• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

John August

  • Arlo Finch
  • Scriptnotes
  • Library
  • Store
  • About

Archives for 2012

Workspace: The Wibberleys

October 11, 2012 Workspace

wibberleys

##Who are you and what do you write?

workspaceWe are Marianne and Cormac Wibberley (aka., “the Wibberleys” which is how we are now credited). When we first meet people in the business, sometimes they ask if we’re siblings. No, we are a married writing team. We’ve been married for decades and have been writing together almost as long.

Our most well known credits are the two National Treasure movies, Charlie’s Angels: Full Throttle (with John August), and Bad Boys 2.

We are currently producing a project at Fox and writing the film adaptation of the video game Uncharted for Sony. Our daughter is a big fan of the game, so if we screw it up, we’re dead meat.

##Where and when do you write?

Everywhere. Anywhere. Because we’re married, there is no separation of work and personal life.

dogs

We have three dogs: a Jack Russell and two rescue German Shepherds. Our Jack Russell is easy, but the two German Shepherds run our lives.

They hang out in our office, and our writing schedule is geared around their schedule. We walk them at least two miles a day, and a lot of that time is spent spitballing and brainstorming while watching for cats, motorcycles, squirrels, skateboarders, other dogs, and the dreaded ninja cyclist.

Yeah, sure, they look nice, but they bite. If we’re on a deadline, we get stressed. And when we get stressed, they get stressed and then bad things happen in the house.

As for our process as a writing team, we do actually sit in our home office and write everything together. Not a word gets typed without us both agreeing on it. This means a lot of our time is spent trying to convince each other why his line of dialogue or her bit of action is better. We pitch feverishly, act out scenes badly, and when all else fails, we draw pictures to convince the other how awesome his/her idea is.

sketches

Here are some other things we keep around the office to inspire us.

A prop gun from our first big movie, The 6th Day.

gun

Han, Chewbacca, Sundance & Butch, and…a couple guinea pigs:

star wars

##What software do you use?

coffee keurigThe most important software we use is coffee. What is our favorite Keurig cup flavor? We have it narrowed down to four (but suggestions are welcome).

For screenwriting, we use MovieMagic Screenwriter (but we know how to use Final Draft as well).

Other software: iBooks, Kindle, and Dropbox. We just started using Pages, which is a surprisingly easy yet powerful word processor that you can use on your iPhone and iPad. We also like it because it uses the iCloud without us having to think about it.

##What hardware do you use?

We are a Mac family. We have Mac laptops, a desktop, iPads, and iPhones.

post its

But really the best piece of hardware we use are these giant Post-Its. We started using them recently instead of index cards so we can stick our ideas and story beats to the wall, cabinets, and bookshelves. No corkboard necessary.

We outline using Post-Its and keep the three acts up on our wall while we outline and write the script. The cards are constantly changing, however. Most times, by the time we get to the third act, the story’s been rebroken a dozen times.

##What (if anything) would you change?

We’d like to be able to enjoy our time off, but instead, we just worry. If the phone’s not ringing, it means they hated the draft. And if we’re not trying to write something new, then we worry that like sharks who don’t swim we’ll die.

Writing your very first screenplay

Episode - 58

Go to Archive

October 9, 2012 Scriptnotes, Three Page Challenge, Transcribed

In the spirit of Looper, Craig and John take a journey back in time, looking at the first scripts they read, the first scripts they wrote, and the common pitfalls of many first screenplays.

Not only that: they share and critique the first three pages from the very first scripts they wrote.

Does John’s romantic tragedy from 1994 show potential? Would Craig keep reading his high-concept comedy from 1995? You can be the judge, because both samples are linked below.

LINKS:

  • Here and Now, three pages from John August’s very first script
  • The Stunt Family, three pages from Craig Mazin’s very first script, co-written with Greg Erb
  • The Room for iOS
  • Moom for Mac
  • Austin Film Festival
  • INTRO: Perfect Strangers (intro)
  • OUTRO: Feels Like the First Time (Acoustic) by Foreigner

You can download the episode here: AAC.

UPDATE 10-11-12: The transcript of this episode can be found here.

Frankenanswers

October 8, 2012 Frankenweenie

On Thursday, I promised I’d answer questions on YouTube from people who saw Frankenweenie over the weekend. Here you go.

Some first thoughts on fifth

October 8, 2012 Frankenweenie

Frankenweenie opened this past weekend in the U.S., placing fifth overall with somewhere around $11.5 million. This result is widely considered disappointing, or worse.

A few thoughts.

On a personal level, it is disappointing, because as the writer I had hoped a lot of people would see the movie this weekend and enjoy it, perhaps beginning a conversation about black-and-white cinema, stop-motion animation or the perilous state of science education. That didn’t happen. Instead, the story is about how much money we made.

But my disappointment is tempered by extremely good reviews across the board. Critically-praised movies that underperform find a lot of champions over the years. This is a lesson I learned from Go. It’s a lesson Disney and Tim learned from The Nightmare Before Christmas. Quality plus time equal success.

It’s only the first few weeks that hurt.

