=65716&page=15) that prompted the question about “lingo”
* INTRO: [Skyhawks](http://www.youtube.com/watch?v=wlOF1CG6vsk) intro (via Monte Ferraro)
* OUTRO: [Bach’s Prelude & Fugue No. 1 in C Major](http://www.youtube.com/watch?v=EM6yMDB9wgE) by The Original Swingle Singers, 1963

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_38.m4a).

**UPDATE** 5-24-12: The transcript of this episode can be found [here](http://johnaugust.com/2012/scriptnotes-ep-38-20-questions-with-john-and-craig-transcript).

Workspace: Erin Gibson and Bryan Safi

October 18, 2011 Los Angeles, Workspace

Erin Gibson and Bryan Safi

Who are you and what do you write?
—–

workspaceWe’re Erin Gibson and Bryan Safi, writing duo, Mariachi mini-band, and born-again virgins. We met two ways. First, doing comedy at [UCB Theater](http://losangeles.ucbtheatre.com/), then later we found ourselves working for the same show, Current TV’s [Infomania](http://current.com/shows/infomania/), where we wrote and hosted our own comedy segments. Bryan hosted “That’s Gay,” a weekly look at how the media treats gay people and issues, and Erin’s “Modern Lady” tackled the media’s portrays of women and their issues.

We used humor to talk about heated issues like Don’t Ask Don’t Tell, the de-funding of Planned Parenthood, and all the other awful things that women and gays have to deal with. The segments got us a lot of attention, but not a lot of action. So, we worked hard to get the show cancelled so we could start pulling in bucket loads of pussy.

When Infomania ended, we tried to figure out a way to have an outlet for our political comedy. We know people at Funny or Die and called them and pitched them Marcus and Michele Bachmann as recurring characters on the site. We’ve done [fives videos](http://www.funnyordie.com/search/a?q=bachmann+gibson&x=0&y=0) so far. We’ll write a draft, do two or three re-writes, then we punch up on set. They’re written, shot and edited sometimes in as little as two days, so there’s not a lot of time to mull them over.

We’ve found time in our schedules to do the following in the last four months: write two TV pilots, outline a feature, live tweet every GOP debate ([@gibblertron](http://twitter.com/#!/gibblertron) and [@bryansafi](http://twitter.com/#!/bryansafi)) and put on a monthly show at UCB called “[Entertainment Hollywood](http://losangeles.ucbtheatre.com/shows/view/2782),” a satire of those awful gossip shows, wherein we play two tan idiots with an irrational amount of confidence who cover important news like, what George Clooney’s favorite gelato bar is.

We don’t like to work separately, but we do because you have to have four million jobs in LA to pay the rent. Bryan writes for Joan Rivers on “Fashion Police,” and hopefully you can see Erin in a couple of commercials in the coming months.

We do it all. Well, we never hug. So, we do everything but hug.

Where and when do you write?
—-

We were taking turns at each other’s apartments, but the problem with that is, in the evening, when we’re all done, there’s no escape from the feeling of work. So, our new plan is to hit up fun places around town. West Hollywood just opened an amazing library with meeting rooms, and have you ever written at [Barnsdall Art Park](http://www.barnsdallartpark.com/)? What a treat!

All of our ideas seem to be generated on walks around LA. Erin lives in West Hollywood, and Bryan lives in Los Feliz, two heavily populated, walkable areas, full of the most ridiculous people on the planet. We’re fascinated by people. How they talk, how they cross the street, how they gesture. And we’re not afraid to stare.

For instance, we recently heard a woman in line for coffee in Los Feliz say, “I want a latte, but I’d like to eat it here.” Gold. When we hear stuff like that, we either email to it ourselves or write it down immediately.

Basically, all of our ideas seem to come from the fact that we love to walk around town, pointing and laughing. And don’t misunderstand us, we don’t just do it because we’re awful people. We do it because we’re awful people who hate ourselves.

As far as schedule, we treat it like a workday — a workday that starts after we’ve both gone to the gym at 10AM. But we work five days a week and put in around 40 hours. We take it very seriously. Also, we would like to not go crazy, and having a steady schedule sure does help!

What hardware do you use?
—

We both use MacBooks and sometimes Erin uses an iPad with a bluetooth keyboard. We also use our phones for notes, a lot. Bryan has an iPhone 4 and Erin has a GalaxyS. We use the native notes programs on those phones.

Both phones have been dropped several times. Sometimes in toilets.

What software do you use?
—

Up until we send our scripts out to prospective money-havers, we use [Google Docs](http://docs.google.com) all the way. It’s great. We can keep a notes doc and several versions and both be in the document at the same time.

