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Follow Up

Green Umbrage, or That Escalated Quickly

May 22, 2014 First Person, Follow Up

Craig Mazin wrote in to respond to criticism of his remarks in [last week’s Scriptnotes](http://johnaugust.com/2014/the-summer-superhero-spectacular).

—-

I typed the words “She-Hulk” a lot yesterday.

During our live podcast, I took a swipe at the intentions behind the creation of She-Hulk. Specifically, I felt that she was drawn in such a way to peddle a sexist caricature to teenaged boys.

That’s not some kind of revisionist explanation. I used the word “sexist” in the podcast. It’s audible.

I said this because I believe it. Unlike the Hulk, whose appeal was clearly divorced from any kind of normative standard of physical beauty, She-Hulk was initially drawn (and consistently drawn for many years) as slender, long-legged and large-breasted with flowing locks. Her face was the same old media-model-pretty version we see time and time again.

The cover of her debut features She-Hulk in what I guess I’d describe as a revealing monokini. There are lots and lots of additional examples of artwork on the internet (actual covers, not alt covers) that are clearly pushing sex appeal.

This is a [pretty good example](http://turnerwatson.files.wordpress.com/2012/04/she-hulk.jpg).

All that aside, some people felt that what I said was sexist. I used the word “slut,” which they took to mean that I think She-Hulk is a slut.

They think I slut-shamed She-Hulk.

First off, my point wasn’t that I think She-Hulk is a slut. I don’t. I don’t think anyone is a slut. I don’t think there’s anything shameful about female sexuality or the female body.

What I don’t like is the practice of pushing exaggerated images of female bodies to boys because it sells comic books or video games. Women in comics and video games aren’t accidentally drawn over and over and over again with outsized breasts, long legs and narrow waists. It’s marketing. Having a character remark recursively on that marketing doesn’t negate the marketing, of course. It’s a clever way to defuse criticism with grownups while selling issues to hormone-addled boys. John and I have [talked about this issue](http://johnaugust.com/2013/damsels-in-distress) on the podcast before as it relates to video games (specifically in support of the work done by [Anita Sarkeesian](http://www.feministfrequency.com/)).

Bottom line: I wasn’t saying that I think she’s a slut. I was saying I think the people who created her were at one time pushing a visual image of Hulk as Slut in order to make money. And I don’t like that. My comment was entirely about the illustration of a fictional character. It was not a reflection of my opinion of the mind or actions of the character.

On the other hand, using the word “slut” was a bad move. It’s far too loaded, it’s not even accurate to what I meant, and for many it obscured my point. It may be obscuring my point right now, so lesson learned… and I’ll not use it again.

Also, if the people who created She-Hulk think I’m totally wrong, I can accept that. They might not be sexist, their intentions may have been pure, and if so, I am guilty of seeing sexism where none was intended. If fans of She-Hulk suspect that I’m not one of them, and that I clumsily wandered into their culture… yup. No question. Guilty as charged. And there’s also no question that the appearance and character of She-Hulk has evolved dramatically and positively over the years. My comments were entirely about the early appearance of the character. She-Hulk isn’t being drawn in the style of a cheesecake model anymore. I think that’s a very good thing.

And that’s all I have left to say about She-Hulk for the rest of my life.

Checking batches of PDFs

May 13, 2014 Apps, Follow Up, Geek Alert

Last week, I [wondered aloud](http://2ja.co/ymstb) how I could check creator codes on a folder full of PDFs without checking them one-by-one.

[ZoĆ« Blade](https://twitter.com/zoeblade/status/465787514427822080) wrote in with a Terminal command, but it turns out I could do it in Automator very easily. Here’s the workflow.

automator workflow

Why didn’t I try Automator first? Past experience.

Over the years, I’ve tried doing a dozen things in Automator, only to run into obstacles where it can’t do quite what I need. Often, the breakdown is conditional logic, or the need to transfer a value from one section to the next. ((Having played with other building-block environments like Scratch, I know it’s absolutely possible to do logic and variables in a drag-and-drop way, but I have a feeling Automator isn’t getting updated.))

This is the rare case where Automator does almost exactly what I want. I’ve saved this workflow as an application so I can periodically test batches of files.

Photoplays and archetypes

Episode - 143

Go to Archive

May 13, 2014 Broadway, Follow Up, How-To, Screenwriting Software, Scriptnotes, Transcribed

In a wide-ranging episode, Craig and John look at a 1912 screenwriting book, Levinson’s beef with the WGA, and the Periodic Table of Storytelling.

We also answer listener questions about keeping secrets from readers, firing managers, and what happens to a Broadway show after Broadway. Plus, more follow-up on old One Cool Things.

There are still (maybe?) tickets for the live show on the 15th. See the links for details.

