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From Captain Trips to Bowden’s Malady

November 28, 2011 Genres, Resources

In the spirit of the season, let us say thanks to Wikipedia for this comprehensive [list of fictional diseases](http://en.wikipedia.org/wiki/List_of_fictional_diseases).

> This article is a list of fictional diseases — nonexistent, named medical conditions which appear in fiction where they have a major plot or thematic importance. They may be fictional psychological disorders, magical, from mythological or fantasy settings, have evolved naturally, been engineered artificially (most often created as biological weapons), or be any illness that came forth from the (ab)use of technology.

It’s remarkable how many of these are variants on biological-zombie tropes. I particularly liked how Max Brooks set up the pathogen at the heart of his two [zombie books](http://www.amazon.com/dp/0307888681/?tag=johnaugustcom-20), which the wiki article summarizes nicely:

> Upon infection, the victim succumbs to bouts of high fevers, hallucinations, headaches, and vomiting spasms, before being officially declared dead a few hours later as the virus replicates through the brain. Approximately twenty-two hours later, the victim’s corpse reanimates as a zombie.

And no, as of this writing I haven’t seen Contagion yet, or the Walking Dead season finale.

(link via [BoingBoing](http://boingboing.net/2011/11/24/fictional-disease.html))

New questions, new answers

November 14, 2011 Resources

The number of answers at [Screenwriting.io](http://screenwriting.io) has grown a lot in the two weeks since we launched, with new ones posted every day.

Some recent questions answered:

* [What is a pre-lap?](http://screenwriting.io/what-is-a-pre-lap/)

* [In television, what are upfronts?](http://screenwriting.io/in-television-what-are-upfronts/)

* [What is the television writer/producer pecking order?](http://screenwriting.io/what-is-the-television-writerproducer-pecking-order/)

As a reminder, Stuart answers most of the questions at Screenwriting.io. I proof and tweak and curate a bit, but the answers aren’t strictly canonical.

Script Frenzy 2009

March 24, 2009 News, Resources

It’s that time again:

> Script Frenzy is an international writing event in which participants take on the challenge of writing 100 pages of scripted material in the month of April. As part of a donation-funded nonprofit, Script Frenzy charges no fee to participate; there are also no valuable prizes awarded or “best” scripts singled out. Every writer who completes the goal of 100 pages is victorious and awe-inspiring and will receive a handsome Script Frenzy Winner’s Certificate and web icon proclaiming this fact. Even those who fall short of the word goal will be applauded for making a heroic attempt. Really, you have nothing to lose—except that nagging feeling that there’s a script inside you that may never get out.

It’s like [NaNoWriMo](http://www.nanowrimo.org/), but for scripts. If it helps motivate you to actually write, give it a shot.

You can find all the info at the [Script Frenzy site](http://www.scriptfrenzy.org/).

Does a screenwriter have to be well-read?

May 13, 2008 Adaptation, Resources

Based on my score in this [list of 1001 important books](http://1morechapter.com/projects/1001-list/), the answer is __no__.

I got 38.

Some disclaimers are in order. First, the list includes only fiction. If it included non-fiction, I’d score much higher. I only counted books I actually read — seeing the movie doesn’t count. The list makes some questionable choices (The Lord of the Rings trilogy counts as one book, while _Alice in Wonderland/Through the Looking Glass_ is two), and some notable exceptions (_Dune_, anything by Faulkner ((I mistyped Faulkner’s name when doing a search. Unfortunately, I’d already credited myself for The Sound and the Fury.))). But there were enough titles that I recognized and hadn’t read to make me feel a bit ashamed.

The list comes from 1001 Books You Must Read Before You Die, a title that mixes death, forced labor and literature in a way that’s not particularly appealing. But I’m sure the editor explains his biases somewhere in the book.

By all means, share your score and criticisms in comments.

(Original link via [Jason Kottke](http://kottke.org).)

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