Scrippets are go

Thanks to the hard work of Nima Yousefi, Will Carlough and Andy Maloney, we have a Scrippets plugin that seems to be working pretty reliably. It’s installed at this site now, and we’ll be seeding it out to a few other screenwriting-oriented websites over the next few days to make sure it plays well with others.

Like most programming projects, getting to 90% was easy. Within hours after my original call to coders, there were three plugins that could get the job done.

That last 10% was tricky, however, because it meant looking for situations that would fail: different Wordpress themes, competing plugins, and unexpected user input. For example, my original Ruby code couldn’t distinguish between an all-caps slugline and a character name, and the way I was doing it, it would have been very hard to add that capability.1

In terms of plugins, Markdown is the devil. Rarely have I loved and loathed something so thoroughly. Almost any time you’d see a scrippet break in the middle, it was because of Markdown.

While I think the plug-in is working well, I suspect there will be a few more iterations before we let it out into the wild. So test it out in the comments. As a reminder, the syntax is…

[scrippet]
EXT. HOUSE - DAY

Max is checking his mail when he spots neighbor FRANK crossing the street, heading his way.

Shaking his head…

MAX
I thought we talked about this, Frank.

FRANK
(drunk)
I was born naked and I’m not changing now.
[/scrippet]

which becomes…

EXT. HOUSE - DAY

Max is checking his mail when he spots neighbor FRANK crossing the street, heading his way.

Shaking his head...

MAX

I thought we talked about this, Frank.

FRANK

(drunk)

I was born naked and I’m not changing now.

  1. The final plugin by Nima Yousefi uses regular expressions.
August 28, 2008 @ 9:26 am |
Filed under: News, Scrippets

61 Responses to “Scrippets are go”

  1. Simon P

    INT. MOM’S BASEMENT - DAY

    Simon sits in his mother’s basement, where everything is lightly powdered in Cheeto dust.

    SIMON

    (angrily)

    I’ll move out when as soon as I sell one of my screenplays, mom!

    Neat.

  2. John

    [scrippet] EXT.SKYSCRAPER-NIGHT

    Batman and Robin look out at the epic Gotham skyline, their capes DANCING in the high wind.

    ROBIN (haunted) Holy crap, Batman. I don’t know if I’ll ever be able to forget what you did to the Riddler. (pause) There’s still blood on your Bat-Rod!

    BATMAN That messed-up leprocahn had it coming

    The two share a moment of uneasy silence, staring at the city.

    BATMAN Let’s go get some cheeseburgers…

    The two hold hands and JUMP from the rooftop. [/srippet]

  3. John

    Oh, I can not believe I forgot the C in sCrippet! I’ve gotta get back to work.

  4. OlliS

    I just think it’s neat that somebody called John commented on this blog in August.

  5. Lars

    INT. THE MAD DOCTOR’S LAB - NIGHT

    The MAD DOC is drinking his good night coffee while looking at the reports with today’s results.

    Suddenly, he starts laughing evily.

    MAD DOC

    (sucking up snot)

    Wif fing really workf!

  6. Todd

    INT.SCHOOL HALLWAY-DAY

    Zach and Mike see the SIGN on one of the school walls.

    SIGN

    “Come one, come all, to the best party ever, unless you’re a loser like Zach or Mike.”

    ZACH

    Screw those guys, I didn’t really want to go, anyway.

    MIKE

    Yeah, but Katie is going to be there, and she’s almost as hot as your mom.

    Awesome job John and all the programmers who made this a reality!

  7. Paula Puryear

    EXT. CARRIBEAN BEACH - DAY

    She couldn’t believe what she was reading.

    SHE

    You mean, I can include dialogue in my post? No way. Are you sure it will work?

    So what I learned so far is to type the character name and then hit return to type the dialogue on the next line. Duh!

  8. Cheryl

    INT. BATHROOM - NIGHT

    Michael stands before the bathroom mirror, gazing at his reflection. His reflection is lecturing him.

    MIRROR MICHAEL

    You can’t rely on Magic Pixie Dream Girls to fix your life, Mike. There’s only one person who can turn your life around for you. They say we enter this life alone and when we leave, we take that journey alone. Only one person truly knows what you want and what you need, who knows your secrets, and there’s only one person you’re answerable to. You know who that is.

    MICHAEL.

    My God. You’re right.

    Michael turns away from the mirror and yells from the bathroom doorway.

    MICHAEL

    Mom! I need your advice!

    Oh, cool!