On Larchmont yesterday, my daughter met up with another seven-year-old friend in front of the yogurt shop. “I heard Frankenweenie only came in fifth because of Hotel T,” the friend told my daughter. (Yes, she said “Hotel T.”)

Two things. Maybe three.

At least in the short term, people focus on rankings because they’re easy to remember and fit the narrative of the box office being a race. But if Rian Johnson’s terrific Looper had made just a little less, we would have swapped places. At a glance, Frankenweenie would have appeared more successful at fourth place than fifth, even if it earned exactly the same amount.

Also lost in the horse-race analysis is the fact that the box office expanded 41% percent this weekend. Last year, the #2 movie for the weekend was The Ides of March, which made $10.4 million. Had we opened a year ago to the same dollar figure, our $11.5 million would have put us #2 behind Real Steel.

Would that have been a disappointment? I’m not so sure. The take-away message might have gone like this: the first-ever black-and-white animated movie, with only puppets and no stars, opens at #2. The follow-up stories would be about how brave Disney was to risk making such an unconventional movie, and how it paid off. (Our budget is a fraction of most studio CG movies.)

My daughter’s friend is probably correct: Hotel Transylvania soaked up a lot of family movie money that might have gone towards Frankenweenie. I haven’t seen Transylvania, but I don’t begrudge its success. Sony Animation has struggled, and landing a hit means more movies can get made.

Nor do I begrudge Pitch Perfect, another risky movie that Universal managed to open. Like ours, it was a wild card.

Were we released on the wrong weekend? Probably. But you’re asking people to predict the future, and that’s an imperfect science. Taken 2 was a given, but six months ago, who would have predicted that the other movies ahead of us would have worked?

Whenever a movie doesn’t open to expectations, everyone turns on the marketing team. So let me say it: I really liked Frankenweenie’s posters and ad campaign, which walked the line of selling it as a family comedy while conveying its black-and-white oddness. Opening wide may have set expectations too high for what it was going to make, but I applaud Disney for trying.

The film itself is a challenging proposition: a goofy title, black and white, with no stars to promote on talk shows. Given the film, I don’t know that a different marketing approach would have changed the dollar outcome.

And that’s the end of my weekend analysis. Looking forward, I have a few thoughts:

  1. Disney is really good at making money from things. They have parks, publishing and kids’ networks. Frankenweenie is a great property, and it’s no surprise that plush Sparkys are selling out.
  2. The movie has yet to open in many markets. I’ll be particularly curious to see how it opens when not backed up against Hotel Transylvania. It opens the London Film Festival on Wednesday, and debuts in Japan before Christmas. I wouldn’t be surprised if we’re a bigger title overseas than domestically, as Corpse Bride was.
  3. I worry that the film’s perceived failure will make it much harder to greenlight another stop-motion feature. Frankenweenie will outgross Fantastic Mr. Fox, but that movie had low expectations. Ours were comparatively high, and that may make studios think CG-or-nothing.

In the U.S., the movie will continue to chug along through Halloween and possibly into awards season. It has a long run ahead on the big screen before a very profitable second life on television.

So in no way to do I mean this to be a Frankenweenie post-mortem. Nothing died.

I’m writing this because bad news tends to poison joyful experiences. We run away from things we used to love, which is a mistake. It’s only by facing the unpleasant aspects that you can get back to being happy for the good stuff.

I’m really proud of Frankenweenie and the reception it received. I love that people love it, and that it exists in the world to see. I’m grateful to Tim, Disney and hundreds of people who worked to make it happen. That’s worth celebrating as much today as last Friday.

« Previous Page
Next Page »

Primary Sidebar

Newsletter

Inneresting Logo A Quote-Unquote Newsletter about Writing
Read Now

Explore

Projects

  • Aladdin (1)
  • Arlo Finch (27)
  • Big Fish (88)
  • Birdigo (2)
  • Charlie (39)
  • Charlie's Angels (16)
  • Chosen (2)
  • Corpse Bride (9)
  • Dead Projects (18)
  • Frankenweenie (10)
  • Go (29)
  • Karateka (4)
  • Monsterpocalypse (3)
  • One Hit Kill (6)
  • Ops (6)
  • Preacher (2)
  • Prince of Persia (13)
  • Shazam (6)
  • Snake People (6)
  • Tarzan (5)
  • The Nines (118)
  • The Remnants (12)
  • The Variant (22)

Apps

  • Bronson (14)
  • FDX Reader (11)
  • Fountain (32)
  • Highland (75)
  • Less IMDb (4)
  • Weekend Read (64)

Recommended Reading

  • First Person (87)
  • Geek Alert (151)
  • WGA (162)
  • Workspace (19)

Screenwriting Q&A

  • Adaptation (65)
  • Directors (90)
  • Education (49)
  • Film Industry (489)
  • Formatting (128)
  • Genres (89)
  • Glossary (6)
  • Pitches (29)
  • Producers (59)
  • Psych 101 (118)
  • Rights and Copyright (96)
  • So-Called Experts (47)
  • Story and Plot (170)
  • Television (165)
  • Treatments (21)
  • Words on the page (238)
  • Writing Process (177)

More screenwriting Q&A at screenwriting.io

© 2026 John August — All Rights Reserved.