John August

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Introductions with Joachim Trier

Episode - 724

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Scriptnotes, Transcribed

John welcomes writer and director Joachim Trier (Sentimental Value, The Worst Person in the World) to ask, how do you introduce your characters and their world to the audience? Using the screenplay for Sentimental Value, Joachim lays out how he sets up his themes, characters, conflicts and narrative authority in the first few pages.

We also look at Joachim’s process of developing stories with his co-writer Eskil Vogt, and answer listener questions on endings, casting, and work-life balance.

In our bonus segment for premium members, Joachim and John flip through how we present screenplays on screen, why Joachim translates his scripts in pre-production, and the one little detail you might not have noticed in Sentimental Value.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 2-17-26: The transcript for this episode can be found here.

Blank Meets Blank

Scriptnotes, Transcribed

John and Craig ask, what makes a useful comp? Writers often use comparisons when pitching or discussing projects, but what separates good comps from bad comps, why do we use them, and when do comps hurt more than they help? Basically, it’s The Studio meets My Dinner with Andre.

We also follow up on orality and “film by” credits, answer listener questions on getting AI feedback and attaching an actor to a microbudget feature, plus bring you another installment of John Recently Learned.

In our bonus segment for premium members, John and Craig are having weird issues with their email servers and need your help!

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 2-17-26: The transcript for this episode can be found here.

Orality, or Writing to be Spoken

Scriptnotes, Transcribed

John and Craig ask, are screenwriters just oral storytellers who happen to write things down? They compare the literate and oral markers of the medium, how it separates screenplays from other literary forms, and consider whether screenplays are just one long pitch.

We also look at the upcoming WGA member meetings, follow up on having enough time in the edit bay, Steve Jobs, Eva Victor, justifiable Dad pride, and answer listener questions on deliverables and what makes a script “undeniable.”

In our bonus segment for premium members, we look at the incredible slate of upcoming movies and make predictions for the 2026 box office.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 2-17-26: The transcript for this episode can be found here.

Preparing to Direct (with Eva Victor)

Scriptnotes, Transcribed

John and Craig welcome the actor-writer-director of the acclaimed indie Sorry, Baby to discuss preparing to direct your first feature.

Eva Victor’s year-long bootcamp included reverse-shotlisting movies, shadowing other directors, and lots of visual development. It earned them Best Directorial Debut by the National Board of Review.

We also examine how Eva chose which scenes to cut, answer a listener question on how to talk to actors, and follow up on some excellent reviews of the Scriptnotes Book.

In our bonus segment for premium members (like Eva!), Eva revisits their early career to think about how short-form video intersects with Hollywood.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 2-17-26: The transcript for this episode can be found here.