  9. Sarah

    Cool! Will you put it up for download soon?

  10. Ray

    INT. JOHN AUGUST FORUM. DAY.

    Ray taps his foot on the linoleum floors of John August Headquarters.

    RAY

    I predict a massive amount of scrippet abuse in the future. Like this!

    Oooh, doggie.

  11. Dan in LA

    INT. SUBWAY STATION - NIGHT

    The station is dark and dirty. Only a few people here, isolated from each other by headphones, a newspaper, or a cell phone. KATIE takes a seat on a bench and yawns, just as a PROSTITUTE walks in her direction. The prostitute yawns, too. She gives Katie a small smile. As she passes:

    PROSTITUTE

    Contagious, huh?

    Katie smiles before diving into her book.

  12. thegirlinthecafe

    INT. LONDON CAFE - NIGHT

    While sipping from her tea -

    THE GIRL

    Wow, that looks really promising, what a great idea!

  13. Johnny

    Hey– no transitions?? Nuts.

  14. Joshua James

    From my script THE FALLEN

    EXT. IN THE BUSHES AND TREES - CONTINUOUS

    David, Jess and Tami push through bushes.

    Alex, pants still unbuckled, stares at the ground.

    DAVID

    Is that what I think it is?

    A SKELETAL HUMAN HAND

    Lay on the ground. Just the bones and decayed flesh remain on the hand.

    TAMI

    Oh my God, I think I’m going to be sick.

    Alex buckles up his pants. Squats down to examine it closer.

    JESS

    That’s a human hand, right?

    ALEX

    Yes. What’s left of it.

    JESS

    Hands are usually attached. Which begs the next question. Where’s the rest of the body?

    TAMI

    Who cares, let’s get the fuck out of here.

    JESS

    (sniffing the air)

    Wait a minute. Smell that? Something’s ripe.

    Jess and Alex push aside the bushes.

    ALEX

    Whoa. The body’s got to be around here somewhere.

    JESS

    Definitely. Somewhere close. David, how could you not smell it last night?

    DAVID

    I don’t know, I guess I thought I was the one making the stink.

    TAMI

    Can we go now?

    ALEX

    The smell is stronger over here.

    Alex pushes farther into the bush.

    Pulls some branches aside.

    A ROTTED CORPSE

    lay on the ground in a nasty state of decay.

    ALEX

    Shit!

    Tami and David scream in spite of themselves.

    JESS

    Hey. There it is.

    Jess walks over, calm.

    TAMI

    Fuck me. Okay, enough of this shit. If I wanted to do this much cardiac damage to myself, I would have gone back to snorting coke.

  15. Joshua James

    I don’t know why the last dialogue went bold . . .

  16. Darial Sneed

    INT. APARTMENT BUILDING LOBBY - DAY

    Darial walks to the large row of mailboxes and produces a set of keys from his pocket. He finds the right key and goes to his box for 2B...but finds that the lock has been filled with a gooey substance.

    DARIAL

    (to himself)

    ...Peanut butter?

    Darial spins around, conspiratorily--as if he knows exactly who would pull off such a nasty prank:

    DARIAL

    Farber!

    As Darial storms off without his mail, we hold on the mailboxes...and Push In on the one next to his. The one for 2C. The one that reads: P. FARBER.

    INT. HALLWAY - MOMENTS LATER

    Darial storms up to Apartment 2C and reaches a tight fist up to knock...but hesitates. He stares down at the “WELCOME!” mat under his feet. Then, a thought seems to form.

    Darial runs to his own apartment and goes inside, leaving his door open. A moment later, he re-emerges with a STICK OF BUTTER.

    Darial moves quickly across the hall to Farber’s door mat. He lifts it and proceeds to smear the butter all over the smooth floor underneath. He sets the mat carefully back down on the buttery area.

    Then he gives the door a good KNOCK KNOCK.

    Darial bolts into his apartment and shuts the door. Beat.

    The door to 2C is unlocked, opened, and the head of FARBER pokes out.

    FARBER

    ...hello? Is that you, Sneed!?

    Nothing. Silence in the hall. Finally, Farber makes a swift move out the door and steps onto his floormat, SLIPPING immediately and dropping to the hard floor like a sack of books. He remains, still and broken.

    A muffled chuckle is heard coming from the closed door to 2B.

  17. Dan in LA

    My post looked right in the preview, but it seems to have posted my Action as Transition.