Links:

* [Voting for the Live Three Page Challenge is open](http://johnaugust.com/threepagelive) until May 14 at noon
* [Get your tickets now](https://www.wgfoundation.org/screenwriting-events/scriptnotes-summer-superhero-spectacular/) for the Scriptnotes Summer Superhero Spectacular
* John’s blog post on [which apps screenwriters are using](http://johnaugust.com/2014/which-apps-are-screenwriters-using)
* Scriptnotes, Episode 141: [Uncomfortable Ambiguity, or Nobody Wants Me at their Orgy](http://johnaugust.com/2014/uncomfortable-ambiguity-or-nobody-wants-me-at-their-orgy)
* Matt Selman [on Wikipedia](https://en.wikipedia.org/wiki/Matt_Selman)
* The Simpsons, Episode 492: The Book Job, on [Wikipedia](https://en.wikipedia.org/wiki/The_Book_Job) and [Amazon Instant Video](http://www.amazon.com/dp/B006B318N8/?tag=johnaugustcom-20)
* The Simpsons, Episode 266: The Trilogy of Error [on Wikipedia](https://en.wikipedia.org/wiki/Trilogy_of_Error)
* John’s blog post on [How to Write a Photoplay](http://johnaugust.com/2014/how-to-write-a-photoplay) and [the book on archive.org](https://archive.org/details/howtowritephotop00hoag)
* Deadline on [Barry Levinson leaving the WGA](http://www.deadline.com/2014/05/barry-levinson-quits-wga-over-sloppy-credit-arbitration-on-screen-version-of-philip-roths-the-humbling/)
* [The Periodic Table of Storytelling](http://designthroughstorytelling.net/periodic/)
* Seattle’s [Experience Music Project Museum](http://www.empmuseum.org/), and [John’s photo of the Archetypes of Fantasy chart](http://johnaugust.com/Assets/archetypes.jpg)
* Joseph Campbell’s [The Hero with a Thousand Faces, Collected Works](http://www.amazon.com/dp/1577315936/?tag=johnaugustcom-20), and his and Bill Moyers’ video series, [The Power of Myth](http://www.amazon.com/dp/B00A4E8E1O/?tag=johnaugustcom-20)
* [Bulfinch’s Mythology](http://www.amazon.com/dp/1440426309/?tag=johnaugustcom-20)
* [Memos to Hollywood](http://www.nytimes.com/2014/05/04/movies/critics-weigh-in-on-patriarchy-and-the-vanished-film-print.html) from The New York Times
* Big Fish’s [upcoming shows](http://www.theatricalrights.com/big-fish)
* Vote now (for Big Fish!) for the [Broadway.com Audience Choice Awards](http://awards.broadway.com/buzz/2014/5/5/votebway-vote-now-for-the-winners-of-the-2014-broadwaycom-audience-choice-awards)
* All our [One Cool Things](http://johnaugust.com/onecoolthings)
* [WorkEZ Executive Laptop Stand](http://www.uncagedergonomics.com/workez-executive/) and [on Amazon](http://www.amazon.com/dp/B00B9HGHPU/?tag=johnaugustcom-20)
* [Sometimes You Die](https://itunes.apple.com/us/app/sometimes-you-die/id822701037?mt=8) for iOS
* [Outro](http://johnaugust.com/2013/scriptnotes-the-outros) by Scriptnotes listener Sam Worseldine ([send us yours!](http://johnaugust.com/2014/outros-needed))

You can download the episode here: [AAC](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_143.m4a) | [mp3](http://traffic.libsyn.com/scriptnotes/scriptnotes_ep_143.mp3).

**UPDATE 5-16-14:** The transcript of this episode can be found [here](http://johnaugust.com/2014/scriptnotes-ep-143-photoplays-and-archetypes-transcript).

Which apps are screenwriters using?

May 9, 2014 Follow Up, Fountain, Geek Alert, Highland, Screenwriting Software

We had [57 entries](http://johnaugust.com/threepagelive) for the Three Page Challenge we’re conducting on May 15th.

I wondered which apps these screenwriters were using, so I checked the metadata for each file. ((Mac Nerds: After a lot of Googling, I couldn’t find a way to display creator information for each file in a folder; I had to do them one-by-one using Finder’s Get Info. If you have a command-line trick for this, I’d love to know it.))

| **App** | **# of Entries** | **% of Total** |
|—————|————–|———–:|
| Final Draft 8 | 18 | 32% |
| (unclear) ((The (unclear) category is for PDFs that don’t have a recognizable creator. For example, some PDFs show up as being from Preview on the Mac, which is primarily a reader but can be used to paste together multiple files.)) | 7 | 12% |
| Fade In | 7 | 12% |
| Final Draft (Windows) | 6 | 11% |
| Slugline | 5 | 9% |
| Final Draft 9 | 4 | 7% |
| Screenwriter | 3 | 5% |
| Celtx | 2 | 4% |
| Final Draft 7 | 2 | 4% |
| Highland | 1 | 2% |
| TextEdit | 1 | 2% |
| Word | 1 | 2% |
| **Total** |**57** | 100% |

Adding up its various incarnations, we find that Final Draft created just over half the entries. That’s about what I would have expected.

But I find it interesting that so many users have stuck with Final Draft 8, rather than version 9. There are still holdouts with version 7 as well.

I was happy to see six dedicated screenwriting apps (Final Draft, Fade In, Slugline, Screenwriter, Celtx and Highland) among the entrants. I didn’t find any Adobe Story or WriterDuet scripts. ((If you submitted a script written in Adobe Story or WriterDuet, let me know and I’ll amend the figures.))

Writers submitting to the Three Page Challenge are, almost by definition, listeners to the Scriptnotes podcast, in which we’ve discussed Final Draft, Fade In, Slugline and Highland among other apps. I wonder to what degree that has influenced their choices.

Three Page Challengers are also generally aspiring screenwriters, rather than working pros. To me, that makes entrants more likely have recently purchased software (or web-based subscription services) than established writers, who tend to stick with what they know.

The online submission for Three Page Challenges worked well enough that we’ll keep using some version of it. In the next incarnation, we’ll ask upon submission which app the writer used.

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