Hey [Final Draft](http://finaldraft.com), how come we gotta be network admins to figure out Collabowriter?

But, I will say this about Final Draft — they might not be operating in the same technological age as the rest of the world, but it’s the best program for easy, precise formatting.

What would you change about how you write?
—-

We really wish we had an office so that we’re not distracted by phone calls or doing dishes or keeping the person we’ve abducted quiet. And again, if we could find the perfect software to use for collaboration, that would be brilliant. But, those seem to be the only things that we find ourselves longing for.

Fine, and an endless supply of boxed wine. The kind in the cube, not the rectangle. We have some class.

Newly arrived in Los Angeles

July 12, 2011 First Person, Los Angeles

Matthew Hickman was born and raised in rural Georgia. After dropping out of law school, he started working an hourly-wage job at a UPS store, and saved money for a year in hopes of moving to Los Angeles to begin a screenwriting career.

Several months ago he arrived in Santa Monica, where he now works at another UPS store, writing in his off hours. He recently published a [novella on Amazon Kindle](http://www.amazon.com/gp/product/B004LLIEZW/ref=as_li_ss_tl?ie=UTF8&tag=johnaugustcom-20&linkCode=as2&camp=217145&creative=399349&creativeASIN=B004LLIEZW”) and has just started work on his second feature length script.

—-

first personmatthew hickmanI want to stress my beginnings here because I know that for many of you, getting to L.A. is the battle before the battle. I think many of John’s readers may have a sensation similar to what I felt in the time I read this blog before I moved to L.A., and that’s one of isolation. In the middle of reading all this talk about getting an agent, pitches, script revisions, options, treatments, and copyrights, many of you probably feel left apart entirely from the ability to act on your ambitions. I know I did.

How it starts
—-

As I sit here in my two hundred square foot studio, water is boiling on the stove. I live in a guest house attached to someone’s guest house. I’m not completely broke, but I do eat a lot of spaghetti these days. I don’t have much money to go out with friends, much less go out looking for them.

On the other hand, I recently paid eleven bucks to see a screening of The King’s Speech followed by a Q&A with David Seidler, Tom Hooper, Colin Firth, and Helena Bonham-Carter. The next week it was Darren Aronofsky between screenings of Black Swan and Pi. At my day job I’ve had conversations with Marcus Dunstan, Lester Lewis, and others about advice for new writers. I’ve met Jessica Biel without knowing it, and walked by Paul Haggis on an empty sidewalk on a Sunday afternoon. If I hadn’t been wearing a Cookie Monster t-shirt at the time (don’t ask), I probably could have exchanged a few words with him about what it takes to succeed here. Lastly (and most importantly), I’ve met countless other transplants from Normalville, USA looking to carve out their place in the entertainment industry.

All this has happened during my first four months in Los Angeles. These are a few of the trade-offs I’ve gladly made for a shot at what most of you reading this column want: to be a screenwriter.

Unlike a lot of the first-person columns you’ve been reading the last few months, I haven’t accomplished much yet as a screenwriter. I don’t have any writing credits to my name, none of my work has been optioned. Hell, I don’t even have an IMDb profile. But I have made one significant step toward that dream of being a working writer we all harbor: I made the jump and moved to Los Angeles.

For those unconvinced about the benefits of moving here, see the above paragraph for examples of why you should rethink your position. I’m not just namedropping (Jessica Biel aside).  If a guy freshly transplanted from the foothills of Appalachia can run into all these people, imagine who you could meet here.

And I don’t even have a car.

[Read more…] about Newly arrived in Los Angeles

Looking for more First People

February 28, 2011 First Person, Los Angeles

UPDATE: 50 readers have already written in. Don’t let that stop you, but it will take a few days for me to catch up.

The First Person articles on the blog are always popular. Readers like hearing from folks in nearly the same boat as them.

To date, most of the First Person posts have come from white just-post-college guys. While that’s a huge chunk of the aspiring screenwriter demographic, we’re sorely lacking some diversity, not just in background but ambition.

So consider this an open call for all of the following, or similarly under-represented situations:

* Young women directors.
* Dating/married writing teams.
* TV writers going out for staffing.
* Producer/writer/story editors working in reality TV.
* International writers trying to work in Hollywood.
* People working in VFX/animation transitioning to writing.
* Writers who participated in a studio/network diversity program.
* Writers who recently won a prestigious award (like the Nicholl, or a Student Academy Award).

I’m looking for the perspective of folks on the first few rungs of the ladder. Success stories are great, but struggling-at-the-moment stories are often more helpful.

If you’re considering writing up a post, drop me a note (ask@johnaugust) with a few sentences about your situation. I’ll pick a few to run over the next couple of weeks.

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