  18. Darial Sneed

    Yep, i got some random BOLD in there as well…

    Also, not sure what caused some action chunks to flush to page right, while other’s didn’t. Nothing different was done to those sections.

    Also, for a brief moment before I submitted this, there was an example shown below of what the scrippet would look like, and it looked perfect. Then, I submitted it and it immediately posted with those random errors.

    Very cool, though! This will be very useful for examples…

  19. Darial Sneed

    INT. NOTHING - NIGHT

    Nothing is happening. NOBODY enters.

    NOBODY

    Anybody there?

    ANYBODY walks through the frame.

    ANYBODY

    Nope... Nobody is.

    Nobody laughs at the lame joke that Anybody could do.

    Just checking to see if I could trick the formatting–worked fine this time. (Or, it looks good in the example, at least.)

  20. Hector

    I would love to have this plugin for my blog, http://www.filmschooljournal.com

    filmschooljournal at live dot com

    Thanks John!

  21. Synthian

    INT./EXT. THE SCUBA DELOREAN - DAY

    Having failed yet again, the steel car sinks into the chasm... this time with Marcel Marceau at the wheel.

    PUNCTUATION OVERDOSE GUY plunges alongside them, shouting through his hydra-phone.

    PUNCTUATION OVERDOSE GUY

    DR. MARCEAU!!! PROFESSOR TWAT-MONGER!!! We HAVE to get these S.A.R.S. masks to the Mouth-Breathing Convention!!!

    MARCEAU

    (?)

    PUNCTUATION OVERDOSE GUY

    The MOUTH BREATHING CONVENTION!!! They’ve started early and handed out the tainted batch of XTC-Lax as free samples!!!

    MARCEAU

    (!)

    PUNCTUATION OVERDOSE GUY

    Its going to be the worst party ever!!!

    He pivots 180 degrees and rockets into a...

    SERIES OF SHOTS

    Vans of S.W.A.T. PERSONNEL unload in front of the Convention Center.

    Tammy Faye SHAKES the doors of her prison cell shouting...

    TAMMY FAYE

    Open fire on the crowd!!! Do it! DOOOOO-AAAAT!!!

    And on her freshly shorn head, we finally reveal...

    HER TATOO

    of Pope Stephen Hawking.

    She knew all along.

    FADE OUT

  22. John

    Some of you have uncovered a couple of problems, which we’ll continue to fight. There’s a new version of the plugin up as of a minute ago.

  23. John

    One thing you’ve probably discovered: the live preview interprets some things differently than the the final version, because of further filtering done by Wordpress. We’re trying to get them matched up, but right now our priority is on the final display rather than the preview.

  24. Synthian

    Apologies for what I’m about to do… I’m going to re-paste the same “stress test” thing, only pre-formatted in Final Draft.

    @ Dan in LA & Darial - how’d you make your action jump to the RIGHT? - Was it pre-centered?

    -Synthian

    [scrippet] INT./EXT. THE SCUBA DELOREAN - DAY Having failed yet again, the steel car sinks into the chasm… this time with Marcel Marceau at the wheel.

    PUNCTUATION OVERDOSE GUY plunges alongside them, shouting through his hydra-phone.

    PUNCTUATION OVERDOSE GUY DR. MARCEAU!!! PROFESSOR TWAT-MONGER!!! We HAVE to get these S.A.R.S. masks to the Mouth-Breathing Convention!!!

    MARCEAU (?)

    PUNCTUATION OVERDOSE GUY The MOUTH BREATHING CONVENTION!!! They’ve started early and handed out the tainted batch of XTC-Lax as free samples!!!

    MARCEAU (!)

    PUNCTUATION OVERDOSE GUY Its going to be the worst party ever!!!

    He pivots 180 degrees and rockets into a…

    SERIES OF SHOTS

    Vans of S.W.A.T. PERSONNEL unload in front of the Convention Center.

    Tammy Faye SHAKES the doors of her prison cell shouting…

    TAMMY FAYE Open fire on the crowd!!! Do it! DOOOOO-AAAAT!!! And on her freshly shorn head, we finally reveal…

    HER TATOO of Pope Stephen Hawking.

    She knew all along.

    FADE OUT

  25. daveednyc

    I’d be interested in knowing how to use this script where I don’t have full freedom to modify the CSS.

  26. Synthian

    Sorry! (nuke that it was useless.) Once more… formatted in FD.

    INT./EXT. THE PLACE TO BE - DAY

    Action happens...

    STRICTLY CAPITAL CHARACTER GUY

    BLAAAAA!!!!!!

    BABY WHO SPEAKS IN PARENTHETICALS

    (?)

    CHARACTER 3

    The MOUTH BREATHING CONVENTION!!! They’ve started early and handed out the tainted batch of XTC-Lax as free samples!!!

  27. Darial Sneed

    @Synthian — As far as I know, it was a fluke on both of our examples (having the text flush to the right, like a Transition). Both of our examples have been fixed properly, so now they don’t show the text on the right. Neither of us intended to have that happen, nor did we do anything differently that would’ve caused it.

    On that note, there may be a way to include that into the scrippet format, although, to be honest, unless it’s REALLY helpful for the story, I almost never use transitions. I feel like they clutter the page, unnecessarily. Sometimes, they are great, especially if we’re changing to a different time or a new sequence or breaking the story somehow, then the transition is great. Or, if it just HAS to be a dissolve, as opposed to the cut, to help move the story forward.

    That’s a bit off the scrippet topic, so sorry. I’m mentioning it because I’m wondering if we really need the scrippets to handle transitions. Guess it couldn’t hurt, since some writers probably love them… I’m just sayin.

  28. John

    Transition To: works. It just doesn’t show up in Live Preview yet.

    EXT. HOUSE - DAY

    Establishing.

    TRANSITION TO:

    INT. KITCHEN - DAY

    Some action happens.

  29. Synthian

    Rockin. Everything I could break, was shown in my first post. (aside from weirdies like dual-dialog.)

    Thanks guys. The City is ever thankful that you’ve chosen not to use your powers for evil.

  30. Synthian

    @Darial Sneed… If it helps– its on topic. :) (oops… I forgot to test– dashes.)

    Truth = I’ve never used a transition, period, to date. (pages have always been fewer without ‘um.) - But I’m an Aaron Sorkin worshiper… so I used dual dialog all the time. (Pages have always been fewer WITH ‘um.)

    But really… doubt they need to be in a plugin. - You can hardly think of 2 legitimate questions about them.

  31. Darial Sneed

    Unless you asked 2 legitimate questions at the same time!

  32. Lex

    INT. KITCHEN - DAY

    LEX, mid-20s spends another day of his unemployed existence eating leftovers and checking his RSS feeds on his LAPTOP.

    LEX

    Let’s see if I can break this scrippet thing...

    STAR WIPE TO:

    INT. INTERNET - DAY

    Ones and zeroes whizz by as Lex finds himself in the magical realm of the Internet.

    LEX

    A star wipe? Seriously?

    • Lex
  33. Synthian

    GUILDENSTERN: Rhetoric! One… love.

  34. cp

    INT. THE OFFICE - THE NEXT DAY

    CP is takes the last sip of his beer

    CP

    Now I can get to work

    GF enters with her usual unamused look

    GF

    Do you think you can pull yourself away to pick up the baby when she’s crying?

    CP

    I didn’t hear her.

    GF

    Is that a beer?

    BEAT while CP considers the situation.

    CP

    Am I a bad father?

    GF

    No. But you are an undisciplined writer.

    CP

    That’s hurtful

    GF starts out of the room.

    CP

    Can you get me another beer?

    GF eyes him: “Not a chance”

    pretty cool.

  35. nima

    Many thanks to everyone who’s trying this out. It’s a big help.

    Just one note: the plugin is a little finicky about line breaks, so make sure you stick to John’s format and put blank lines in the right places.

    Thanks again!

  36. Dan in LA

    I imagine, then, that my action became a transition because I ended with a colon.

    “As she passes:”

    But, it’s working now.

  37. nima

    @Dan,

    Yup, and that was totally my fault for nothing checking for that. Easy fix, too.

  38. The daily screenwriter

    Thanks John and everyone. That’ll be really useful.

  39. Anonymous

    This is very cool, and I’ll tell you why: I write my draft scripts in something like notepad and currently I use macros to convert them to the right format.

    I’m looking forward to a tool using this technology to convert it straight into a format like RTF.

  40. nima

    @Anonymous,

    It would actually be very simple to change the output from HTML to plain text or RTF. The only caveat is that you won’t get proper pagination that way, but I guess you could just import the file product into FD or MMSW or something.

    The priority now is to make sure the plugin’s engine is accurate.

  41. Todd

    [scrippet] INT. APARTMENT-NIGHT

    TODD sits in his underwear typing on a computer. His brother, BRAD, enters.

    BRAD What the hell are you doing?

    TODD Testing out this scrippett thingamajig.

    BRAD Have you paid the rent yet?

    TODD Nope.

    BRAD Might want to get on that.

    TODD Maybe later.

    Todd picks up a tube of cookie dough and takes a bite out of it.

    BRAD Holy shit you’re disgusting.

    TODD (offering) Cookie dough?

    BRAD You know you really are a worthless human being.

    TODD Yep.

    BRAD I really mean it. I don’t know how you’re alive.

    TODD (munching) Mmm.

    BRAD Aw go to hell!

    TODD (still munching) You first.

    Brad leaves in a huff. Todd continues munching on the cookie dough.

    TODD Life is good.

  42. Todd

    INT. APARTMENT-NIGHT

    TODD sits in his underwear typing on a computer. His brother, BRAD, enters.

    BRAD

    What the hell are you doing?

    TODD

    Testing out this scrippett thingamajig.

    BRAD

    Have you paid the rent yet?

    TODD

    Nope.

    BRAD

    Might want to get on that.

    TODD

    Maybe later.

    Todd picks up a tube of cookie dough and takes a bite out of it.

    BRAD

    Holy shit you’re disgusting.

    TODD

    (offering)

    Cookie dough?

    BRAD

    You know you really are a worthless human being.

    TODD

    Yep.

    BRAD

    I really mean it. I don’t know how you’re alive.

    TODD

    (munching)

    Mmm.

    BRAD

    Aw go to hell!

    TODD

    (still munching)

    You first.

    Brad leaves in a huff. Todd continues munching on the cookie dough.

    TODD

    Life is good.

  43. Massimo

    EXT. ANYWHERE -- NIGHT

    Lectores legere me lius quod ii legunt saepius (in her 20s) claritas est etiam processus dynamicus. Lobortis JOHN nisl ut aliquip ex ea.

    JOHN

    Jæst tøsting såme wéird çharactersñ hïre.

    ALICE (O.S.)

    (Bewildered)

    What?!?

    JOHN wants to comment on ALICE’s response.

    JOHN (CONT’D)

    Lïsten tü mè!

    ALICE enters the room. JOHN is there, combing his dog.

    ALICE

    You’re talking nonsense!

    (Whispers)

    Really, you are.

    CUT TO:

    INT. SOMEWHERE -- MOMENTS AFTER

    This is actually really good.

    ALICE

    Yes it is.

    FADE TO BLACK.

    END.

  44. DEAF BROWN TRASH PUNK!!!

    where can I download this plugin for blogspot?!?! This is AWESOME.

  45. Sean Connolly

    EXT. BLOG - DAY

    SEAN is in cyberspace looking down on the blog, typing.

    SEAN’S MIND

    Having had already seen the other posts, I’m pretty sure this is gonna work (not to mention the user-oriented word box that reflects back to me my interaction in real time).

    SEAN

    (beat)

    But I still have to admit this is pretty cool, and, thank the members of the community that made this possible. So, thanks.

    Sean then teleports away from the scene. In doing so he notes the spell check does not recognize teleports. >Teleport<

  46. MJ Marcinkus

    INT. CUBICLE - DAY

    CHET is fiddling with his screenplay while his cube farm neighbor KYLE is heading his way.

    Shaking his head...

    KYLE

    Y’know the odds, right?

    CHET

    (typing away)

    Shut it.

    KYLE

    I’m just sayin’. Make better use of your time dude.

    Kyle readjusts the fantasy football magazine under his arm. Chet motions but never looks away from the computer screen.

    CHET

    How much you spend on that every year?

    KYLE

    I-dunno. ‘Bout 500. 700 tops.

    CHET

    Uh huh. And how much time each week?

    Kyle tries to underestimate.

    KYLE

    Mmm... 15 hours a week. 25 tops.

    CHET

    You ever make any money?

    Embarrasing pause.

    KYLE

    (fake smile)

    Good luck with the screenplay Chet!

  47. Andy

    INT. OFFICE - DAY

    ANDY stares at John’s blog.

    ANDY

    (scratches his chin)

    Hmm. I wonder if I can make it work.

    DISEMBODIED VOICE (O.S.)

    (slightly god-like)

    Go on. Try it, ya big goof.

    After a beat, Andy types something in. It’s looking good. Even the nifty preview is bitchin’.

    FADE TO:

    EXT. PARK - DAY

    People flock to John’s blog with childlike abandon.

  48. choz@choz.fr

    Sympa de laisser le MESSAGE en ligne que je dois passer à Petoch’1er, qu’il peut se les envoyer lui-même ses jouets, profond, puisqu’il les a choisi, que c’est les siens, que d’aucuns lève-tôt les lui achète chaque jour et qu’ils lui ressemblent. Sinon, bonne soirée. :)

  49. Pierce

    INT. BASKETBALL ARENA - DAY

    Senator John McCain stands at the podium.

    SENATOR MCCAIN

    Some people think Republicans are some deeply conservative force who would like nothing better than to drive this country back into the dark ages. That we are against social equality and genuine reform. They are wrong. And so it gives me great pleasure to introduce a woman who will help me clean up whatever little mess that may have been caused over the last 8 years. Women are great that way. And you know, some of them can cook real good too. Did I mention she’s a woman? You got that, right??

  50. David Anaxagoras

    User-agent sniffing must be working because the scrippet text suddenly looks much, much better on my windows machine.

  51. Matt2000

    For those in need of a more powerful web content platform, a Drupal module is posted at:

    http://drupal.org/project/scrippet

    …but it hasn’t undergone the rigourous testing of the WordPress version, so it probably has more to be done.

    Feel free to submit issues at http://drupal.org/project/issues/scrippet

    INT. SERVER DATA CENTER

    An eerie calm has settled from the chaos.

    DRUPAL

    (with growing confidence)

    It’s OK now, I speak scrippet, too.

    SMASH CUT TO:

  52. Johnny

    Heeey– no asterisk function for revisions?? Dangnabit.

  53. Johnny

    INT. BLOG COMMENTS

    JOHNNY

    Heeey -- no asterisk function for revisions?? Dangnabit!

  54. Earl Newton

    Int. JohnAugust.com - Night

    A waterfall of script excerpts devour the world, under the guise of “testing the system.”

    JOHN AUGUST (the horror coming home) What have I done?

  55. Anna

    What happened to my two posts?

  56. Jenny P

    INT. EARTH’S CORE - UNKNOWN

    SATAN is sitting reading a copy of Star Magazine. CERBERUS sits in the corner, a tennis ball, bone, and Jimmy Choo in each respective mouth.

    SATAN How can they publish this and convince themselves I don’t exist?

    Center Cerberus gives a woof of agreement.

    that is too cool. Livejournal is wordpress, right? I should check this on there soon.

  57. Anna

    Never mind.

    Forget it.

    Waste of time.

  58. John

    EXT. HOUSE - DAY

    John fires up the Scrippet 0.99995 machine.

    JOHN

    (hoping)

    Does it still work?

    SILENCE.

    And then, it suddenly FIRES UP AGAIN.

    CUT TO:

  59. DEAF BROWN TRASH PUNK!!!

    INT. BEDROOM - DAY

    John is seated at the computer, masturbating to Internet porn.

    JOHN Ohhhh, ohhh… oh baby do it harder!

  60. DEAF BROWN TRASH PUNK!!!

    It doesn’t work…

  61. Jeff

    INT. MACHINE SHOP — EVENING Timo and Jamie sit and sigh and drink. JAMESON This is hard. Timo nods and drinks. JAMESON I was trying to sleep, most of the time. TIMO You couldn’t have slept through every minute of Catholic school; you had to learn something useful. Jamie grins. JAMESON I learned how to swear in twelve languages, how to smoke, how to fart in a box- TIMO But you didn’t learn a single Bible story?! They drink and think. Jamie rises to his feet. JAMESON And if we don’t find a story, what then? TIMO I’ve worked on a farm, I’ve fished for a living, I’ve stacked rocks- JAMESON You’ve been poor. Me too. I didn’t like it. Timo shrugs. TIMO So- remember a story. Jamie leaves. JAMESON I’m trying…

Leave a Reply

Comments for this post will be closed on 26 December 2008.

RSS feed for comments on this article.

 Get a Gravatar. They're free and work on lots of different sites.

 

About

This site is run by screenwriter John August. Mostly, he answers reader-submitted questions about the craft, but occasionally he goes on tangents that run far afield of writing and filmmaking. You'll also find info on past, present and future projects.


For photos, blurbs and uncomfortable self-promotion, you can check out his Facebook fan page.

Ask a Question

If you have a question about screenwriting or my movies that hasn't been answered, by all means ask. There are a few guidelines to follow.

Featured Articles

101: Some screenwriting basics


There are more than 900 articles on the site. You can find category archives at the bottom of every page.

Feeds